The Picture of Dorian Gray / Портрет Дориана Грея
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Оглавление
Оскар Уайльд. The Picture of Dorian Gray / Портрет Дориана Грея
The Preface
The Picture of Dorian Gray
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
Chapter XII
Chapter XIII
Chapter XIV
Chapter XV
Chapter XVI
Chapter XVII
Chapter XVIII
Chapter XIX
Chapter XX
Art and Morality: A Defence of «The Picture of Dorian Gray» edited by Stuart Mason
Art and morality
A study in puppydom
Mr. Wilde's bad case
Mr. Oscar Wilde again
Mr. Oscar Wilde's defence
Letter from “A London editor”
Mr. Oscar Wilde's defence
“The last word”
“The daily chronicle” on “Dorian Gray”
Oscar Wilde's reply “Dorian Gray”
“The Scots Observer's” rewiew
Oscar Wilde's replies
Profuse and perfervid
“The picture of Dorian Gray”
Punch on “Dorian Gray”
A Revulsion from realism. By Anne H. Wharton
The romance of the impossible. By Julian Hawthorne
Walter Pater on “Dorian Gray”
The morality of “Dorian Gray”
Mr. Robert Buchanan on pagan viciousness
Отрывок из книги
The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.
The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.
.....
Lord Henry took up his hat and gloves. “You are very pressing, Basil, but I am afraid I must go. I have promised to meet a man at the Orleans. Good-bye, Mr. Gray. Come and see me some afternoon in Curzon Street. I am nearly always at home at five o'clock. Write to me when you are coming. I should be sorry to miss you.”
“Basil,” cried Dorian Gray, “if Lord Henry Wotton goes, I shall go, too. You never open your lips while you are painting, and it is horribly dull standing on a platform and trying to look pleasant. Ask him to stay. I insist upon it.”
.....