Ovid's Erotic Poems
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Ovid. Ovid's Erotic Poems
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Ovid’s Erotic Poems
Amores AND Ars Amatoria
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A special feature of love elegy was the concentration on a single woman and the evolution of her relationship with the narrator. As with Catullus’s Lesbia playing with a pet bird and then mourning its death (Poems 2 and 3), we get a sense of a living personality, and the poet’s infatuation is credible. Cynthia and Delia, it might be said, are more convincing than if we saw them only through a man’s lovesick mind. They don’t retreat quickly and irrevocably from idealization into the obscurity of resentment and estrangement; they come and go, and their moods and circumstances change realistically. They don’t disappear when their admirer isn’t there but have independent occupations such as religious observances and visits among women friends, and they display their own learning and tastes. Here, where the female protagonists are probably for the most part fictional, their roles cohere and convince. In Augustan Rome, with its army of courtesans who were both consumers and consumed, cultured and part of the culture in the first really well-established imperial society, a form of literature became popular that still rings true.
Elegiac meter is an excellent vehicle for this achievement. The meter consists of an indefinite series of couplets, the first line of each being the same as an epic hexameter, or six-foot unit. The basic schema of the hexameter is the following, with one long (—) and two short syllables making up each foot but the last:
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