A Guide to the New Ruins of Great Britain

A Guide to the New Ruins of Great Britain
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A darkly humorous architectural guide to the decrepit newBritain that neoliberalism built. Back in 1997, New Labour came to power amid much talk of regenerating the inner cities left to rot under successive Conservative governments. Over the next decade, British cities became the laboratories of the new enterprise economy: glowing monuments to finance, property speculation, and the service industry—until the crash. In A Guide to the New Ruins of Great Britain , Owen Hatherley sets out to explore the wreckage—the buildings that epitomized an age of greed and aspiration. From Greenwich to Glasgow, Milton Keynes to Manchester, Hatherley maps the derelict Britain of the 2010s: from riverside apartment complexes, art galleries and amorphous interactive «centers,» to shopping malls, call centers and factories turned into expensive lofts. In doing so, he provides a mordant commentary on the urban environment in which we live, work and consume. Scathing, forensic, bleakly humorous, A Guide to the New Ruins of Great Britain is a coruscating autopsy of a get-rich-quick, aspirational politics, a brilliant, architectural «state we're in.»

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Owen Hatherley. A Guide to the New Ruins of Great Britain

A GUIDE TO THE. NEW RUINS OF. GREAT BRITAIN

Contents

Introduction. The Change We See

Be Careful What You Wish For

Architecture Becomes Logo: The Rise of Pseudomodernism

Service Stations, Service Industry

In (Partial) Praise of Urban Britain

Chapter One. Southampton: Terminus City

In Search of Solent City

Eastern Dock

Western Dock

Shedscape

Chapter Two. Milton Keynes: Buckinghamshire Alphaville

A New Career in a New Town

The End of the Space Age

Chapter Three. Nottingham: The Banality of Aspiration

Bespoke Containers

‘An evangelical college without God’

Chapter Four. Sheffield: The Former Socialist. Republic of South Yorkshire

Complexity and Contradiction in Sheffield Modernism, Part 1: Castle Market

Complexity and Contradiction in Sheffield Modernism, Part 2—Park Hill

Replanning Sheffield—Hung, Drawn and Quartered

Culture Industry/Steel Industry

Chapter Five. Manchester: So Much to Answer For

Property Development as the new Punk Rock

Post-Rave Urban Growth Coalition

New Emerging Babylon

‘Up the tenth floor, down the backstairs, into no man’s land’

Green Brutalism

The Home of Credit Crunch Chic

The Bloxham Organization

Chimney Pots and Conran Interiors—The New Salford

Chapter Six. Tyneside: From Brasilia to Baltic

‘I have a terrible feeling we won’t be getting our fees on this one’

Our New Cathedrals

Regenerated or Dead

Exhuming the Brasilia of the North

Revolution via Quango

Chapter Seven. Glasgow: Looking for the Future. in All the Wrong Places

Service Stations between the Futurist and the Organic

Theme for Great Cities

Redoubt on the Clyde

From Film-Set Chicago to the Glasgow Bloc

The Tentative Enclaves of the New Glasgow Modernism

A Walk from the Past to the Future and Somewhere In Between

Into the Grid

Palaces for the People

Chapter Eight. Cambridge: Silicon Fences

The Pretence to the Proletarian

Hiding in Plain Sight

Scientists and Their Bloody Childish Living Habits

Chapter Nine. The West Riding: Instead of a Supercity

The Marketplace

‘“It’s like Hell, isn’t it?” he said enthusiastically’

Building Society Design

Local Architecture for Local People

Blake’s Seven, Leeds Nil

Best Among Ruins

Chapter Ten. Cardiff: Manufacturing a Capital

A Capital Done on Design and Build

Libraries Gave Us Power (and Concessions)

Chapter Eleven. Greenwich: Estuarine Enclaves

Greenwich’s Shifting Borders

The Pursuit of the Millennium—Greenwich Peninsula as a Blairite Tabula Rasa

A Good Idea, Fallen Among Fabians

Alternatives (1)—The Architecture of Climate Camp

Alternatives (2)—Greenwich Mural Workshop and London’s Hidden Socialist Realism

Are You Arsenal in Disguise?

Nil Scrap Value

What’s All This I Hear about a ‘New Way’?

Chapter Twelve. Liverpool: Exit

The Last Days of Municipal Socialism

The One Is Not

Over the Wall

Acknowledgements

Notes

General Index

Index of Places

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Praise for A Guide to the New Ruins of Great Britain

‘An excellent vade-mecum for the disgruntled urban flaneur.’ Keith Miller, Times Literary Supplement Books of the Year

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Several books guided this guide, principal among them one published in 1934, a travel book called English Journey by the Bradfordian writer J. B. Priestley.9 In the following decade it was so widely read as to become one of those semi-mythical books that ‘won the ’45 election for Labour’—a sharp, populist, politely angry account of a deliberate attempt to look England in the face, from Southampton to Newcastle. This book is consciously written in Priestley’s shadow, albeit extending it outside of the dubious centrality of England, and focused much more strictly on buildings rather than anecdote and general observation. A few others also cast a heavy shadow—the mid-century journeys of Ian Nairn, the 1990s dérives of Patrick Keiller—and what links all three, other than my (usually hidden) references to them here, is a disinterest in or critique of Heritage England, and the pervasive myth of either an overcrowded or a green and pleasant land.

By the mid nineteenth century, this was the only country in the world which had more urban than rural inhabitants. Even now, after a century of sentimentalism about the countryside, around 90 per cent of us live in essentially urban areas, and although around 70 per cent of the landmass is still agricultural land, only 300,000 people actually work it. This might be an urban island, but extraordinarily Penguin Books were able to release a set of twenty books in 2009 called English Journeys, in obvious reference to Priestley, every single one of which dealt with the countryside. The bulk of Priestley’s account was urban, this being where the overwhelming majority of the English lived. At the end of this survey of a country torn between north and south, rich and poor, Priestley listed three Englands that he had found on this journey, all of them embodied in their man-made structures. The first was the countryside, an area of patchwork fields and local stone, one which has ‘long since ceased to make its own living’, pretty in its desuetude, if over-preserved. The second was that of the Industrial Revolution, of iron, brick, smokestacks and back-to-backs, more ‘real’ than the first but ruthlessly inhumane towards its inhabitants. Last was a third, commercial world of arterial roads, Tudorbethan suburbia, art deco factories and cinemas; cheap and ersatz, but without the brutality of the second.

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