Japanese Fairy Tales - The Original Classic Edition

Japanese Fairy Tales - The Original Classic Edition
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Originally published in 1903, Yei Theodora Ozakis translation of Sadanami Sanjins collection of Japanese fairy tales has been the introduction of many a young child into the legends and fables of old Japan across the years. Definitely not a scholarly reference or valuable research tool for folktale researchers, Ozaki unabashedly re-crafted some of the stories, translating loosely and adding in elements of unrelated tales, in order to make them more enjoyable and understandable for Western children. She even gave Urashimataro a happy ending! <p> There is something delightfully romantic about translations from this era, due to the unfamiliarity with Japanese culture at the time. Terms that would not be translated today, like oni and samurai, are rendered as ogre and knight and other English equivalents. While unauthentic, this makes the stories more approachable by young children who have a mind for fantasy but havent yet graduated to Japanese Studies. <p> Many of the stories here are familiar with anyone even slightly interested in Japanese folklore. Momotaro, or the Story of the Son of a Peach, The Story of Urashima Taro, the Fisher Lad, Kintaro the Golden Boy and The Ogre of Rashomon. Along with these, there are rarer tales that I havent seen in any other Japanese fairy tale collection. The Stones of Five Colors and the Empress Jokwa, The Sagacious Monkey and the Boar and How and Old Man Lost his Wren were all new to me.

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Ozaki Yei. Japanese Fairy Tales - The Original Classic Edition

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JAPANESE FAIRY TALES COMPILED BY

YEI THEODORA OZAKI

.....

When the feast was over the Princes asked the bridegroom if he would like to walk through the palace and see all there was to be seen. Then the happy fisherman, following his bride, the Sea King's daughter, was shown all the wonders of that enchanted land where youth and joy go hand in hand and neither time nor age can touch them. The palace was built of coral and adorned with pearls, and the beauties and wonders of the place were so great that the tongue fails to describe them.

But, to Urashima, more wonderful than the palace was the garden that surrounded it. Here was to be seen at one time the scenery of the four different seasons; the beauties of summer and winter, spring and autumn, were displayed to the wondering visitor at once.

.....

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