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P. H. Emerson. Naturalistic Photography for Students of the Art
Naturalistic Photography for Students of the Art
Table of Contents
INTRODUCTION
The Art of Photography
A.—Art Division
B.—Science Division
C.—Industrial Division
BOOK I. TERMINOLOGY AND ARGUMENT
CHAPTER I. TERMINOLOGY
CHAPTER II. NATURALISM IN PICTORIAL AND GLYPTIC ART
Egyptian Art
Monarchies of Western Asia
Ancient Greek and Italian Art
Early Christian Art
Mediæval Art
Eastern Art
Chinese and Japanese Art
The Renascence
From the Renascence to Modern Times
Germany
Flemish Art
Dutch Art
France
Sculpture
CHAPTER III. PHENOMENA OF SIGHT, AND ART PRINCIPLES DEDUCED. THEREFROM
A. Light
B. Direction of Light
C. Intensity
D. Colour
E. Binocular Vision—Psychological Data
F. Perspective
Art Principles Deducted from the Data Cited
BOOK II. TECHNIQUE AND PRACTICE
CHAPTER I. THE CAMERA AND TRIPOD
CHAPTER II. LENSES
CHAPTER III. DARK ROOM AND APPARATUS
CHAPTER IV. THE STUDIO
FURNITURE
CHAPTER V. FOCUSSING
CHAPTER VI. EXPOSURE
QUICK EXPOSURES,
TIME EXPOSURES
CHAPTER VII. DEVELOPMENT
CHAPTER VIII. RETOUCHING NEGATIVES
CHAPTER IX. PRINTING
CHAPTER X. ENLARGEMENTS
CHAPTER XI. TRANSPARENCIES, LANTERN AND STEREOSCOPIC SLIDES
CHAPTER XII. PHOTO-MECHANICAL PROCESSES
CHAPTER XIII. MOUNTING AND FRAMING
CHAPTER XIV. COPYRIGHT
CHAPTER XV. EXHIBITIONS
CHAPTER XVI. CONCLUSION
BOOK III. PICTORIAL ART
CHAPTER I. EDUCATED SIGHT
CHAPTER II. COMPOSITION
CHAPTER III. OUT-DOOR AND IN-DOOR WORK
OUT-DOOR PORTRAITURE
LANDSCAPE
THE “LINES.”
AËRIAL PERSPECTIVE
TONE
COMPOSITION
IMPRESSION
SUBJECT OF THE PICTURE
FIGURE AND LANDSCAPE
STUDIO PORTRAITURE
CHAPTER IV. HINTS ON ART
CHAPTER V. DECORATIVE ART
L'ENVOI. PHOTOGRAPHY—A PICTORIAL ART
L'ENVOI. PHOTOGRAPHY—A PICTORIAL ART
APPENDIX
APPENDIX I
APPENDIX II
SCIENCE AND ART
II
III
Conclusion
INDEX
