Frida Kahlo. Her photos

Frida Kahlo. Her photos
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When Frida Kahlo died, her husband Diego Rivera asked the poet Carlos Pellicer to turn the Blue House into a museum that the people of Mexico could visit to admire the work of the artist. Pellicer selected those of Frida's paintings which were in the house, along with drawings, photographs, books, and ceramics, maintaining the spaces just as Frida and Diego had arranged them to live and work in. The rest of the objects, clothing, documents, drawings, and letters, as well as over 6,000 photographs collected by Frida in the course of her life, were put away in bathrooms converted into storerooms. This remarkable collection remained hidden for more than half a century. A few years ago the storerooms, wardrobes, and trunks that safeguarded it were opened. The collection of photographs is a treasure that reveals the tastes and interests of the famous couple, not only through the images themselves but also through the annotations made on them. Frida's collection constitutes a roll call of great photographers: Man Ray, Brassaï, Martin Munkacsi, Pierre Verger, George Hurrel, Tina Modotti, Edward Weston, Manuel and Lola Álvarez Bravo, Gisèle Freund, and many others, including Frida Kahlo herself. It is likely that many of the photographs in the collection were taken by her, though we can only be sure of the few that she decided to sign in 1929.

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Pablo Ortiz Monasterio. Frida Kahlo. Her photos

FRIDA KAHLO

FRIDA KAHLO

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her photos

Pablo Ortiz Monasterio

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Frida replicated in her paintings some photographs that would prove especially shocking or moving for her. Such is the case of a portrait featuring a small child lying dead on a mat, which she would then reproduce on canvas in Dimas Rosas, a Deceased Little Child (1937). Frida even used photographic fragments in some of her paintings, such as My Dress Hangs There (1933), where she accurately reproduces the image of the photographed crowd.

The great variety of photographs in this archive also accounts for the intellectual restlessness of a woman interested in topics ranging from biology and medicine to science and history, and particularly, art history. Frida utilized photography to put together a series of images she found in books and magazines, which she would later on re-use in her paintings. Those she obtained from gynecology books to illustrate female anatomy and childbirth are also decidedly outstanding.

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