Dzogchen Deity Practice

Dzogchen Deity Practice
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The reason many Dzogchen teachings are connected to a sadhana involving the peaceful and wrathful deities is that the displays include these deities. The practice lets whatever is already present within you become visible; nothing else manifests. Since the peaceful and wrathful deities are already present within your body, they become visible during Tögal practice. The deities in Tögal are the same ones that will appear in the bardo. So, if the complete mandala has manifested during your life, no second mandala needs to appear in the bardo state—it doesn’t manifest twice. This is why many Dzogchen teachings emphasize the mandala of the peaceful and wrathful deities.Spoken by Tulku Urgyen Rinpoche

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Падмасамбхава. Dzogchen Deity Practice

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RANGJUNG YESHE BOOKS WWW.RANGJUNG.COM

PADMASAMBHAVA Treasures from Juniper Ridge Advice from the Lotus-Born Dakini Teachings

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During the first Ngakso drubchen held at Ka-Nying Shedrub Ling, I had the chance to ask Tulku Urgyen questions about the tenfold meaning of mantra. He gave very clear explanations that made me appreciate his learnedness in the Guhyagarbha Tantra. He also had an in-depth knowledge of many other tantras. He was especially insightful when defining the kayas and wisdoms and the “chakras of syllable clouds,” the sounds and meaning of mantra. In short, he exactly fit the title, Pandita of Definitive Meaning.

Concerning tantric ceremonies, Tulku Urgyen Rinpoche was extremely competent in the mandalas for vast activities, knowing their proportions and the accompanying rituals of sacred dance and exorcism. He was a skilled torma maker as well as an expert umdzey, “chant master.” He had a remarkable grasp of architecture and all other necessary fields of knowledge connected to Tibetan Buddhist practice. While some umdzeys merely sing ceremonies from beginning to end, Tulku Urgyen’s singing carried a certain blessing that could move the listener to devotion. When he gave an empowerment, even though the ritual may not have involved more than placing a vase on somebody’s head, people would feel it was something really special. Even the way he looked at people would give them some understanding that was totally unlike an ordinary person’s perception.

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