The Corporeal Imagination
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Patricia Cox Miller. The Corporeal Imagination
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The Corporeal Imagination
Series Editors: Daniel Boyarin, Virginia Burrus, Derek Krueger
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Like many of the hagiographical images treated in this book, these Eucharistic images are constituted by a carnal rhetoric that has an ocular and affective immediacy. In keeping with the technique of visceral seeing, they appeal to the sensory imagination, and they certainly demonstrate the role of word-pictures in shaping knowledge of material substance—in these cases, the sacramental elements. But, as with images of relics and their connection with the notion of intercession, the Eucharistic images appeal not just to the senses but also to the intellect, to the extent that they invite the reader to “see” a belief system. Visceral seeing, then, denotes a pictorial idiom in which the senses have cognitive status and the mind is materially engaged. Above all, this idiom teaches readers to “see” what is visually intractable—here, the fleshly presence of Christ in the Eucharist; in chapters that follow, the presence of divine power in a human body or the animate quality of a seemingly inanimate work of art.
Pictorial Theatricality
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