Surrealism
Описание книги
– This is a surrealist title, and will tie in with the 100th anniversary of surrealism (dated from André Breton and Philippe Soupault’s 1919 collaborative automatic text, Magnetic Fields ). – Unlike the academic texts likely to come out this year celebrating the 100th anniversary of surrealism, this book can be thought of as an «inside story» of the movement from someone deeply involved with its founding in the U.S. and beyond, who has gotten to know a wide variety of artists most associated with this movement in the latter half of the 20th century. – Includes pieces/profiles/interviews with artists Penelope has known such as Leonora Carrington, Mimi Parent, Toyen, Ted Joans, Jayne Cortez, and Man Ray. – This book chronicles a time, post-World War II and beyond, where the spirit of surrealism met the radical activism of student movements in the 60's. Penelope and her group in Chicago are the ones to come up with the phrase, «Make Love Not War.» – Leonora Carrington has been a hot commodity in publishing since the publication of her Complete Stories and the republication of Down Below . This book contains a memoir of the author’s personal relationship with Carrington and will have a cover image by Carrington. – Also contains accounts of other significant women surrealists involved with the Paris Group like Mimi Parent and Toyen. – Surrealist Women: An International Anthology (University of Texas Press, 1998) edited by Rosemont, remains a landmark and foundational text about the huge role women played in the development of surrealist art/writing in the 20th century. This book builds on that influential text but instead of an anthology of works, it is a collection of writings from Rosemont about these important artists. – Penelope Rosemont is the influential co-founder of the Chicago Surrealist Group, which is the primary group of surrealist artist in the U.S.
Отрывок из книги
Praise for Surrealism:
“Speaking of the Parisian surrealists that she and Franklin Rosemont met in Paris during their visit in 1965–66, Penelope describes them as ‘overflowing with poetry, beauty, humor, excitement and life.’ Every word applies to this book, a fascinating collection of essays, diary notes, and surrealist reflections. When writing about André Breton and his friends, or about the marvelous surrealist women artists Toyen, Mimi Parent, Leonora Carrington, or Jayne Cortez, Rosemont is not delivering dry abstractions, as so many academic ‘specialists,’ but telling us about warm and exciting human encounters, illuminated by the subversive spirit of Permanent Enchantment.”––Michael Löwy, author of Ecosocialism
.....
A particularly lively chorus-line dance was performed by some of the women of the Surrealist Group, five of them dressed in black tuxedo chorus-girl costumes, legs in black fishnet stockings, long tuxedo tails in back, high silk hats, white dickeys with bow ties and slim black canes. The tall, slim Mimi Parent was at the center, with her long, spectacular legs. It was funny and extremely well done.
Then more skits and songs. At one point, an inspired woman in the audience, slim, tiny, and blonde, who had not been part of any of the performances, got up on the grand piano and began a charming and provocative striptease. Gracefully she removed her garments one by one, down to her bikini panties; by this time, she had everyone’s attention. Suddenly, she became self-conscious and refused to go on, resulting in moans and loud protests. “What a silly time to become shy. Take the rest off!” someone in her audience called out. It was her husband.
.....