Surrealism
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Penelope Rosemont. Surrealism
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Praise for Surrealism:
“Speaking of the Parisian surrealists that she and Franklin Rosemont met in Paris during their visit in 1965–66, Penelope describes them as ‘overflowing with poetry, beauty, humor, excitement and life.’ Every word applies to this book, a fascinating collection of essays, diary notes, and surrealist reflections. When writing about André Breton and his friends, or about the marvelous surrealist women artists Toyen, Mimi Parent, Leonora Carrington, or Jayne Cortez, Rosemont is not delivering dry abstractions, as so many academic ‘specialists,’ but telling us about warm and exciting human encounters, illuminated by the subversive spirit of Permanent Enchantment.”––Michael Löwy, author of Ecosocialism
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A particularly lively chorus-line dance was performed by some of the women of the Surrealist Group, five of them dressed in black tuxedo chorus-girl costumes, legs in black fishnet stockings, long tuxedo tails in back, high silk hats, white dickeys with bow ties and slim black canes. The tall, slim Mimi Parent was at the center, with her long, spectacular legs. It was funny and extremely well done.
Then more skits and songs. At one point, an inspired woman in the audience, slim, tiny, and blonde, who had not been part of any of the performances, got up on the grand piano and began a charming and provocative striptease. Gracefully she removed her garments one by one, down to her bikini panties; by this time, she had everyone’s attention. Suddenly, she became self-conscious and refused to go on, resulting in moans and loud protests. “What a silly time to become shy. Take the rest off!” someone in her audience called out. It was her husband.
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