Adobe Photoshop CC For Dummies

Adobe Photoshop CC For Dummies
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Get picture perfect with Photoshop CC   Photoshop is a stunning program that puts the power of a professional photography studio into your hands, but it can also be a jungle to navigate—with a dense proliferation of menus, panels, shortcuts, plug-ins, and add-ons to get thoroughly lost in. Written by a literal Photoshop Hall of Famer, the new edition of  Photoshop CC For Dummies  is your experienced guide to the technical terrain, slashing away the foliage for a clear picture of how to produce the perfectly framed and beautifully curated images you want.  Beginning with an overview of the basic kit bag you need for your journey toward visual mastery, Peter Bauer—Photoshop instructor and an award-winning fine art photographer in his own right—shows you how to build your skills and enrich your creative palette with enhanced colors and tone, filters and layering, and even how undertake a foray into digital painting. Add in instructions on combining text with images and the how-tos of video and animation editing, and you have all the tools you need to carve out a one-person multimedia empire.  Master everything from the basics to professional insider tips Combine, layer, tone, and paint your images Explore the colorfully creative world of Photoshop filters Fix common problems You’ll find everything on the latest version of the software that you could dream of—and an improved shot at artistic success!

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Peter Bauer. Adobe Photoshop CC For Dummies

Adobe® Photoshop® CC For Dummies® To view this book's Cheat Sheet, simply go to www.dummies.com and search for “Adobe Photoshop CC For Dummies Cheat Sheet” in the Search box. Table of Contents

List of Illustrations

Guide

Pages

Introduction

About This Book

Conventions Used in This Book

Icons Used in This Book

How to Use This Book

Getting Started with Photoshop CC

An Overview of Photoshop

Exploring Adobe Photoshop

What Photoshop is designed to do

Other things you can do with Photoshop

Viewing Photoshop’s Parts and Processes

Reviewing basic computer operations

Launching Photoshop

Working with images

Saving your files

Keyboard shortcuts

Photoshop’s incredible selective Undo

Installing Photoshop: Need to know

Knowing Just Enough about Digital Images

What Exactly Is a Digital Image?

The True Nature of Pixels

How Many Pixels Can Dance on the Head of a Pin?

Resolution revelations

Resolving image resolution

Changing the size of your artwork with the Image Size command

TO RESAMPLE OR TO CROP: THAT IS THE QUESTION

Picking an image resolution

CONTENT-AWARE SCALING

File Formats: Which Do You Need?

Formats for digital photos

Formats for web graphics

Formats for commercial printing

RESAVING IMAGES IN THE JPEG FORMAT

Formats for PowerPoint and Word

Taking the Chef’s Tour of Your Photoshop Kitchen

Food for Thought: How Things Work

Ordering from the menus

Your platter full of panels

The tools of your trade

Get Cookin’ with Customization

Clearing the table: Custom workspaces

Spoons can’t chop: Creating tool presets

Season to Taste: The Photoshop Settings

Standing orders: Setting the Preferences

Preferences ⇒ History Log

Preferences ⇒ Tools

Preferences ⇒ Interface and Preferences ⇒ Workspace

Preferences ⇒ File Handling

Preferences ⇒ Performance

Preferences ⇒ Scratch Disks

Preferences ⇒ Cursors

Preferences ⇒ Transparency & Gamut

Preferences ⇒ Units & Rulers

Preferences ⇒ Guides, Grid & Slices

Preferences ⇒ Plug-Ins

Preferences ⇒ Technology Previews

Preferences ⇒ Product Improvement

Ensuring consistency: Color Settings

When Good Programs Go Bad: Fixing Photoshop

From Pics to Prints: Photoshop for Beginners

Bringing Images into Photoshop

Downloading from your digital camera

Scanning prints

PURCHASING COMMERCIAL IMAGES

Determining scan resolution

Preventing moiré patterns

Keeping Your Images Organized

Creating a folder structure

Using Adobe Bridge

Renaming image files easily

Printing Your Images

Cropping to a specific aspect ratio

Remembering resolution

Controlling color using File ⇒ Print

Considering color management solutions

Printing alternatives

Sharing Your Images

Emailing and AirDropping your images

Creating PDFs and websites

Easy Enhancements for Digital Images

Making Tonality and Color Look Natural

Adjusting Tonality to Make Your Images Pop

Histograms Simplified

Using Photoshop’s Auto Corrections

Levels and Curves and You

Level-headed you!

DEFINING WHITE AND BLACK

Tonal corrections with the eyedroppers

Adjusting your curves without dieting

Grabbing Even More Control

Using Shadows/Highlights

Changing exposure after the fact

Using Photoshop’s toning tools

What Is Color in Photoshop?

Which color mode should you choose?

Does a color model make a difference?

Why should you worry about color depth?

Making Color Adjustments in Photoshop

“HERE, SPOT!”: WHAT IS A SPOT COLOR?

Choosing color adjustment commands

Brightness/Contrast, Levels, Curves, Exposure

Vibrance

Hue/Saturation

Color Balance

Black & White

Photo Filter

Channel Mixer

Color Lookup

Invert

Posterize

Threshold

Gradient Map

Selective Color

Shadows/Highlights

HDR Toning

Desaturate

Match Color

Replace Color

Equalize

Manual corrections in individual channels

The People Factor: Flesh Tone Formulas

The Adobe Camera Raw Plug-In

Understanding the Raw Facts

What’s the big deal about Raw?

Working in Raw

The Camera Raw Interface

Camera Raw’s Tools and buttons

Before and After

Trash

Crop & Rotate

Spot Removal

Red Eye Reduction

Adjustment Brush

Graduated Filter

Radial Filter

Sampler Overlay and the Color Sampler tool

Camera Raw Preferences

The histogram

The preview area

Workflow Options and presets

Making Adjustments in Camera Raw’s Edit Panel

The Basic section

VIBRANCE AND SATURATION

The Curve section

The Detail section

The Color Mixer section

The Color Grading section

The Optics and Geometry sections

The Effects section

The Calibration section

The Camera Raw Cancel, Done, and Open buttons

Fine-Tuning Your Fixes

What Is a Selection?

Feathering and Anti-aliasing

Making Your Selections with Tools

Marquee selection tools

Lasso selection tools

The Object Selection tool

The Quick Selection tool

The Magic Wand tool

Select and Mask

Your Selection Commands

The primary selection commands

The Color Range command

The Focus Area command

The Select ⇒ Subject command

The Select ⇒ Sky command

Selection modification commands

Transforming the shape of selections

Edit in Quick Mask mode

The mask-related selection commands

Masks: Not Just for Halloween Anymore

Saving and loading selections

Editing an alpha channel

Adding masks to layers and Smart Objects

Masking with vector paths

Adjustment Layers: Controlling Changes

Adding an adjustment layer

Limiting your adjustments

Common Problems and Their Cures

Making People Prettier

Getting the red out … digitally

The digital fountain of youth

Dieting digitally

De-glaring glasses

Whitening teeth

Reducing Noise in Your Images

Decreasing digital noise

Eliminating luminance noise

Fooling Around with Mother Nature

Removing the unwanted from photos

Eliminating the lean: Fixing perspective

Rotating images precisely

Adding a beautiful sky

Creating “Art” in Photoshop

Combining Images

Compositing Images: 1 + 1 = 1

Understanding layers

Why you should use Smart Objects

Using the basic blending modes

Opacity, transparency, and layer masks

Creating clipping groups

Making composited elements look natural

Making Complex Selections

Vanishing Point

Creating Panoramas with Photomerge

Precision Edges with Vector Paths

Pixels, Paths, and You

Easy Vectors: Using Shapes

Your basic shape tools

The Custom Shape tool

More custom shapes — free!

Changing the appearance of the shape layer

Simulating a multicolor shape layer

Using Your Pen Tool to Create Paths

Understanding paths

Clicking and dragging your way down the path of knowledge

A closer look at the Paths panel

Pick a path, any path

The Paths panel buttons

Customizing Any Path

Adding, deleting, and moving anchor points

Combining paths

Tweaking type for a custom font

Dressing Up Images with Layer Styles

What Are Layer Styles?

Using the Styles Panel

Creating Custom Layer Styles

Exploring the Layer Style menu

Exploring the Layer Style dialog box

Layer effects basics

Bevel and Emboss

Stroke

Inner Shadow

Inner Glow

Satin

Color Overlay

THE FOUR KEY BLENDING MODES

Gradient Overlay

Pattern Overlay

Outer Glow

Drop Shadow

Opacity, fill, and advanced blending

Saving Your Layer Styles

Adding styles to the Styles panel

Preserving your layer styles

Giving Your Images a Text Message

Making a Word Worth a Thousand Pixels

A type tool for every season, or reason

What are all those options?

Taking control of your text with panels

The panel menus — even more options

Working with Styles

ADOBE’S FIND AND MATCH FONT FEATURES

Putting a picture in your text

Creating Paragraphs with Type Containers

Selecting alignment or justification

Ready, BREAK! Hyphenating your text

Shaping Up Your Language with Warp Text and Type on a Path

Applying the predefined warps

Customizing the course with paths

Painting in Photoshop

Discovering Photoshop’s Painting Tools

Painting with the Brush tool

Adding color with the Pencil tool

Removing color with the Eraser tool

Working with Panels and Selecting Colors

An overview of options

Creating and saving custom brush tips

Picking a color

Fine Art Painting with Specialty Brush Tips and the Mixer Brush

Exploring erodible brush tips

Introducing airbrush and watercolor tips

Mixing things up with the Mixer Brush

Filling, Stroking, Dumping, and Blending Colors

Deleting and dumping to add color

Using gradients

Filters: The Fun Side of Photoshop

Smart Filters: Your Creative Insurance Policy

The Filters You Really Need

Sharpening to focus the eye

Unsharp Mask

Smart Sharpen

Shake Reduction

Blurring images and selections

THE EDIT FADE COMMAND

The other Blur filters

Correcting for the vagaries of lenses

Cleaning up with Reduce Noise

Getting Creative and Artistic

Photo to painting with the Oil Paint filter

Working with the Filter Gallery

Push, Pull, and Twist with Liquify

What Are Neural Filters?

The original Neural Filters

Neural Filters in public beta testing

Proposed Neural Filters

Do I Need Those Other Filters?

Adding drama with Lighting Effects

Maximum and Minimum

Bending and bubbling

Creating clouds

Power Photoshop

Streamlining Your Work in Photoshop

Ready, Set, Action!

Recording your own Actions

Working with the Batch command

Find It Fast with Discover

Creating Contact Sheets and Presentations

Creating a PDF presentation

Collecting thumbnails in a contact sheet

Scanning Multiple Photos in One Pass

Sticking to the Script

Working with Video and Animation

Importing and Enhancing Video Clips

Getting video into Photoshop

Adjusting the length of video and audio clips

Adding adjustment layers and painting on video layers

Transitioning, titling, and adding special effects

Transforming video layers

Rendering and exporting video

Creating Animations in Photoshop

Building frame-based animations

Creating frame content

Tweening to create intermediary frames

Specifying frame rate

Optimizing and saving your animation

The Part of Tens

Ten Specialized Features of Photoshop CC

Using Smart Object Stack Modes

The Mean Stack Mode

Working with 3D Artwork

Creating 3D objects

Adding 3D objects

Rendering and saving 3D scenes

Measuring, Counting, and Analyzing Pixels

Measuring length, area, and more

Calculating with Vanishing Point

Counting crows or maybe avian flu

Viewing Your DICOM Medical Records

Ignoring MATLAB

Ten Ways to Integrate Your iPad

Using Sidecar to Add an iPad to Your Screen

Sidecar System Requirements

Arranging Your iPad’s Screen

Mirroring the Screens

Maximizing the Screen Space

Making Use of Photoshop on the iPad

Using the Cloud with Photoshop on the iPad and Desktop

Using Other Adobe iPad Apps

Does the iPad Replace My Wacom Tablet?

Setting Wacom Tablet Preferences for Touch Keys and Touch Ring

Ten Things to Know about HDR

Understanding HDR

Capturing for Merge to HDR Pro

Preparing Raw “Exposures” in Camera Raw

Working with Merge to HDR Pro

Saving 32-Bit HDR Images

HDR Toning

Painting and the Color Picker in 32-Bit

Filters and Adjustments in 32-Bit

Selections and Editing in 32-Bit

Printing HDR Images

Photoshop CC’s Blending Modes

Index. Numbers

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Z

About the Author

Author’s Dedication

Author’s Acknowledgments

WILEY END USER LICENSE AGREEMENT

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Adobe Photoshop CC is one of the most important computer programs of our age. It’s made photo editing a commonplace thing, something for the everyperson. Still, Photoshop can be a scary thing, comprising a jungle of menus and panels and tools and options and shortcuts as well as a bewildering array of add-ons and plug-ins. And that’s why you’re holding this book in your hands. And why I wrote it. And why John Wiley & Sons, Inc., published it.

You want to make sense of Photoshop — or, at the very least, be able to work competently and efficiently in the program, accomplishing those tasks that need to get done. You want a reference that discusses how things work and what things do, not in a technogeek or encyclopedic manner, but rather as an experienced friend might explain something to you. Although step-by-step explanations are okay if they show how something works, you don’t need rote recipes that don’t apply to the work you do. You don’t mind discovering tricks, as long as they can be applied to your images and artwork in a productive, meaningful manner. You’re in the right place!

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You can go ahead and save the image in that format, but your file will no longer contain those unsupported features. In the example shown in Figure 2-13, I can click the Save button and create a JPEG file, but that JPEG won’t have the alpha channel (a saved selection) or the spot colors (a custom printing color) and it will be flattened to a single layer. If I want to retain those features in the file, I need to choose a different file format, such as Photoshop’s own PSD format. (Read more about alpha channels in Chapter 7 and about spot channels in Chapter 5.)

FIGURE 2-13: Photoshop shows you which image features are not available in your selected file format.

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