An Essay on Man - The Original Classic Edition

An Essay on Man - The Original Classic Edition
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Popes defining masterwork, Essay on Man is a crystalization of the 18th Centurys defining impulses. The Essay on Man proselytizes on behalf of the deistic belief in an ordered, rational universe where humankind is no divine favorite but can understand its place on the Great Chain of Being and find happiness through knowledge and acceptance. Most will join with Voltaire in his hearty rejection of the doctrine Whatever is, is right, yet it is impossible to deny the ennobling quality of Popes optimism: <p> Grasp the whole worlds of reason, life, and sense, In one close system of benevolence: Happier as kinder, in whateer degree, And height of bliss but height of charity. <p> This is a terrific book with an indispensable work from this controversial and indispensable genius.

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Pope Alexander. An Essay on Man - The Original Classic Edition

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Transcribed from the 1891 Cassell & Company edition by Les Bowler.

An Essay on Man. moral essays and satires

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of which four were written, to which was added, as a fifth, the Epistle to Addison which had been written much earlier, in 1715, and first published in 1720. The four Moral essays are two pairs. One pair is upon the Characters of Men and on the Characters of Women, which would have formed the opening of the subject of the Fourth Book of the Essay: the other pair shows character expressed through a right or a wrong use of Riches: in fact, Money and Morals. The four Epistles were published separately. The fourth (to the Earl of Burlington) was first published in 1731, its title then being "Of Taste;" the third (to Lord Bathurst) followed

in 1732, the year of the publication of the first two Epistles on the "Essay on Man." In 1733, the year of publication of the Third Epistle of the "Essay on Man," Pope published his Moral Essay of the "Characters of Men." In 1734 followed the Fourth Epistle of the "Essay on Man;" and in 1735 the "Characters of Women," addressed to Martha Blount, the woman whom Pope loved, though he was withheld by a frail body from marriage. Thus the two works were, in fact, produced together, parts of one design.

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