What is Slavery to Me?
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Pumla Dineo Gqola. What is Slavery to Me?
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What is slavery to me?
POSTCOLONIAL/SLAVE MEMORY IN POST-APARTHEID SOUTH AFRICA
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David Dabydeen reminds us that the ‘Empire was a pornographic project; it wasn’t just economic or sociological or a political project, it was also a project of pornography’ (in Dawes 1997: 220). Yvette Abrahams (1997), too, has posited that the ‘great long national insult’ was a gendered corporeal project. Dabydeen’s and Abrahams’s cues are of utmost importance because apartheid and slave memory are often considered engagements with race. Although feminist scholarship has challenged this assumption successfully, such scholarship has often been as response to initially muted explorations of how pasts are gendered. Feminist historians of colonial and slave eras in southern Africa continue to challenge the erasure of women slaves, but also how slavery was a gendered project (Y. Abrahams 2000; Bradford 1996; Magubane 2004; van der Spuy 1996).
What might it mean to chart a field from the onset in ways that critically engage with how gender works alongside other axes of power? I am concerned with what new meanings are inevitably covered when we ask questions differently, as are the central tenets of postcolonial (and) feminist scholarship (Gqola 2001b). Elleke Boehmer (1992: 270) has demonstrated how representations of the slave body in colonial slavery:
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