Beyond the Synagogue

Beyond the Synagogue
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Reveals nostalgia as a new way of maintaining Jewish continuity In 2007, the Museum at Eldridge Street opened at the site of a restored nineteenth-century synagogue originally built by some of the first Eastern European Jewish immigrants in New York City. Visitors to the museum are invited to stand along indentations on the floor where footprints of congregants past have worn down the soft pinewood. Here, many feel a palpable connection to the history surrounding them. Beyond the Synagogue argues that nostalgic activities such as visiting the Museum at Eldridge Street or eating traditional Jewish foods should be understood as American Jewish religious practices. In making the case that these practices are not just cultural, but are actually religious, Rachel B. Gross asserts that many prominent sociologists and historians have mistakenly concluded that American Judaism is in decline, and she contends that they are looking in the wrong places for Jewish religious activity. If they looked outside of traditional institutions and practices, such as attendance at synagogue or membership in Jewish Community Centers, they would see that the embrace of nostalgia provides evidence of an alternative, under-appreciated way of being Jewish and of maintaining Jewish continuity. Tracing American Jews’ involvement in a broad array of ostensibly nonreligious activities, including conducting Jewish genealogical research, visiting Jewish historic sites, purchasing books and toys that teach Jewish nostalgia to children, and seeking out traditional Jewish foods, Gross argues that these practices illuminate how many American Jews are finding and making meaning within American Judaism today.

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Rachel B. Gross. Beyond the Synagogue

Beyond the Synagogue. Jewish Nostalgia as Religious Practice

Contents

Figures

Introduction. Feeling Jewish

The American Jewish Mitzvah

Looking for Judaism in All the Wrong Places

Case Studies

The Breadth and Boundaries of Nostalgia

1. How Do You Solve a Problem like Nostalgia?

Redefining American Jewish Religion

Histories of Nostalgia

Popular Culture and Public History

2. Give Us Our Name. Creating Jewish Genealogy

Hobby, Commitment, or Mitzvah

The Lineage of American Jewish Genealogy

Write Your Family History Now!

A Permanent Memorial to Them

Grandpa Didn’t Tell the Truth

3. Ghosts in the Gallery. Historic Synagogues as Heritage Sites

Salvation Stories

A Synagogue by Any Other Name

You Probably Think This Museum Is about You

View from the Balcony

Our Immigrant Heritage

4. True Stories. Teaching Nostalgia to Children

We Are Neglecting Our Children

The Eternal Grandparent

This Looks Like a Palace

Some Things Change and Some Things Don’t

A True Story, Just the Way I Remember It

A Girl’s-Eye View

It’s Their Story

5. Referendum on the Jewish Deli Menu. A Culinary Revival

Movements and Revivals

An Unjustified S(ch)mear Campaign

Family Stories and Recipes

Kosher-Style and Other Standards

New York and Other Places

A Knish Going Glam

Conclusion. The Limits and Possibilities of Nostalgia

Acknowledgments

Notes. Introduction

Chapter 1. How Do You Solve a Problem like Nostalgia?

Chapter 2. Give Us Our Name

Chapter 3. Ghosts in the Gallery

Chapter 4. True Stories

Chapter 5. Referendum on the Jewish Deli Menu

Conclusion

Index

About the Author

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Rachel B. Gross

NEW YORK UNIVERSITY PRESS

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To examine nostalgia, we need to take seriously the feminist saying, “the personal is political.” Scholars of affect theory emphasize that emotions are political, too. Individuals’ emotions and their embodied experiences are closely connected to public life, communities, and civic bodies. Identifying American Jewish nostalgia as a “public feeling” and as a religious activity highlights the connections between how individuals make and find meaning in their own lives and how communal institutions guide the emotions that we share. Like others who study public feelings, I am not overly concerned with the distinctions between “emotion,” “feeling,” and “affect.”24 These terms are all usefully imprecise, retaining ambiguity about the origins of emotions as individual expressions or as inspired by public sentiment or corporate interest.

The institutions of nostalgia that promote and enable these feelings and practices, such as the Museum at Eldridge Street, are far from the first seemingly non-religious institutions to guide American Jews’ shared emotions toward historical events. In the second half of the twentieth century, much of American Jewish communal identity rested on commemoration of the Holocaust and support for the State of Israel. Holocaust museums and memorials increased throughout the country, and organizations that raised money for Israeli groups served as major social and political outlets for American Jews. Though the institutions of Holocaust commemoration and American Zionism were ostensibly nonsectarian, they created and upheld guiding sacred narratives for American Jews. They were so closely tied up with American Jewish identity that visiting and supporting Holocaust commemorations and Israel could be considered a religious activity on a par with attending a Passover seder. In their American contexts, both Holocaust commemoration and Zionist advocacy have conveyed stories about Jewish pasts, presents, and futures, connecting American Jews to present-day Jewish communities and stories about ancestors—precisely the work of religion.25 Recognizing Holocaust commemoration and Zionist advocacy as widespread Jewish religious activities counters Cohen and Eisen’s claims about the dissolution of Jewish communal institutions and intergenerational commitment.

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