Kama Sutra (Annotated)

Kama Sutra (Annotated)
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The Kama Sutra is an ancient Indian Hindu text widely considered to be the standard work on human sexual behavior in Sanskrit literature written by Vatsyayana. A portion of the work consists of practical advice on sexual intercourse. It is largely in prose, with many inserted poetry verses. «Kama» which is one of the three goals of Hindu life, means sensual or sexual pleasure, and «sutra» literally means a thread or line that holds things together, and more metaphorically refers to an aphorism (or line, rule, formula), or a collection of such aphorisms in the form of a manual. Contrary to popular perception, especially in the western world, Kama sutra is not just an exclusive sex manual; it presents itself as a guide to a virtuous and gracious living that discusses the nature of love, family life and other aspects pertaining to pleasure oriented faculties of human life. Sir Richard Francis Burton (1821-1890) was an English explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, linguist, poet, fencer, and diplomat.

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Richard Francis Burton. Kama Sutra (Annotated)

Kama Sutra (Annotated)

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PREFACE

INTRODUCTION

PART I. THE VATSYAYANA SUTRA. INTRODUCTORY PREFACE. SALUTATION TO DHARMA, ARTHA AND KAMA

PART I. CHAPTER II. ON THE ACQUISITION OF DHARMA, ARTHA AND KAMA

CHAPTER III. ON THE ARTS AND SCIENCES TO BE STUDIED

CHAPTER IV. THE LIFE OF A CITIZEN.* (* This term would appear to apply generally to an inhabitant of Hindoostan. It is not meant only for a dweller in a city, like the Latin Urbanus as opposed to Rusticus.)

CHAPTER V. ABOUT THE KINDS OF WOMEN RESORTED TO BY THE CITIZENS, AND OF FRIENDS AND MESSENGERS

PART II. OF SEXUAL UNION

CHAPTER I. KINDS OF SEXUAL UNION ACCORDING TO

CHAPTER II. OF THE EMBRACE

CHAPTER III. ON KISSING

CHAPTER IV. ON PRESSING, OR MARKING, OR SCRATCHING WITH THE NAILS

CHAPTER V. ON BITING, AND THE MEANS TO BE EMPLOYED WITH REGARD TO WOMEN OF DIFFERENT COUNTRIES

CHAPTER VI. OF THE DIFFERENT WAYS OF LYING DOWN, AND VARIOUS KINDS OF CONGRESS

CHAPTER VII. OF THE VARIOUS MODES OF STRIKING, AND OF THE SOUNDS APPROPRIATE TO THEM

CHAPTER VIII. ABOUT WOMEN ACTING THE PART OF A MAN; AND OF THE WORK OF A MAN

CHAPTER IX. OF THE AUPARISHTAKA* OR MOUTH CONGRESS (* This practice appears to have been prevalent in some parts of India from a very ancient time. The "Shushruta," a work on medicine some two thousand years old, describes the wounding of the lingam with the teeth as one of the causes of a disease treated upon in that work. Traces of the practice are found as far back as the eighth century, for various kinds of the Auparishtaka are represented in the sculptures of many Shaiva temples at Bhuvaneshwara, near Cuttack, in Orissa, and which were built about that period. From these sculptures being found in such places, it would seem that this practice was popular in that part of the country at that time. It does not seem to be so prevalent now in Hindustan, its place perhaps is filled up by the practice of sodomy, introduced since the Mahomedan period.)

CHAPTER X. OF THE WAY HOW TO BEGIN AND HOW TO END THE CONGRESS. DIFFERENT KINDS OF CONGRESS AND LOVE QUARRELS

PART III. ABOUT THE ACQUISITION OF A WIFE

CHAPTER I. ON MARRIAGE

CHAPTER II. OF CREATING CONFIDENCE IN THE GIRL

CHAPTER III. ON COURTSHIP, AND THE MANIFESTATION OF THE FEELINGS BY OUTWARD SIGNS AND DEEDS

CHAPTER IV. ABOUT THINGS TO BE DONE ONLY BY THE MAN, AND THE ACQUISITION OF THE GIRL THEREBY. ALSO WHAT IS TO BE DONE BY A GIRL TO GAIN OVER A MAN, AND SUBJECT HIM TO HER

CHAPTER V. ON CERTAIN FORMS OF MARRIAGE* (* These forms of marriage differ from the four kinds of marriage mentioned in Chapter I., and are only to be made use of when the girl is gained over in the way mentioned in Chapters III. and IV.)

PART IV. ABOUT A WIFE

CHAPTER I. ON THE MANNER OF LIVING OF A VIRTUOUS WOMAN, AND OF HER BEHAVIOUR DURING THE ABSENCE OF HER HUSBAND

CHAPTER II. ON THE CONDUCT OF THE ELDER WIFE TOWARDS THE OTHER WIVES OF HER HUSBAND, AND ON THAT OF A YOUNGER WIFE TOWARDS THE ELDER ONES. ALSO ON THE CONDUCT OF A VIRGIN WIDOW RE-MARRIED; OF A WIFE DISLIKED BY HER HUSBAND; OF THE WOMEN IN THE KING'S HAREM; AND LASTLY ON THE CONDUCT OF A HUSBAND TOWARDS MANY WIVES

PART V. ABOUT THE WIVES OF OTHER MEN

CHAPTER I. OF THE CHARACTERISTICS OF MEN AND WOMEN.—THE REASONS WHY WOMEN REJECT THE ADDRESSES OF MEN.—ABOUT MEN WHO HAVE SUCCESS WITH WOMEN, AND ABOUT WOMEN WHO ARE EASILY GAINED OVER

CHAPTER II. ABOUT MAKING ACQUAINTANCE WITH THE WOMAN, AND OF THE EFFORTS TO GAIN HER OVER

CHAPTER III. EXAMINATION OF THE STATE OF A WOMAN'S MIND

CHAPTER IV. ABOUT THE BUSINESS OF A GO-BETWEEN

CHAPTER V. ABOUT THE LOVE OF PERSONS IN AUTHORITY FOR THE WIVES OF OTHER MEN

CHAPTER VI. ABOUT THE WOMEN OF THE ROYAL HAREM; AND OF THE KEEPING OF ONE'S OWN WIFE

PART VI. ABOUT COURTESANS

INTRODUCTORY REMARKS

CHAPTER I. OF THE CAUSES OF A COURTESAN RESORTING TO MEN; OF THE MEANS OF ATTACHING TO HERSELF THE MAN DESIRED; AND OF THE KIND OF MAN THAT IT IS DESIRABLE TO BE ACQUAINTED WITH

CHAPTER II. OF LIVING LIKE A WIFE

CHAPTER III. OF THE MEANS OF GETTING MONEY. OF THE SIGNS OF THE CHANGE OF A LOVER'S FEELINGS, AND OF THE WAY TO GET RID OF HIM

CHAPTER IV. ABOUT RE-UNION WITH A FORMER LOVER

CHAPTER V. OF DIFFERENT KINDS OF GAIN

CHAPTER VI. OF GAINS AND LOSSES; ATTENDANT GAINS AND LOSSES; AND DOUBTS; AS ALSO OF THE DIFFERENT KINDS OF COURTESANS

PART VII. ABOUT THE MEANS OF ATTRACTING OTHERS TO YOURSELF

CHAPTER I. ON PERSONAL ADORNMENT; ON SUBJUGATING THE HEARTS OF OTHERS; AND ON TONIC MEDICINES

CHAPTER II. OF THE WAYS OF EXCITING DESIRE, AND MISCELLANEOUS EXPERIMENTS, AND RECIPES

CONCLUDING REMARKS

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VatsyayanaRichard Francis Burton

PREFACE.

.....

A Vita** (** The Vita is supposed to represent somewhat the character of the Parasite of the Greek comedy. It is possible that he was retained about the person of the wealthy and dissipated as a kind of private instructor, as well as an entertaining companion.) is a man who has enjoyed the pleasures of fortune, who is a compatriot of the citizens with whom he associates, who is possessed of the qualities of a householder, who has his wife with him, and who is honoured in the assembly of citizens, and in the abodes of public women, and lives on their means and on them.

A Vidushaka*** (*** Vidushaka is evidently the buffoon and jester. Wilson says of him that he is the humble companion, not the servant, of a prince or man of rank, and it is a curious peculiarity that he is always a Brahman. He bears more affinity to Sancho Panza, perhaps, than any other character in western fiction, imitating him in his combination of shrewdness and simplicity, his fondness of good living and his love of ease. In the dramas of intrigue he exhibits some of the talents of Mercury, but with less activity and ingenuity, and occasionally suffers by his interference. According to the technical definition of his attributes he is to excite mirth by being ridiculous in person, age, and attire.) (also called a Vaihasaka, i.e., one who provokes laughter) is a person only acquainted with some of the arts who is a jester, and who is trusted by all.

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