Chinese Fairy Tales
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Оглавление
Richard Wilhelm. Chinese Fairy Tales
Preface
NURSERY FAIRY TALES
I. WOMEN’S WORDS PART FLESH AND BLOOD
II. THE THREE RHYMSTERS
III. HOW GREED FOR A TRIFLING THING LED A MAN TO LOSE A GREAT ONE
IV. WHO WAS THE SINNER?
V. THE MAGIC CASK
VI. THE FAVORITE OF FORTUNE AND THE CHILD OF ILL LUCK
VII. THE BIRD WITH NINE HEADS
VIII. THE CAVE OF THE BEASTS
IX. THE PANTHER
X. THE GREAT FLOOD
XI. THE FOX AND THE TIGER
XII. THE TIGER’S DECOY
XIII. THE FOX AND THE RAVEN
XIV. WHY DOG AND CAT ARE ENEMIES
LEGENDS OF THE GODS
XV. HOW THE FIVE ANCIENTS BECAME MEN
XVI. THE HERD BOY AND THE WEAVING MAIDEN
XVII. YANG OERLANG
XVIII. NOTSCHA
XIX. THE LADY OF THE MOON
XX. THE MORNING AND THE EVENING STAR
XXI. THE GIRL WITH THE HORSE’S HEAD OR THE SILKWORM GODDESS
XXII. THE QUEEN OF HEAVEN
XXIII. THE FIRE-GOD
XXIV. THE THREE RULING GODS
XXV. A LEGEND OF CONFUCIUS
XXVI. THE GOD OF WAR
TALES OF SAINTS AND MAGICIANS
XXVII. THE HALOS OF THE SAINTS
XXVIII. LAOTSZE
XXIX. THE ANCIENT MAN
XXX. THE EIGHT IMMORTALS (I)
XXXI. THE EIGHT IMMORTALS (II)
XXXII. THE TWO SCHOLARS
XXXIII. THE MISERLY FARMER
XXXIV. SKY O’DAWN
XXXV. KING MU OF DSCHOU
XXXVI. THE KING OF HUAI NAN
XXXVII. OLD DSCHANG
XXXVIII. THE KINDLY MAGICIAN
NATURE AND ANIMAL TALES
XXXIX. THE FLOWER-ELVES
XL. THE SPIRIT OF THE WU-LIAN MOUNTAIN
XLI. THE KING OF THE ANTS
XLII. THE LITTLE HUNTING DOG
XLIII. THE DRAGON AFTER HIS WINTER SLEEP
XLIV. THE SPIRITS OF THE YELLOW RIVER
XLV. THE DRAGON-PRINCES
XLVI. HELP IN NEED
XLVII. THE DISOWNED PRINCESS
XLVIII. FOX-FIRE
GHOST STORIES
XLIX. THE TALKING SILVER FOXES
L. THE CONSTABLE
LI. THE DANGEROUS REWARD
LII. RETRIBUTION
LIII. THE GHOST WHO WAS FOILED
LIV. THE PUNISHMENT OF GREED
LV. THE NIGHT ON THE BATTLEFIELD
LVI. THE KINGDOM OF THE OGRES
LVII. THE MAIDEN WHO WAS STOLEN AWAY
LVIII. THE FLYING OGRE
LIX. BLACK ARTS
HISTORIC LEGENDS
LX. THE SORCERER OF THE WHITE LOTUS LODGE
LXI. THE THREE EVILS
LXII. HOW THREE HEROES CAME BY THEIR DEATHS BECAUSE OF TWO PEACHES
LXIII. HOW THE RIVER-GOD’S WEDDING WAS BROKEN OFF
LXIV. DSCHANG LIANG
LXV. OLD DRAGONBEARD
LXVI. HOW MOLO STOLE THE LOVELY ROSE-RED
LXVII. THE GOLDEN CANISTER
LXVIII. YANG GUI FE
LXIX. THE MONK OF THE YANGTZE-KIANG
LITERARY FAIRY TALES
LXX. THE HEARTLESS HUSBAND
LXXI. GIAUNA THE BEAUTIFUL
LXXII. THE FROG PRINCESS
LXXIII. ROSE OF EVENING
LXXIV. THE APE SUN WU KUNG
Отрывок из книги
The fairy tales and legends of olden China have in common with the “Thousand and One Nights” an oriental glow and glitter of precious stones and gold and multicolored silks, an oriental wealth of fantastic and supernatural action. And yet they strike an exotic note distinct in itself. The seventy-three stories here presented after original sources, embracing “Nursery Fairy Tales,” “Legends of the Gods,” “Tales of Saints and Magicians,” “Nature and Animal Tales,” “Ghost Stories,” “Historic Fairy Tales,” and “Literary Fairy Tales,” probably represent the most comprehensive and varied collection of oriental fairy tales ever made available for American readers. There is no child who will not enjoy their novel color, their fantastic beauty, their infinite variety of subject. Yet, like the “Arabian Nights,” they will amply repay the attention of the older reader as well. Some are exquisitely poetic, such as “The Flower-Elves,” “The Lady of the Moon” or “The Herd Boy and the Weaving Maiden”; others like “How Three Heroes Came By Their Deaths Because Of Two Peaches,” carry us back dramatically and powerfully to the Chinese age of Chivalry. The summits of fantasy are scaled in the quasi-religious dramas of “The Ape Sun Wu Kung” and “Notscha,” or the weird sorceries unfolded in “The Kindly Magician.” Delightful ghost stories, with happy endings, such as “A Night on the Battlefield” and “The Ghost Who Was Foiled,” are paralleled with such idyllic love-tales as that of “Rose of Evening,” or such Lilliputian fancies as “The King of the Ants” and “The Little Hunting Dog.” It is quite safe to say that these Chinese fairy tales will give equal pleasure to the old as well as the young. They have been retold simply, with no changes in style or expression beyond such details of presentation which differences between oriental and occidental viewpoints at times compel. It is the writer’s hope that others may take as much pleasure in reading them as he did in their translation.
Fredrick H. Martens.
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The Roc again urged him to make haste: “The sun will appear in a moment,” said he, “and the sun is so hot it burns human beings up.”
“Wait just a little while longer,” said the big brother. But that very moment a red disk broke through the clouds with tremendous power. The Roc flew into the sea, stretched out both his wings, and beat the water with them in order to escape the heat. But the big brother was shrivelled up by the sun.
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