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Richard Jefferies
Sketches of natural history and rural life (Illustrated)
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His dog-whistle hangs at his buttonhole. His pocket-knife is a basket of tools in itself, most probably a present from some youthful sportsman who was placed under his care to learn how to handle a gun. The corkscrew it contains has seen much service at luncheon-time, when under a sturdy oak, or in a sheltered nook of the lane, where the hawthorn hedge and the fern broke the force of the wind, a merry shooting-party sat down to a well-packed hamper and wanted some one to draw the corks. Not but what the back of the larger blade has not artistically tapped off the neck of many a bottle, hitting it gently upwards against the rim. Nor must his keys be forgotten. The paths through the preserves, where they debouch on a public lane or road, are closed with high-sparred wicket gates, well pitched to stand the weather, and carefully locked, and of course he has a key. His watch, made on purpose for those who walk by night, tells him the time in the densest darkness of the woods. On pressing a spring and holding it near the ear, it strikes the hour last passed, then the quarters which have since elapsed; so that even when he cannot see an inch before his face he knows the time within fifteen minutes at the outside, which is near enough for practical purposes.
In personal appearance he would be a tall man were it not that he has contracted a slight stoop in the passage of the years, not from weakness or decay of nature, but because men who walk much lean forward somewhat, which has a tendency to round the shoulders. The weight of the gun, and often of a heavy game-bag dragging downwards, has increased this defect of his figure, and, as is usual after a certain age, even with those who lead a temperate life, he begins to show signs of corpulency. But these shortcomings only slightly detract from the manliness of his appearance, and in youth it is easy to see that he must have been an athlete. There is still plenty of power in the long sinewy arms, brown hands, and bull-neck, and intense vital energy in the bright blue eye. He is an ash-tree man, as a certain famous writer would say; hard, tough, unconquerable by wind or weather, fearless of his fellows, yielding but by slow and imperceptible degrees to the work of time. His neck has become the colour of mahogany; sun and tempest have left their indelible marks upon his face; and he speaks from the depths of his broad chest, as men do who talk much in the open air, shouting across the fields
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