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Rimsky-Korsakov Nikolay. Principles of Orchestration, with Musical Examples Drawn from His Own Works
Principles of Orchestration
Table of Contents
Extract from the Author’s Preface (1891)
Extract from the Preface to the last edition
VOLUME I
Chapter I. GENERAL REVIEW OF ORCHESTRAL GROUPS
A. Stringed Instruments
Table A. String group
B. Wind instruments. Wood-wind
Note to Table B
Table B. Wind group
Brass
Table C. Brass group
C. Instruments of little sustaining power. Plucked strings
Pizzicato
Harp
Percussion instruments producing determinate. sounds, keyed instruments. Kettle-drums
Table D. Pizzicato
* Table E. Glockenspiel, celesta, xylophone
Piano and Celesta
Glockenspiel, Bells, Xylophone
Percussion instruments producing indefinite sounds
Comparison of resonance in orchestral groups and. combination of different tone qualities
Chapter II. MELODY
Melody in stringed instruments
a) Violins
b) Violas
c) Violoncellos
d) Double basses
Grouping in unison
Stringed instruments doubling in octaves
Melody in double octaves
Doubling in three and four octaves
Melody in thirds and sixths
Melody in the wood-wind
Combination in unison
Combination in octaves
Doubling in two, three and four octaves
Melody in thirds and sixths
Thirds and sixths together
Melody in the brass
Brass in unison, in octaves, thirds and sixths
Melody in different groups of instruments combined together. A. Combination of wind and brass in unison
B. Combination of wind and brass in octaves
Examples of doubling in octaves:
C. Combination of strings and wind
D. Combination of strings and brass
E. Combination of the three groups
Chapter III. HARMONY
General observations
Number of harmonic parts—Duplication
Distribution of notes in chords
String harmony
Wood-wind harmony
Four-part and three-part harmony
Harmony in several parts
Duplication of timbres
Remarks
Harmony in the brass
Four-part writing
Three-part writing
Writing in several parts
Duplication in the brass
Harmony in combined groups. A. Combination of wind and brass
1. In unison (juxtaposition or contrast of tone qualities)
2. Overlaying (superposition), crossing, enclosure of parts
B. Combination of strings and wind
C. Combination of the three groups
Chapter IV. COMPOSITION OF THE ORCHESTRA
Different ways of orchestrating the same music
Full Tutti
Tutti in the wind
Tutti pizzicato
Tutti in one, two and three parts
Soli in the strings
Limits of orchestral range
Transference of passages and phrases
Chords of different tone quality used alternately
Amplification and elimination of tone qualities
Repetition of phrases, imitation, echo
Sforzando-piano and piano-sforzando chords
Method of emphasising certain notes and chords
Crescendo and diminuendo
Diverging and converging progressions
Tone quality as a harmonic force. Harmonic basis
Artificial effects
Use of percussion instruments for rhythm and colour
Economy in orchestral colour
Chapter V. COMBINATION OF THE HUMAN VOICE WITH ORCHESTRA. THE STAGE BAND
Orchestral accompaniment of solo voices. General remarks
Transparence of accompaniment. Harmony
Doubling voices in the orchestra
Recitative and declamation
Orchestral accompaniment of the chorus
Solo voice with chorus
Instruments on the stage and in the wings
Chapter VI (Supplementary)
Technical Terms
Soloists. Range and register
Vocalisation
Table F. Voices. Chorus:
Soloists:
Vowels
Flexibility
Colour and character of voices
Voices in combination
Duet
Trios, quartets etc
Chorus. Range and register
Melody
A. Mixed chorus. Chorus in unison
Progression in octaves
Voices (divisi); harmonic use of the mixed chorus
B. Men’s chorus and women’s chorus
FOOTNOTES
VOLUME II
No. 1. “Sheherazade,” 2nd movement. No. 1. „Shéhérazade,“ 2me mouvement
No. 2. “The Legend of the invisible city of Kitesh.” No. 2. „Légende de la ville invisible de Kitéj.“
No. 3. “Spanish Capriccio.” No. 3. „Capriccio Espagnol.“
No. 4. “Pan Voyevoda.” No. 4. „Pan le Voïevode.“
No. 5. “The Golden Cockerel.” No. 5. „Le Coq d’Or.“
No. 6. “Sadko,” symphonic tableau (p. 28). No. 6. „Sadko,“ tableau symphonique (p. 28)
No. 7. “Pan Voyevoda,” nocturne. No. 7. „Pan le Voïevode,“ nocturne
No. 8. “Snegourotchka.” No. 8. „Sniégourotchka.“
No. 9. “Snegourotchka.” No. 9. „Sniégourotchka.“
No. 10. “The Legend of the invisible city of Kitesh.” No. 10. „Légende de la ville invisible de Kitéj.“
No. 11. “The Golden Cockerel.” No. 11. „Le Coq d’Or.“
No. 12. “Sheherazade,” 3rd movement (commencement). No. 12. „Shéhérazade,“ 3me mouvement (début)
No. 13. “The Golden Cockerel” (p. 87). No. 13. „Le Coq d’Or“ (p. 87)
No. 14. “Sadko.” No. 14. „Sadko.“
No. 15. “Snegourotchka.” No. 15. „Sniégourotchka.“
No. 16. “The Golden Cockerel” (p. 88). No. 16. „Le Coq d’Or“ (p. 88)
No. 17. “Snegourotchka.” No. 17. „Sniégourotchka.“
No. 18. “The May Night,” Act III. No. 1. „La Nuit de Mai,“ 3me acte
No. 19. “Sheherazade,” 2nd movement. No. 19. „Shéhérazade,“ 2me mouvement
No. 20. “Sadko.” No. 20. „Sadko.“
No. 21. “The Legend of the invisible city of Kitesh.” No. 21. „Légende de la ville invisible de Kitéj.“
No. 22. “The Tsar’s Bride.” No. 22. „La Fiancée du Tsar.“
No. 23. “The Legend of Tsar Saltan.” No. 23. „Légende du Tsar Saltan.“
No. 24. “Sadko” (p. 336). No. 24. „Sadko“ (p. 336)
No. 25. “Ivan the Terrible,” Act III. No. 25. „La Pskovitaine,“ 3me acte
No. 26. “Snegourotchka.” No. 26. „Sniégourotchka.“
No. 27. “Sadko” (p. 296). No. 27. „Sadko“ (p. 296)
No. 28. “Snegourotchka.” No. 28. „Sniégourotchka.“
No. 29. “Antar.” No. 29. „Antar.“
No. 30. “Sheherazade,” 3rd movement (p. 131). No. 30. „Shéhérazade,“ 3me mouvement (p. 131)
No. 31. “The Legend of the invisible city of Kitesh.” No. 31. „Légende de la ville invisible de Kitéj.“
No. 32. “Antar.” No. 32. „Antar.“
No. 33. “Snegourotchka.” No. 33. „Sniégourotchka.“
No. 34. “The Legend of the invisible city of Kitesh.” No. 34. „Légende de la ville invisible de Kitéj.“
No. 35. “Spanish Capriccio.” No. 35. „Capriccio Espagnol.“
No. 36. “The Legend of Tsar Saltan.” No. 36. „Légende du Tsar Saltan.“
No. 37. “Sheherazade,” 4th movement (p. 140). No. 37. „Shéhérazade,“ 4me mouvement (p. 140)
No. 38. “Ivan the Terrible,” Act III (p. 236). No. 38. „La Pskovitaine,“ 3me acte (p. 236)
No. 39. “The Legend of the invisible city of Kitesh.” No. 39. „Légende de la ville invisible de Kitéj.“
No. 40. “Sheherazade,” 2nd movement (p. 43). No. 40. „Shéhérazade,“ 2me mouvement (p. 43)
No. 41. “Snegourotchka.” No. 41. „Sniégourotchka.“
No. 42. “The Golden Cockerel” (p. 75). No. 42. „Le Coq d’Or“ (p. 75)
No. 43. “The Golden Cockerel” (p. 119). No. 43. „Le Coq d’Or“ (p. 119)
No. 44. “Spanish Capriccio.” No. 44. „Capriccio Espagnol.“
No. 45. “The Golden Cockerel.” No. 45. „Le Coq d’Or.“
No. 46. “Mlada,” Act II (p. 206). No. 46. „Mlada,“ 2me acte (p. 206)
No. 47. “Snegourotchka.” No. 47. „Sniégourotchka.“
No. 48. “Snegourotchka.” No. 48. „Sniégourotchka.“
No. 49. “Vera Scheloga.” No. 49. „La Boïarine Véra Chéloga.“
No. 50. “The Golden Cockerel” (p. 330). No. 50. „Le Coq d’Or“ (p. 330)
No. 51. “Mlada,” Act III (p. 359). No. 51. „Mlada,“ 3me acte (p. 359)
No. 52. “Snegourotchka.” No. 52. „Sniégourotchka.“
No. 53. “The Legend of the invisible city of Kitesh” (p. 491). No. 53. „Légende de la ville invisible de Kitéj“ (p. 491)
No. 54. “Snegourotchka” (p. 133). No. 54. „Sniégourotchka“ (p. 133)
No. 55. “Snegourotchka” (p. 365). No. 55. „Sniégourotchka“ (p. 365)
No. 56. “Spanish Capriccio.” No. 56. „Capriccio Espagnol.“
No. 57. “Snegourotchka” (p. 306). No. 57. „Sniégourotchka“ (p. 306)
No. 58. “Sheherazade,” 3rd movement. No. 58. „Shéhérazade,“ 3me mouvement
No. 59. “Vera Scheloga.” No. 59. „La Boïarine Véra Chéloga.“
No. 60. “Mlada,” Act III (p. 389). No. 60. „Mlada,“ 3me acte (p. 389)
No. 61. “Mlada,” Act II (p. 205). No. 61. „Mlada,“ 2me acte (p. 205)
No. 62. “Servilia.” No. 62. „Servilia.“
No. 63. “The Tsar’s Bride.” No. 63. „La Fiancée du Tsar.“
No. 64. “Spanish Capriccio” (p. 57). No. 64. „Capriccio Espagnol“ (p. 57)
No. 65. “Antar,” 1st version, 3rd movement (commencement). No. 65. „Antar,“ première version, 3me mouvement (début)
No. 66. “Sheherazade,” 3rd movement. No. 66. „Shéhérazade,“ 3me mouvement
No. 67. “Spanish Capriccio” (p. 79). No. 67. „Capriccio Espagnol“ (p. 79)
No. 68. “The Christmas Night.” No. 68. „La Nuit de Noël.“
No. 69. “The Legend of the invisible city of Kitesh.” No. 69. „Légende de la ville invisible de Kitéj.“
No. 70. “The Legend of the invisible city of Kitesh.” No. 70. „Légende de la ville invisible de Kitéj.“
No. 71. “Sadko.” No. 71. „Sadko.“
No. 72. “Snegourotchka.” No. 72. „Sniégourotchka.“
No. 73. “Antar,” 3rd movement. No. 73. „Antar,“ 3me mouvement
No. 74. “Sheherazade,” 2nd movement (p. 51). No. 74. „Shéhérazade,“ 2me mouvement (p. 51)
No. 75. “Sadko” (p. 498). No. 75. „Sadko“ (p. 498)
No. 76. “The May Night,” Act III (commencement). No. 76. „La Nuit de Mai,“ 3me acte (début)
No. 77. “Sheherazade,” 4th movement (p. 204). No. 77. „Shéhérazade,“ 4me mouvement (p. 204)
No. 78. “Mlada,” Act III (p. 350). No. 78. „Mlada,“ 3me acte (p. 350)
No. 79. “Mlada,” Act III (p. 370). No. 79. „Mlada,“ 3me acte (p. 370)
No. 80. “The May Night,” Act III. No. 80. „La Nuit de Mai,“ 3me acte
No. 81. “Sadko.” No. 81. „Sadko.“
No. 82. “Sadko.” No. 82. „Sadko.“
No. 83. “Sadko.” No. 83. „Sadko.“
No. 84. “The Legend of Tsar Saltan” (p. 54). No. 84. „Légende du Tsar Saltan“ (p. 54)
No. 85. “Ivan the Terrible,” overture (beginning). No. 85. „La Pskovitaine,“ ouverture (début)
No. 86. “Sadko.” No. 86. „Sadko.“
No. 87. “Kashtcheï the Immortal.” No. 87. „Kachtchéï l’Immortel.“
No. 88. “Servilia.” No. 88. „Servilia.“
No. 89. “Servilia.” No. 89. „Servilia.“
No. 90. “Sheherazade,” 4th part. No. 90. „Shéhérazade,“ 4me partie
No. 91. “The Legend of Tsar Saltan.” No. 91. „Légende du Tsar Saltan.“
No. 92. “The Golden Cockerel.” No. 92. „Le Coq d’Or.“
No. 93. “Snegourotchka” (p. 269). No. 93. „Sniégourotchka“ (p. 269)
No. 94. “Snegourotchka” (p. 271). No. 94. „Sniégourotchka“ (p. 271)
No. 95. “Snegourotchka.” No. 95. „Sniégourotchka.“
No. 96. “Ivan the Terrible,” Act III (p. 318). No. 96. „La Pskovitaine,“ 3me acte (p. 318)
No. 97. “Snegourotchka.” No. 97. „Sniégourotchka.“
No. 98. “The Legend of Tsar Saltan.” No. 98. „Légende du Tsar Saltan.“
No. 99. “Snegourotchka” (p. 145). No. 99. „Sniégourotchka“ (p. 145)
No. 100. “The Christmas Night.” No. 100. „La Nuit de Noël.“
No. 101. “The Christmas Night.” No. 101. „La Nuit de Noël.“
No. 102. “Snegourotchka.” No. 102. „Sniégourotchka.“
No. 103. “The Legend of the invisible city of Kitesh.” No. 103. „Légende de la ville invisible de Kitéj.“
No. 104. “The Golden Cockerel.” No. 104. „Le Coq d’Or.“
No. 105. “The Christmas Night” (p. 247). No. 105. „La Nuit de Noël“ (p. 247)
No. 106. “The Christmas Night,” Prelude. No. 106. „La Nuit de Noël,“ Prélude
No. 107. “Snegourotchka.” No. 107. „Sniégourotchka.“
No. 108. “Snegourotchka.” No. 108. „Sniégourotchka.“
No. 109. “Sheherazade,” 1st movement (p. 3). No. 109. „Shéhérazade,“ 1er mouvement (p. 3)
No. 110. “The Legend of Tsar Saltan” (p. 197). No. 110. „Légende du Tsar Saltan“ (p. 197)
No. 111. “The Legend of Tsar Saltan.” No. 111. „Légende du Tsar Saltan.“
No. 112. “Sadko,” (opening of the 2nd tableau). No. 112. „Sadko,“ (début du 2me tableau)
No. 113. “The Tsar’s Bride.” No. 113. „La Fiancée du Tsar.“
No. 114. “The Legend of the invisible city of Kitesh” (p. 127). No. 114. „Légende de la ville invisible de Kitéj“ (p. 127)
No. 115. “The Legend of the invisible city of Kitesh” (p. 257). No. 115. „Légende de la ville invisible de Kitéj“ (p. 257)
No. 116. “The Legend of the invisible city of Kitesh.” No. 116. „Légende de la ville invisible de Kitéj.“
No. 117. “The Golden Cockerel” (p. 315). No. 117. „Le Coq d’Or“ (p. 315)
No. 118. “Snegourotchka.” No. 118. „Sniégourotchka.“
No. 119. “Snegourotchka.” No. 119. „Sniégourotchka.“
No. 120. “Sadko.” No. 120. „Sadko.“
No. 121. “Sadko.” No. 121. „Sadko.“
No. 122. “Sadko.” No. 122. „Sadko.“
No. 123. “Kashtcheï the Immortal” (p. 119). No. 123. „Kachtchéï l’Immortel“ (p. 119)
No. 124. “The Legend of the invisible city of Kitesh.” No. 124. „Légende de la ville invisible de Kitéj.“
No. 125. “The Legend of the invisible city of Kitesh” (p. 392). No. 125. „Légende de la ville invisible de Kitéj“ (p. 392)
No. 126. “The Legend of the invisible city of Kitesh” (p. 517). No. 126. „Légende de la ville invisible de Kitéj“ (p. 517)
No. 127. “The Golden Cockerel.” No. 127. „Le Coq d’Or.“
No. 128. “The Golden Cockerel.” No. 128. „Le Coq d’Or.“
No. 129. “Snegourotchka” (p. 350). No. 129. „Sniégourotchka“ (p. 350)
No. 130. “Sadko.” No. 130. „Sadko.“
No. 131. “Sadko.” No. 131. „Sadko.“
No. 132. “The Christmas Night” (p. 309). No. 132. „La Nuit de Noël“ (p. 309)
No. 133. “The Legend of Tsar Saltan.” No. 133. „Légende du Tsar Saltan.“
No. 134. “The Legend of the invisible city of Kitesh.” No. 134. „Légende de la ville invisible de Kitéj.“
No. 135. “The Golden Cockerel” (p. 143). No. 135. „Le Coq d’Or“ (p. 143)
No. 136. “Snegourotchka” (p. 97). No. 136. „Sniégourotchka“ (p. 97)
No. 137. “Servilia.” No. 137. „Servilia.“
No. 138. “The Legend of Tsar Saltan.” No. 138. „Légende du Tsar Saltan.“
No. 139. “The Legend of the invisible city of Kitesh.” No. 139. „Légende de la ville invisible de Kitéj.“
No. 140. “The Legend of the invisible city of Kitesh.” No. 140. „Légende de la ville invisible de Kitéj.“
No. 141. “The Tsar’s Bride.” No. 141. „La Fiancée du Tsar.“
No. 142. “The Tsar’s Bride” (p. 247). No. 142. „La Fiancée du Tsar“ (p. 247)
No. 143. “The Christmas Night.” No. 143. „La Nuit de Noël.“
No. 144. “Sadko” (p. 121; woodwind alone). No. 144. „Sadko“ (p. 121; instruments à vent seuls)
No. 145. “Sadko.” No. 145. „Sadko.“
No. 146. “The Legend of the invisible city of Kitesh.” No. 146. „Légende de la ville invisible de Kitéj.“
No. 147. “The Golden Cockerel.” No. 147. „Le Coq d’Or.“
No. 148. “Russian Easter Fête” (p. 11). No. 148. „La Grande Pâque Russe“ (p. 11)
No. 149. “The Legend of Tsar Saltan.” No. 149. „Légende du Tsar Saltan.“
No. 150. “The Legend of Tsar Saltan” (p. 219). No. 150. „Légende du Tsar Saltan“ (p. 219)
No. 151. “Antar.” No. 151. „Antar.“
No. 152. “Antar.” No. 152. „Antar.“
No. 153. “The Christmas Night” (p. 376). No. 153. „La Nuit de Noël“ (p. 376)
No. 154. “Sadko.” No. 154. „Sadko.“
No. 155. “Servilia.” No. 155. „Servilia.“
No. 156. “The Legend of the invisible city of Kitesh” (p. 252). No. 156. „Légende de la ville invisible de Kitéj“ (p. 252)
No. 157. “Antar.” No. 157. „Antar.“
No. 158. “Ivan the Terrible,” Act I. No. 158. „La Pskovitaine,“ 1er acte
No. 159. “Snegourotchka” (p. 223). No. 159. „Sniégourotchka“ (p. 223)
No. 160. “Sadko” (p. 231). No. 160. „Sadko“ (p. 231)
No. 161. “The Legend of Tsar Saltan” (p. 80). No. 161. „Légende du Tsar Saltan“ (p. 80)
No. 162. “The Legend of Tsar Saltan” (p. 92). No. 162. „Légende du Tsar Saltan“ (p. 92)
No. 163. “The Legend of the invisible city of Kitesh.” No. 163. „Légende de la ville invisible de Kitéj.“
No. 164. “The Legend of the invisible city of Kitesh” (p. 400). No. 164. „Légende de la ville invisible de Kitéj“ (p. 400)
No. 165. “The May Night,” Act I (p. 105). No. 165. „La Nuit de Mai,“ 1er acte (p. 105)
No. 166. “Snegourotchka.” No. 166. „Sniégourotchka.“
No. 167. “The Christmas Night.” No. 167. „La Nuit de Noël.“
No. 168. “Sadko.” No. 168. „Sadko.“
No. 169. “Sadko” (p. 492). No. 169. „Sadko“ (p. 492)
No. 170. “Sadko.” No. 170. „Sadko.“
No. 171. “Antar.” No. 171. „Antar.“
No. 172. “The Tsar’s Bride” (p. 252). No. 172. „La Fiancée du Tsar“ (p. 252)
No. 173. “Sadko” (p. 112). No. 173. „Sadko“ (p. 112)
No. 174. “The Christmas Night.” No. 174. „La Nuit de Noël.“
No. 175a. “Vera Scheloga” (p. 49). No. 175.a. „La Boïarine Véra Chéloga“ (p. 49)
No. 175b. Another possible orchestration. No. 175.b. Autre orchestration possible
No. 176. “Russian Easter Fête” (p. 5). No. 176. „La Grande Pâque Russe“ (p. 5)
No. 177. “Russian Easter Fête” (p. 9). No. 177. „La Grande Pâque Russe“ (p. 9)
No. 178. “The Tsar’s Bride” (p. 1-2). No. 178. „La Fiancée du Tsar“ (p. 1-2)
No. 179. “The Tsar’s Bride.” No. 179. „La Fiancée du Tsar.“
No. 180. “The Tsar’s Bride.” No. 180. „La Fiancée du Tsar.“
No. 181. “The Tsar’s Bride.” No. 181. „La Fiancée du Tsar.“
No. 182. “The Legend of Tsar Saltan.” No. 182. „Légende du Tsar Saltan.“
No. 183. “The Legend of Tsar Saltan.” No. 183. „Légende du Tsar Saltan.“
No. 184. “The Legend of Tsar Saltan.” No. 184. „Légende du Tsar Saltan.“
No. 185. “The Legend of Tsar Saltan.” No. 185. „Légende du Tsar Saltan.“
No. 186. “The Legend of Tsar Saltan.” No. 186. „Légende du Tsar Saltan.“
No. 187. “The Legend of Tsar Saltan” (p. 306). No. 187. „Légende du Tsar Saltan“ (p. 306)
No. 188. “The Legend of Tsar Saltan” (p. 416). No. 188. „Légende du Tsar Saltan“ (p. 416)
No. 189. “The Legend of Tsar Saltan” (p. 367). No. 189. „Légende du Tsar Saltan“ (p. 367)
No. 190. “Ivan the Terrible,” overture. No. 190. „La Pskovitaine,“ ouverture
No. 191. “Ivan the Terrible,” overture. No. 191. „La Pskovitaine,“ ouverture
No. 192. “Sheherazade” (p. 5). No. 192. „Shéhérazade“ (p. 5)
No. 193. “Sheherazade” (p. 8). No. 193. „Shéhérazade“ (p. 8)
No. 194. “Sheherazade” (p. 19). No. 194. „Shéhérazade“ (p. 19)
No. 195. “Sheherazade” (p. 38-39). No. 195. „Shéhérazade“ (p. 38-39)
No. 196. “The Legend of the invisible city of Kitesh.” No. 196. „Légende de la ville invisible de Kitéj.“
No. 197. “The Legend of the invisible city of Kitesh.” No. 197. „Légende de la ville invisible de Kitéj.“
No. 198. “The Legend of the invisible city of Kitesh.” No. 198. „Légende de la ville invisible de Kitéj.“
No. 199. “The Legend of the invisible city of Kitesh.” No. 199. „Légende de la ville invisible de Kitéj.“
No. 200. “The Legend of the invisible city of Kitesh.” No. 200. „Légende de la ville invisible de Kitéj.“
No. 201. “The Legend of the invisible city of Kitesh.” No. 201. „Légende de la ville invisible de Kitéj.“
No. 202. “The Golden Cockerel” (p. 298-299). No. 202. „Le Coq d’Or“ (p. 298-299)
No. 203. “The Golden Cockerel” (p. 309-310). No. 203. „Le Coq d’Or“ (p. 309-310)
No. 204. “Snegourotchka” (p. 267). No. 204. „Sniégourotchka“ (p. 267)
No. 205. “Sadko.” No. 205. „Sadko.“
No. 206. “Sadko.” No. 206. „Sadko.“
No. 207. “The Christmas Night.” No. 207. „La Nuit de Noël.“
No. 208. “The Christmas Night.” No. 208. „La Nuit de Noël.“
No. 209. “Sheherazade” (p. 123). No. 209. „Shéhérazade“ (p. 123)
No. 210. “Snegourotchka” (p. 176-177). No. 210. „Sniégourotchka“ (p. 176-177)
No. 211. “Snegourotchka” (p. 179-180). No. 211. „Sniégourotchka“ (p. 179-180)
No. 212. “Ivan the Terrible,” Act II. No. 212. „La Pskovitaine,“ 2me acte
No. 213. “The Legend of the invisible city of Kitesh.” No. 213. „Légende de la ville invisible de Kitéj.“
No. 214. “The Legend of the invisible city of Kitesh.” No. 214. „Légende de la ville invisible de Kitéj.“
No. 215. “The Golden Cockerel.” No. 215. „Le Coq d’Or.“
No. 216. “Snegourotchka” (p. 148). No. 216. „Sniégourotchka“ (p. 148)
No. 217. “Russian Easter Fête.” No. 217. „La Grande Pâque Russe.“
No. 218. “The May Night” (p. 140). No. 218. „La Nuit de Mai“ (p. 140)
No. 219. “The Legend of the invisible city of Kitesh.” No. 219. „Légende de la ville invisible de Kitéj.“
No. 220. “The Legend of the invisible city of Kitesh.” No. 220. „Légende de la ville invisible de Kitéj.“
No. 221. “The Legend of the invisible city of Kitesh.” No. 221. „Légende de la ville invisible de Kitéj.“
No. 222. “Snegourotchka.” No. 222. „Sniégourotchka.“
No. 223. “Snegourotchka.” No. 223. „Sniégourotchka.“
No. 224. “The Legend of the invisible city of Kitesh.” No. 224. „Légende de la ville invisible de Kitéj.“
No. 225. “Snegourotchka.” No. 225. „Sniégourotchka.“
No. 226. “The Golden Cockerel.” No. 226. „Le Coq d’Or.“
No. 227. “Mlada,” Act II. No. 227. „Mlada,“ 2me acte
No. 228. “The Legend of Tsar Saltan.” No. 228. „Légende du Tsar Saltan.“
No. 229. “The Golden Cockerel” (p. 227). No. 229. „Le Coq d’Or“ (p. 227)
No. 230. “Russian Easter Fête.” No. 230. „La Grande Pâque Russe.“
No. 231. “The Legend of the invisible city of Kitesh.” No. 231. „Légende de la ville invisible de Kitéj.“
No. 232. “The Golden Cockerel” (p. 282). No. 232. „Le Coq d’Or“ (p. 282)
No. 233. “The Golden Cockerel” (p. 141). No. 233. „Le Coq d’Or“ (p. 141)
No. 234. “Sheherazade” (p. 61). No. 234. „Shéhérazade“ (p. 61)
No. 235. “Snegourotchka” (p. 307). No. 235. „Sniégourotchka“ (p. 307)
No. 236. “Snegourotchka.” No. 236. „Sniégourotchka.“
No. 237. “The Christmas Night” (p. 312). No. 237. „La Nuit de Noël“ (p. 312)
No. 238. “The Golden Cockerel” (p. 19). No. 238. „Le Coq d’Or“ (p. 19)
No. 239. “Ivan the Terrible,” Act II. No. 239. „La Pskovitaine,“ 2me acte
No. 240. “The Tsar’s Bride.” No. 240. „La Fiancée du Tsar.“
No. 241. “The Tsar’s Bride” (p. 210). No. 241. „La Fiancée du Tsar“ (p. 210)
No. 242. “The Tsar’s Bride.” No. 242. „La Fiancée du Tsar.“
No. 243. “The Tsar’s Bride.” No. 243. „La Fiancée du Tsar.“
No. 244. “Snegourotchka.” No. 244. „Sniégourotchka.“
No. 245. “Snegourotchka.” No. 245. „Sniégourotchka.“
No. 246. “Servilia.” No. 246. „Servilia.“
No. 247. “The Tsar’s Bride.” No. 247. „La Fiancée du Tsar.“
No. 248. “Russian Easter Fête.” No. 248. „La Grande Pâque Russe.“
No. 249. “The Legend of the invisible city of Kitesh.” No. 249. „Légende de la ville invisible de Kitéj.“
No. 250. “The Legend of the invisible city of Kitesh.” No. 250. „Légende de la ville invisible de Kitéj.“
No. 251. “Spanish Capriccio.” No. 251. „Capriccio Espagnol.“
No. 252. “Sadko.” No. 252. „Sadko.“
No. 253. “The Legend of the invisible city of Kitesh.” No. 253. „Légende de la ville invisible de Kitéj.“
No. 254. “The Tsar’s Bride” (p. 246-247). No. 254. „La Fiancée du Tsar.“ (p. 246-247)
No. 255. “Sheherazade,” 2nd movement. No. 255. „Shéhérazade,“ 2me mouvement
No. 256. “The Tsar’s Bride.” No. 256. „La Fiancée du Tsar.“
No. 257. “The Tsar’s Bride” (p. 186). No. 257. „La Fiancée du Tsar“ (p. 186)
No. 258. “Mlada,” Act III. No. 258. „Mlada,“ 3me acte
No. 259. “Mlada,” Act III. No. 259. „Mlada,“ 3me acte
No. 260. “Sadko.” No. 260. „Sadko.“
No. 261. “Sadko.” No. 261. „Sadko.“
No. 262. “Antar.” No. 262. „Antar.“
No. 263. “The Golden Cockerel.” No. 263. „Le Coq d’Or.“
No. 264. “Pan Voyevoda,” introduction (p. 3). No. 264. „Pan le Voïevode,“ introduction (p. 3)
No. 265. “The Legend of Tsar Saltan.” No. 265. „Légende du Tsar Saltan.“
No. 266. “The Legend of Tsar Saltan.” No. 266. „Légende du Tsar Saltan.“
No. 267. “The Legend of the invisible city of Kitesh” (p. 488). No. 267. „Légende de la ville invisible de Kitéj“ (p. 488)
No. 268. “Kashtcheï the Immortal.” No. 268. „Kachtchéï l’Immortel.“
No. 269. “Kashtcheï the Immortal.” No. 269. „Kachtchéï l’Immortel.“
No. 270. “Mlada” (p. 166). No. 270. „Mlada“ (p. 166)
No. 271. “The Golden Cockerel.” No. 271. „Le Coq d’Or.“
No. 272. “The Legend of Tsar Saltan” (p. 179). No. 272. „Légende du Tsar Saltan“ (p. 179)
No. 273. “The Legend of Tsar Saltan” (p. 269). No. 273. „Légende du Tsar Saltan“ (p. 269)
No. 274. “The Legend of Tsar Saltan.” No. 274. „Légende du Tsar Saltan.“
No. 275. “Pan Voyevoda.” No. 275. „Pan le Voïevode.“
No. 276. “The Christmas Night” (p. 310). No. 276. „La Nuit de Noël“ (p. 310)
No. 277. “Snegourotchka.” No. 277. „Sniégourotchka.“
No. 278. “Sadko.” No. 278. „Sadko.“
No. 279. “Snegourotchka.” No. 279. „Sniégourotchka.“
No. 280. “The Tsar’s Bride.” No. 280. „La Fiancée du Tsar.“
No. 281. “Sadko” (p. 516). No. 281. „Sadko“ (p. 516)
No. 282. “The Tsar’s Bride” (p. 361). No. 282. „La Fiancée du Tsar“ (p. 361)
No. 283. “The Tsar’s Bride.” No. 283. „La Fiancée du Tsar.“
No. 284. “The Tsar’s Bride.” No. 284. „La Fiancée du Tsar.“
No. 285. “The Golden Cockerel.” No. 285. „Le Coq d’Or.“
No. 286. “The Tsar’s Bride.” No. 286. „La Fiancée du Tsar.“
No. 287. “Snegourotchka.” No. 287. „Sniégourotchka.“
No. 288. “The Tsar’s Bride.” No. 288. „La Fiancée du Tsar.“
No. 289. “Sadko.” No. 289. „Sadko.“
No. 290. “Sadko” (p. 150). No. 290. „Sadko“ (p. 150)
No. 291. “Sadko.” No. 291. „Sadko.“
No. 292a. “Sadko.” No. 292a. „Sadko.“
No. 292b. “Sadko.” No. 292b. „Sadko.“
No. 293. “The Tsar’s Bride” (p. 169). No. 293. „La Fiancée du Tsar“ (p. 169)
No. 294. “Ivan the Terrible,” Act I (p. 111). No. 294. „La Pskovitaine,“ 1er acte (p. 111)
No. 295. “Sadko.” No. 295. „Sadko.“
No. 296. “Ivan the Terrible,” Act II. No. 296. „La Pskovitaine,“ 2me acte
No. 297. “Sadko” (p. 157). No. 297. „Sadko“ (p. 157)
No. 298. “Snegourotchka.” No. 298. „Sniégourotchka.“
No. 299. “Mlada,” Act III. No. 299. „Mlada,“ 3me acte
No. 300. “Mlada.” No. 300. „Mlada.“
No. 301. “The Legend of the invisible city of Kitesh.” No. 301. „Légende de la ville invisible de Kitéj.“
No. 302. “Sadko.” No. 302. „Sadko.“
No. 303. “Sadko.” (p. 378). No. 303. „Sadko.“ (p. 378)
No. 304. “Sadko.” No. 304. „Sadko.“
No. 305. “The Legend of the invisible city of Kitesh.” No. 305. „Légende de la ville invisible de Kitéj.“
No. 306. “The Golden Cockerel” (p. 351). No. 306. „Le Coq d’Or“ (p. 351)
No. 307. “Sadko” (p. 210). No. 307. „Sadko“ (p. 210)
No. 308. “Sadko” (p. 226). No. 308. „Sadko“ (p. 226)
No. 309. “Ivan the Terrible” (p. 116). No. 309. „La Pskovitaine“ (p. 116)
No. 310. “Ivan the Terrible” (p. 117). No. 310. „La Pskovitaine“ (p. 117)
No. 311. “Sadko” (p. 441). No. 311. „Sadko“ (p. 441)
No. 312. “Ivan the Terrible,” Act III (the end). No. 312. „La Pskovitaine,“ 3me acte (fin)
Appendix. Single tutti chords. Appendice. Accords isolés en tutti
