Оглавление
Robin C. Whittaker. No White Picket Fence
Contents
Page List
Landmarks
NO WHITE PICKET FENCE
FOREWORD: FASHIONING TRUTH TO THINK OTHERWISE
VERBATIM THEATRE, YOUTH IN CARE, SOCIAL ACTION
THEATRE AND SOCIAL WORK
COLLABORATIVE BEGINNINGS
CREATING AND DIRECTING THE VERBATIM SCRIPT
COMMUNITY ENGAGEMENT
PRODUCTION HISTORY
CHARACTERS
PRE-SHOW
SCENE 1: MEETING EMILY
SCENE 2: LIVING WELL (PT. I)
SCENE 3: AMANDA’S JOURNEY
SCENE 4: MEETING LOTUS
SCENE 5: CATALYSTS
SCENE 6: EMMA IS AROUND SIX
SCENE 7: LISA ASKS, “WHY DON’T THEY TAKE HIM AWAY?”
SCENE 8: AMANDA’S BEAUTIFUL HOUSE
SCENE 9: ALISHA SEES A DIFFERENCE
SCENE 10: KRIS’S MOM IS VERY ILL
SCENE 11: MARY ISN’T ADOPTED
SCENE 12: BROOKLYN IS HOSPITALIZED
SCENE 13: LOTUS IS PRESCRIBED DEXEDRINE
SCENE 14: KARI’S CATS (PT. I)
SCENE 15: EMILY (PT. I)
SCENE 16: LISA’S GARBAGE BAG
SCENE 17: MARY’S BEING WATCHED
SCENE 18: BROOKLYN DOES THE OPPOSITE
SCENE 19: THINGS DON’T WORK OUT WITH KRIS’S AUNT BRENDA
SCENE 20: KARI’S CATS (PT. II)
SCENE 21: LOTUS JOINS ATHLETICS
SCENE 22: EMILY (PT. II)
SCENE 23: LISA AT THE BRIDGE
SCENE 24: MARY’S DREAM
SCENE 25: EMMA’S PUNISHMENTS
SCENE 26: LOTUS’S FRIEND PLAYS ACCORDÉON AND IT’S PAST OUR BEDTIME
SCENE 27: EVERYONE DRINKS AT UNIVERSITY, AMANDA
SCENE 28: ALISHA MAKES HER OWN PIECES
SCENE 29: EMILY (PT. III)
SCENE 30: LOTUS DETOXES
SCENE 30: LOTUS DETOXES
SCENE 31: KRIS’S COAT
SCENE 32: AMANDA’S FINDING ROOTS
SCENE 33: LIVING WELL (PT. II)
SCENE 34: REFLECTIONS
AFTERWORD
ACKNOWLEDGMENTS
Отрывок из книги
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1 In my own research practice, I ask the young people with whom I work to choose pseudonyms and to describe themselves as they would like me to describe them if I write about them.
2 Andrew Kushnir, “A New Hearing: Representation and Relationship in the Making of Towards Youth: A Play on Radical Hope,” in A Global Youth Citizenry: Theorizing Community-Engaged Research Methodology, eds. K. Gallagher, D.J. Rodricks, and K. Jacobson (New York: Springer, forthcoming).
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