Forgotten Books of the American Nursery

Forgotten Books of the American Nursery
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"Forgotten Books of the American Nursery" by Rosalie Vrylina Halsey. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Rosalie Vrylina Halsey. Forgotten Books of the American Nursery

Forgotten Books of the American Nursery

Table of Contents

ILLUSTRATIONS

CHAPTER I

Introductory

Forgotten Books of the American Nursery

CHAPTER I

Introductory

CHAPTER II

1747–1767

CHAPTER II

1747–1767

The Play-Book in England

CHAPTER III

1750–1776

CHAPTER III

1750–1776

Newbery’s Books in America

CHAPTER IV

1776–1790

CHAPTER IV

1776–1790

Patriotic Printers and the American Newbery

CHAPTER V

1790–1800

CHAPTER V

1790–1800

The Child and his Book at the End of the Century

CHAPTER VI

1800–1825

CHAPTER VI

1800–1825

Toy-Books in the Early Nineteenth Century

CHAPTER VII

1825–1840

CHAPTER VII

1825–1840

American Writers and English Critics

Index

INDEX

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Rosalie Vrylina Halsey

A History of the Development of the American Story-Book

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The Primer, however, was not a product wholly of New England. In sixteen hundred and eighty-five there had been printed in Boston by Green, “The Protestant Tutor for Children,” a primer, a mutilated copy of which is now owned by the American Antiquarian Society. “This,” again to quote Mr. Ford, “was probably an abridged edition of a book bearing the same title, printed in London, with the expressed design of bringing up children in an aversion to Popery.” In Protestant New England the author’s purpose naturally called forth profound approbation, and in “Green’s edition of the Tutor lay the germ of the great picture alphabet of our fore-fathers.”14-* The author, Benjamin Harris, had immigrated to Boston for personal reasons, and coming in contact with the residents, saw the latent possibilities in “The Protestant Tutor.” “To make it more salable,” writes Mr. Ford in “The New England Primer,” “the school-book character was increased, while to give it an even better chance of success by an appeal to local pride it was rechristened and came forth under the now famous title of ‘The New England Primer.’ ”14-†

A careful examination of the titles contained in the first volume of Evans’s “American Bibliography” shows how exactly this infant’s primer represented the spirit of the times. This chronological list of American imprints of the first one hundred years of the colonial press is largely a record in type of the religious activity of the country, and is impressive as a witness to the obedience of the press to the law of supply and demand. With the Puritan appetite for a grim religion served in sermons upon every subject, ornamented and seasoned with supposedly apt Scriptural quotations, a demand was created for printed discourses to be read and inwardly digested at home. This demand the printers supplied. Amid such literary conditions the primer came as light food for infants’ minds, and as such was accepted by parents to impress religious ideas when teaching the alphabet.

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