The Conjure-Man Dies: A Harlem Mystery

The Conjure-Man Dies: A Harlem Mystery
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A unique crime classic: the very first detective novel written by an African-American, set in 1930s New York with only black characters.When the body of N’Gana Frimbo, the African conjure-man, is discovered in his consultation room, Perry Dart, one of Harlem’s ten black police detectives, is called in to investigate. Together with Dr Archer, a physician from across the street, Dart is determined to solve the baffling mystery, helped and hindered by Bubber Brown and Jinx Jenkins, local boys keen to clear themselves of suspicion of murder and undertake their own investigations.The Conjure-Man Dies (1932) was the very first detective novel written by an African-American. A distinguished doctor and accomplished musician and dramatist, Rudolph Fisher was one of the principal writers of the Harlem Renaissance, but died in 1934 aged only 37. With a complex and gripping plot, vividly drawn characters and unique cultural elements, Fisher’s witty novel is a genuine crime classic from one of the most exciting eras in the history of black fiction.THIS DETECTIVE STORY CLUB CLASSIC includes an archival introduction by New York crime writer Stanley Ellin, plus Fisher’s last published story, ‘John Archer’s Nose’, in which Perry Dart and Dr Archer return to solve the case of a young man murdered in his own bed.

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Rudolph Fisher. The Conjure-Man Dies: A Harlem Mystery

Copyright

INTRODUCTION

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI

CHAPTER XII

CHAPTER XIII

CHAPTER XIV

CHAPTER XV

CHAPTER XVI

CHAPTER XVII

CHAPTER XVIII

CHAPTER XIX

CHAPTER XX

CHAPTER XXI

CHAPTER XXII

CHAPTER XXIII

CHAPTER XXIV

Also by this author

About the Author

About the Publisher

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Contents

Cover

.....

‘It was plumb dark all around. Somebody could’a’ snook up behind him and crowned him while he was talkin’ to me. But I didn’t hear a sound. Say—I better catch air. This thing’s puttin’ me on the well-known spot, ain’t it?’

‘All right, dumbo. Run away and prove you done it. Wouldn’t that be a bright move?’

.....

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