Starboard Wine

Starboard Wine
Автор книги: id книги: 1568321     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 2457,52 руб.     (24,52$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Историческая фантастика Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9780819572943 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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<P>In Starboard Wine, Samuel R. Delany explores the implications of his now-famous assertion that science fiction is not about the future. Rather, it uses the future as a means of talking about the present and its potentiality. By recognizing a text's specific «difference,» we begin to see the quality of its particulars. Through riveting analyses of works by Joanna Russ, Robert Heinlein, Theodore Sturgeon, and Thomas M. Disch, Delany reveals critical strategies for reading that move beyond overwrought theorizing and formulaic thinking. Throughout, the author performs the kinds of careful inquiry and urgent speculation that he calls others to engage in.</P>

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Samuel R. Delany. Starboard Wine

Отрывок из книги

Starboard Wine

The Jewels of Aptor (1962)

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6. This taxonomy is contemporary and synchronic. For any diachronic understanding of the historical forces that have brought this synchronic array about, we must explore the historical forces that have led to the recent dissolution of the term “genre” in poststructural debate. We must examine the attractions between the sociopsychological world and the locus of an ideally undifferentiated discourse whose historical moment is placed farther and farther back as the revealed vectors clarify the diachronic location of its true differentiations.

7. There are good precedents for this assumption. The Russian critic M. M. Bakhtin was among the first to note (in The Dialogic Imagination, edited by Michael Holquist and translated by Michael Holquist and Caryl Emerson, University of Texas Press, 1981) that by the end of the nineteenth century, all the literary genres had become “novelized.” This “novelization of literary genres” is what allows me so frequently to take mundane (or bourgeois) fiction as the literary prototype.

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