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Samuel Merwin
A Further Episodic History of Henry Calverly, 3rd
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The report of the musicale would have brought a smile or two on another day. There was nearly a column of it. Henry had apparently been deeply moved by the singing of Anne Mayer Stelton. He dwelt on the 'velvet suavity' of her legato passages, her firmness of attack and the 'delicate lace work of her colourature.' 'Mme. Stelton's art,' he wrote, 'has deepened and broadened appreciably since she last appeared in Sunbury. Always gifted with a splendid singing organ, always charming in personality and profoundly rhythmically musical in temperament, she now has added a superstructure of technical authority, which gives to each passage, whether bravura or pianissimo, a quality and distinction seldom heard in this country. Miss Corinne Doag also added immeasurably to the pleasure of the select audience by singing a group of songs. Miss Corinne Doag has a contralto voice of fine verve and timbre. She is a guest of Mrs Henderson, who herself accompanied delightfully. Among those present were:—'
Henry's writing always startled you a little. Words fairly flowed through his pencil, long words, striking words. He had the word sense; this when writing. In speech he remained just about where he had been all through his teens, loose of diction, slurring and eliding and using slang as did most of the Middle-Westerners among whom he had always lived, and, like them, swallowing his tongue down his throat.
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