A Country Doctor and Selected Stories and Sketches
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It had been one of the warm and almost sultry days which sometimes come in November; a maligned month, which is really an epitome of the other eleven, or a sort of index to the whole year's changes of storm and sunshine. The afternoon was like spring, the air was soft and damp, and the buds of the willows had been beguiled into swelling a little, so that there was a bloom over them, and the grass looked as if it had been growing green of late instead of fading steadily. It seemed like a reprieve from the doom of winter, or from even November itself.
The dense and early darkness which usually follows such unseasonable mildness had already begun to cut short the pleasures of this spring-like day, when a young woman, who carried a child in her arms, turned from a main road of Oldfields into a foot-path which led southward across the fields and pastures. She seemed sure of her way, and kept the path without difficulty, though a stranger might easily have lost it here and there, where it led among the patches of sweet-fern or bayberry bushes, or through shadowy tracts of small white-pines. She stopped sometimes to rest, and walked more and more wearily, with increasing effort; but she kept on her way desperately, as if it would not do to arrive much later at the place which she was seeking. The child seemed to be asleep; it looked too heavy for so slight a woman to carry.
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"It always kind of scares me these black nights," said Mrs. Jake Dyer. "I expect something to clutch at me every minute, and I feel as if some sort of a creatur' was travelin' right behind me when I am out door in the dark. It makes it bad havin' a wanin' moon just now when the fogs hangs so low. It al'ays seems to me as if 't was darker when she rises late towards mornin' than when she's gone altogether. I do' know why't is."
Mrs. Jake and Mrs. Martin were quite familiar with the story of the night when there were no candles and Mr. Thacher had broken his leg, having been present themselves early in the morning afterward, but they had listened with none the less interest. These country neighbors knew their friends' affairs as well as they did their own, but such an audience is never impatient. The repetitions of the best stories are signal events, for ordinary circumstances do not inspire them. Affairs must rise to a certain level before a narration of some great crisis is suggested, and exactly as a city audience is well contented with hearing the plays of Shakespeare over and over again, so each man and woman of experience is permitted to deploy their well-known but always interesting stories upon the rustic stage.
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