Classical Music For Dummies

Classical Music For Dummies
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Classical music was never meant to be an art for snobs! In the 1700s and 1800s, classical music was popular music. People went to concerts with their friends, they brought snacks and drinks, and cheered right in the middle of the concert. Well, guess what? Three hundred years later, that music is just as catchy, thrilling, and emotional. From Bach to Mozart and Chopin, history's greatest composers have stood the test of time and continue to delight listeners from all walks of life. And in Classical Music For Dummies, you'll dive deeply into some of the greatest pieces of music ever written. You'll also get: A second-by-second listening guide to some of history's greatest pieces, annotated with time codes A classical music timeline, a field guide to the orchestra, and listening suggestions for your next foray into the classical genre Expanded references so you can continue your studies with recommended resources Bonus online material, like videos and audio tracks, to help you better understand concepts from the book Classical Music For Dummies is perfect for anyone who loves music. It's also a funny, authoritative guide to expanding your musical horizons—and to learning how the world's greatest composers laid the groundwork for every piece of music written since.

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Scott Speck. Classical Music For Dummies

Classical Music For Dummies® To view this book's Cheat Sheet, simply go to www.dummies.com and search for “Classical Music For Dummies Cheat Sheet” in the Search box. Table of Contents

List of Tables

List of Illustrations

Guide

Pages

Introduction

About This Book

Foolish Assumptions

Icons Used in This Book

Beyond the Book

Where to Go from Here

Getting Started with Classical Music

Prying Open the Classical Music Oyster

Discovering What Classical Music Really Is

Figuring Out What You Like

The Seven Habits of Highly Effective Composers

Their music is from the heart

They use a structure that you can feel

They’re creative and original

They express a relevant human emotion

They keep your attention with variety and pacing

Their music is easy to remember

They move you with their creations

The Entire History of Music in 80 Pages

Understanding How Classical Music Got Started

Chanting All Day: The Middle Ages

Gregorian chant

A monk named Guido

Mass dismissed!

The First Composer-Saint

Born Again: The Renaissance

The madrigal takes off

Opera hits prime time

Getting Emotional: The Baroque Era

Renegade notes on wheels

Kings, churches, and other high rollers

Antonio Vivaldi

The little priest that couldn’t

The Wayward Girls Philharmonic

Listening to Vivaldi’s music

George Frideric Handel

The most Italian of German Brits

“Get a Handel on yourself!”

A ROYAL DISASTER

Listening to Handel’s music

Johann Sebastian Bach

A few minor posts

The organmeister

Prolific in more ways than one

Listening to Bach’s music

Tightening the Corset: The Classical Style

Joseph Haydn

Life at Esterházy’s Castle

Going into Haydn

HAYDN THE SOPRANO

Wolfgang Amadeus Mozart

Mozart joins the circus

Mozart gets a kick in the pants

Mozart makes a living

The Minuteman

Farewell to Papa Haydn

Listening to Mozart

Joseph Boulogne, Chevalier de Saint-Georges

Ludwig van Beethoven: The man who changed everything

Papa Haydn teaches Ludwig a thing or two

The Heroic Symphony

THE PENDULUM OF CLASSICAL MUSIC

Taking the Fifth

From sketch to final symphony

Hearing Beethoven

Schubert and his Lieder

Schubert evenings

Unfinished!

The Songmeister

Piano for two

Schubert in the record store

Felix Mendelssohn

The piano that wouldn’t die

Mendelssohn rediscovers Bach

HE’S JUST THAT GOOD

The sounds of Mendelssohn

Fanny Mendelssohn

Falling in Love: Hopeless Romantics

Carl Maria von Weber

Hector Berlioz

Berlioz nearly dies at a dissection

Creating a new kind of music

Berlioz puts on a dress

A fantastique story

Berlioz on your MP3 player

Frédéric Chopin

A Polish boyhood

Tiny digits, big heart

FRED, GEORGE. GEORGE, FRED

Shoppin’ for Chopin

Robert Schumann

Another prodigy

Desperately seeking Clara

A true Romantic

Listening to Schumann

Johannes Brahms

A lucky break

The big leagues

Boning up on Brahms

The superstars: Paganini and Liszt

Liszt follows Paganini’s lead

Richard Wagner

An opera guy

Listening to Wagner

Strauss and Mahler

Richard Strauss: the tone painter

Strauss on recording

Gustav Mahler, neurotic

The Mahler experience

Saluting the Flag(s): Nationalism in Classical Music

Bedřich Smetana

A river runs through it

Keeping an ear out for Smetana

Antonín Dvořák

Cheerful success

An invitation to America

Listening to Dvořák

Edvard Grieg

Boosting Norwegian morale

Recordings of Grieg

Jean Sibelius

Hearing Sibelius

Carl Nielsen

Nielsen for the record …

Glinka and the Mighty Fistful

Best of five

A fistful of mighty pieces

Peter Tchaikovsky

We got trouble

Pain and music

Listening to Tchaikovsky

Sergei Rachmaninoff

Sergei gets hypnotized

Rocky on recording

Listening to Music of the 20th Century and Beyond

Debussy and Ravel

Debussy on your MP3 player

Unraveling Ravel

Recordings of Ravel

Igor Stravinsky

The Petrushka Chord

The most famous premiere in music history

After the Rites

Stravinsky for the record

Sergei Prokofiev

Dmitri Shostakovich

Dmitri dgets in dtrouble

Dmitri’s revenge

Listen to Shostakovich

The Second Viennese School

Serial music: It isn’t just for breakfast anymore

A box of serial music and assorted goodies

The Americans

Aaron Copland

SCHOENBERG EXPLAINED — SOMEWHAT

George Gershwin

William Grant Still

Florence Price

Samuel Barber

And more …

American music for the record …

PEOPLE WHO HATE COMPOSERS (AND THE COMPOSERS WHO LOVE THEM)

Spotting a Sonata

Symphonies

First movement: brisk and lively

A BRIEF HISTORY OF THE SYMPHONY

Second movement: slow and lyrical

Third movement: dancy

Finale: rollicking

Sonatas and Sonatinas

Concertos

Concerto structure

The cadenza

Dances and Suites

Serenades and Divertimentos

Themes and Variations

Fantasias and Rhapsodies

Tone Poems (Or Symphonic Poems)

Lieder (and Follower)

Leader of the Lieder

Song forms

Oratorios and Other Choral Works

Operas, Operettas, and Arias

Overtures and Preludes

Ballets and Ballerinas

String Quartets and Other Motley Assortments

Why Do You Need a Form, Anyway?

Listen Up!

Dave ’n’ Scott’s E-Z Concert Survival Guide™

Preparing — or Not

Knowing When to Arrive at the Concert

Can I Wear a Loincloth to The Rite of Spring?

The Gourmet Guide to Pre-Concert Dining

Figuring Out Where to Sit — and How to Get the Best Ticket Deals

To Clap or Not to Clap: That’s the Question

Why nobody claps

More on the insane “no-clap” policy

Who to Bring and Who to Leave at Home with the Dog

Recognizing Which Concerts to Attend — or Avoid — on a Date

Peeking at the Concert Program

The typical concert format

The music itself

A different kind of program

Introducing the Concertmaster

Finding the pitch

Twisting and turning, pulling and pushing

A-440: WHAT DOES IT MEAN?

Enter the Conductor

Understanding interpretation

Slicing up time

Reading the job description

TOP QUOTES BY CONDUCTOR EUGENE ORMANDY

For Your Listening Pleasure

1 Handel: Water Music Suite No. 2: Alla Hornpipe

2 Bach: Well-Tempered Clavier, Book 2: Prelude and Fugue in C Major

3 Mozart: Piano Concerto No. 22 in E-Flat, Third Movement

4 Beethoven: Symphony No. 5, First Movement

Exposition

Development

Recapitulation

Coda

5 Brahms: Symphony No. 4, Third Movement

6 Dvořák: Serenade for Strings, Fourth Movement

7 Tchaikovsky: Symphony No. 6, Fourth Movement

8 Debussy: La Mer: Dialogue du Vent et de la Mer

9 Stravinsky: The Rite of Spring: Opening to the End of Jeu de Rapt

Introduction

Danses des adolescentes (Dances of the Adolescent Girls)

Jeu de rapt (Ritual of Abduction)

Backstage Tour

Living in the Orchestral Fishpond

What I Did for Love

HOW ABOUT A LONG-DISTANCE RELATIONSHIP?

Going through an Audition

An almost-true story

Rigged auditions

The list

The prescription

Playing the odds

An unexpected meeting

The return

Onstage

Behind the screen

The wait

The aftermath

The Life of an Orchestra Musician, or What’s Going on in the Practice Room?

Selling the Product

Understanding Contract Riders

The Strange and Perilous Relationship between an Orchestra and Its Conductor

Why an Orchestra Career Is Worth the Grief

A Field Guide to the Orchestra

Keyboards & Co

The Piano

Looking inside the piano

Naming the notes

Finding an octave

Playing the black keys

Looking inside the piano

Pressing down the pedals

Hearing the piano

The Harpsichord

Winning the Baroque gold medal

Hearing the harpsichord

The Organ

Pulling out the stops

Hearing the organ

The Synthesizer

Strings Attached

The Violin

Drawing the bow

Tuning up

Playing the violin

Vibrating the string

The unbearable lightness of bowing

FREE BOWING

Plucking the strings

Hearing the violin

The Other String Instruments

The viola

A COMPENDIUM OF VIOLA JOKES

The cello

The double bass

The harp

The guitar

UNUSUAL STRING INSTRUMENTS

Gone with the Woodwinds

The Flute

Making music out of thin air

Hearing the flute

The Piccolo

The Oboe

MAKING AN OBOE REED AT HOME

Playing the oboe

Hearing the oboe

The English Horn

The Clarinet

Transposing instruments

Hearing the clarinet

The Saxophone

The Bassoon

CHAPTERETTE: THE VOICE

The Top (and Bottom) Brass

Making a Sound on a Brass Instrument

ABOUT THAT SPIT

The French Horn

Hunting for notes: The natural horn

Adding valves: The modern, treacherous horn

Hearing the French horn

The Trumpet

Tonguing

Using mutes

Hearing the trumpet

The Trombone

Sliding around

FOR SPARKLING CLEAN BRASSES …

Hearing the trombone

The Tuba

A gaggle of tubas

Hearing the tuba

Pet Peeves of the Brassily Inclined

Percussion’s Greatest Hits

The Timpani

Drum roll, please!

Hearing the timpani

The Bass Drum

The Cymbals

The Snare Drum

The Xylophone

Other Xylo-like Instruments

More Neat Instruments Worth Banging

The triangle

The tambourine

The tam-tam and gong

The castanets

The whip

The cowbell

The ratchet

Peeking into the Composer’s Brain

The Dreaded Music Theory Chapter

I’ve Got Rhythm: The Engine of Music

Dividing up time

Feeling the beat

Sight-reading for the first time

Making notes longer

Making notes shorter

Adding a dot

Taking the final exam

I’M A FERMATA — HOLD ME

Understanding Pitch: Beethoven at 5,000 rpm

Performing an experiment for the betterment of mankind

12 pitches!

Notating pitches

Reading music

Deciphering key signatures

Figuring out the key

Dave ’n’ Scott’s 99.9999% Key-Determining Method

Why we have keys

Making the Leap into Intervals

The major second

The major third

The fourth

The fifth

The major sixth

The major seventh

The octave

Telling the difference: major and minor intervals

The minor second

The minor third

The minor fifth (not!) — aka the tritone

The minor sixth

The minor seventh

Getting on the Scale

Constructing a Melody

Getting Two-Dimensional: Piece and Harmony

Major, minor, and insignificant chords

Friends and relations: harmonic progressions

Friends, Romans, chord progressions

Listening to the oldies

Put in Blender, Mix Well

Getting Your Music Theory Degree

Once More, with Feeling: Tempo, Dynamics, and Orchestration

Meet the Dynamics Duo: Soft and Loud

Honey, I shrunk the LoudSoft™

Wearing Italian hairpins

Getting into matters of sonic taste

Throwing Tempo Tantrums

Telling ’Bones from Heckelphones: Orchestration Made Easy

Playing with sound colors

Notating orchestrations

Who’s the orchestrator?

The Part of Tens

The Ten Most Common Misconceptions about Classical Music

Classical Music Is Boring

Classical Music Is for Snobs

All Modern Concert Music Is Hard to Listen to

They Don’t Write Classical Music Anymore

You Have to Dress Up to Go to the Symphony

If You Haven’t Heard of the Guest Artist, She Can’t Be Any Good

Professional Musicians Have It Easy

The Best Seats Are Down Front

Clapping between Movements Is Illegal, Immoral, and Fattening

Classical Music Can’t Change Your Life

The Ten Best Musical Terms for Cocktail Parties

Atonal

Cadenza

Concerto

Counterpoint

Crescendo

Exposition

Intonation

Orchestration

Repertoire

Rubato

Tempo

Using Your New-Found Mastery

Ten Great Classical Music Jokes

Master of Them All

The Heavenly Philharmonic

Brass Dates

The Late Maestro

Basses Take a Breather

Houseless Violist

Ludwig’s Grave

The Weeping Violist

Musicians’ Revenge

One Last Viola Joke

Ten Ways to Get More Music in Your Life

Get Involved with Your Orchestra

Join a Classical Music Tour

Meet the Artists — Be a Groupie

Make Music Friends on the Internet

Join an Unlimited Music Service

Listen to Your Local Classical Station

Load Up on Your Own Recordings

Watch Classical Music Movies

Study Up on the Classics

Make Your Own Music

The Appendixes

Listen to This! Starting a Classical Music Collection

List 1: Old Favorites

List 2: MILD on the Taste Meter

List 3: MEDIUM on the Taste Meter

List 4: MEDIUM HOT on the Taste Meter

List 5: HOT on the Taste Meter

Classical Music Timeline

Glossary

Index. A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

About the Authors

Dedication

Authors’ Acknowledgments

WILEY END USER LICENSE AGREEMENT

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By opening this book, you’ve taken a flying leap into the frightening, mysterious, larger-than-life universe of classical music, where 100 people dressed like 18th-century waiters fill the stage, doing some very strange things to hunks of metal and wood, filling the air with strange and exotic sounds.

We can sense the hair beginning to rise on the back of your neck already. But don’t be afraid; whether you know it or not, you’ve experienced classical music all your life — in movies and video games, on TV, online, on the radio, and in elevators everywhere. We’re willing to wager that you already know more than you need to get started.

.....

We design this book so that you can start reading anywhere. But to help you figure out what might excite you the most, we give you six different areas to choose from:

.....

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