The End of the House of Alard

The End of the House of Alard
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"The End of the House of Alard" by Sheila Kaye-Smith. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Sheila Kaye-Smith. The End of the House of Alard

The End of the House of Alard

Table of Contents

PART I. CONSTER MANOR

INTERLUDE

PART II. LEASAN PARSONAGE

PART III. FOURHOUSES

PART IV. STARVECROW

Отрывок из книги

Sheila Kaye-Smith

Published by Good Press, 2021

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Sometimes—for instance, today—he was almost savagely glad when he thought how sure she was to find out. Sometimes he was angry with her for her attitude towards the family, and for all that she took for granted in his. He knew that she expected him to marry her whatever happened—with a naivety which occasionally charmed but more often irritated him. She imagined that if his father refused to let them live at Starvecrow, he would take her and live with her in some cottage on five hundred a year . . . and watch the place go to ruin without him. She would be sorry not to have Starvecrow, but she would not care about anything else—she would not fret in the least about the estate or the outraged feelings of those who looked to him to help them. She would not even have cared if his father had had it in his power—which he had not—to prevent her ever becoming Lady Alard. Stella did not care two pins about being Lady Alard—all she wanted was to be Mrs. Peter. He had loved her for her disinterestedness, but now he realised that it had its drawbacks. He saw that his choice had fallen on a woman who was not a good choice for Alard—not merely because she had no money, but because she had no pride. He could not picture her at Conster—lady of the Manor. He could picture her at Starvecrow, but not at Conster.

. . . He bowed his head upon the table—it felt heavy with his thought. Stella was the sweetest, loveliest thing in life, and sometimes he felt that her winning was worth any sacrifice, and that he would pay her price not only with his own renunciation but with all the hopes of his house. But some unmovable, fundamental part of him showed her to him as an infatuation, a witchlight, leading him away from the just claims of his people and his land, urging him to a cruel betrayal of those who trusted to him for rescue.

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