Delusion and Dream : an Interpretation in the Light of Psychoanalysis of Gradiva

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Sigmund Freud. Delusion and Dream : an Interpretation in the Light of Psychoanalysis of Gradiva

PREFACE

INTRODUCTION

PART I

PART II

I

II

III

IV

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Jensen’s brilliant and unique story of Gradiva has not only literary merit of very high order, but may be said to open up a new field for romance. It is the story of a young archæologist who suffered a very characteristic mental disturbance and was gradually but effectively cured by a kind of native psychotherapeutic instinct, which probably inheres in all of us, but which in this case was found in the girl he formerly loved but had forgotten, and who restored at the same time his health and his old affection for her.

Perhaps the most extraordinary thing about the work is that the author knew nothing of psychotherapy as such, but wrought his way through the labyrinth of mechanisms that he in a sense rediscovered and set to work, so that it needed only the application of technical terms to make this romance at the same time a pretty good key to the whole domain of psychoanalysis. In a sense it is a dream-story, but no single dream ever began to be so true to the typical nature of dreams; it is a clinical picture, but I can think of no clinical picture that had its natural human interest so enhanced by a moving romance. Gradiva might be an introduction to psychoanalysis, and is better than anything else we can think of to popularize it.

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“No; that surely is a thimble! Did the people of those days have needles?”

“It almost seems so, but you could not have done anything with that, my darling, it would be much too large even for your thumb.”

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