How to Visit the English Cathedrals

How to Visit the English Cathedrals
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"How to Visit the English Cathedrals" by Esther Singleton. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Оглавление

Singleton Esther. How to Visit the English Cathedrals

How to Visit the English Cathedrals

Table of Contents

How to Visit. The English Cathedrals

PREFACE

STYLES OF ENGLISH ARCHITECTURE

ABBREVIATIONS OF AUTHORS QUOTED

ILLUSTRATIONS

CANTERBURY

ROCHESTER

WINCHESTER

CHICHESTER

SALISBURY

EXETER

WELLS

BATH ABBEY

BRISTOL

GLOUCESTER

HEREFORD

WORCESTER

LICHFIELD

CHESTER

MANCHESTER

CARLISLE

DURHAM

RIPON

YORK MINSTER

LINCOLN

SOUTHWELL

PETERBOROUGH

ELY

NORWICH

ST. ALBANS

OXFORD

ST. PAUL’S, LONDON

ST. SAVIOUR’S, SOUTHWARK

WESTMINSTER ABBEY

INDEX

Отрывок из книги

Esther Singleton

Published by Good Press, 2021

.....

Exeter Cathedral is a superb example of this style. The nave of York Minster and the lantern of Ely are also noteworthy illustrations.

“The general appearance of Decorated buildings is at once simple and magnificent; simple from the small number of parts, and magnificent from the size of the windows, and the easy flow of the lines of tracery. In the interior of large buildings we find great breadth, and an enlargement of the clerestory windows, with a corresponding diminution of the triforium, which is now rather a part of the clerestory opening than a distinct member of the division. The roofing, from the increased richness of the groining, becomes an object of more attention. On the whole the nave of York, from the uncommon grandeur and simplicity of the design, is certainly the finest example; ornament is nowhere spared, yet there is a simplicity which is peculiarly pleasing.”—(Rickman.)

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