The System of Theatrical Improvisation

The System of Theatrical Improvisation
Автор книги: id книги: 97256     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 59 руб.     (0,58$) Читать книгу Купить и читать книгу Купить бумажную книгу Электронная книга Жанр: Прочая образовательная литература Правообладатель и/или издательство: Стрельбицький Дмитрий Майєвич Дата публикации, год издания: 2014 Дата добавления в каталог КнигаЛит: Возрастное ограничение: 18+ Оглавление Отрывок из книги

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Ukrainian publisher presents the essay "The system of theatrical improvisation”, a result of ten-year experience of actor Stanislav Hlushko in the "Black Square" theater, Kyiv. Improvisation by itself is not a novelty. It is known from performances of the antiquity by strolling comedians, Commedia dell'arte performers in Italy. Stanislavsky wrote about improvisation, Michael Chekhov and Meyerhold applied improvisation, but in all these cases it was about structural improvisation where the actors are forbidden to depart from the script and guidelines of the design director. A myth was created that improvisation should be prepared, and there is no other way. In the middle of the last century, Viola Spolin and Keith Johnstone began to develop improvisation techniques… This book describes a fundamentally different approach to improvisation, free of any restrictions. Systematically described are the basic laws of existence of an actor in spontaneous improvisation, fundamentals of improvisational dialogue, structural improvisation, and various playing situations. This would be good material for drama schools, as psychological training, as an independent form of theatrical art, and is intended for professional directors, actors and amateurs involved in theater, students of theater schools, and all those who have some idea of the theater and who are interested in applying this methodology in practice.

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Stanislav Hlushko. The System of Theatrical Improvisation

PREFACE

CHAPTER 1. THREE KEYS TO SPONTANEOUS IMPROVISATION

CHAPTER 2. BASIS OF IMPROVISATIONAL DIALOGUE

CHAPTER 3. STRUCTURAL IMPROVISATION

CHAPTER 4. ACTING INVOLVING SPECTATORS

CHAPTER 5. ACTOR

CHAPTER 6. ACTING

CHAPTER 7 "SOMETHING"

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What is theater? What purpose does it serve? What would it be like if it always astonished its spectators? It is probably impossible to answer these questions but one of the main objectives of theater, as well as art in general, is to convey content into form, to fill the consciousness of the spectators with new experiences by telling them a living history about themselves, to compel them to empathize, to be surprised. It could evidently be achieved by means of theatrical improvisation as something new in circumstances where classical forms of theater prevail, something that gives maximum freedom of expression to actors, and where the spectators would be an energy factor in the performance. Live theater, live actors, live performances.

This essay is based on the acting experience with an improvisation theater and expresses the author's personal view.

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This essay is based on the acting experience with an improvisation theater and expresses the author's personal view.

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