A History of Roman Art

A History of Roman Art
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The new  edition of the leading textbook on Roman art, updated with new images and expanded geographic and cultural scope   A History of Roman Art  is an expansive   survey of the painting, mosaic, sculpture, decorative arts, and architecture of ancient Rome. This acclaimed textbook provides a fully-illustrated narrative history of Roman art that spans a millennium, from the early origins of Rome to the era of Emperor Constantine. Interwoven throughout the text are themes of Rome's cultural inclusiveness and the importance of art in promoting Roman values, helping students understand how diverse cultures contributed to Roman life. Accessible, chronologically-organized chapters provide numerous examples of the arts, their cultural and historical context, descriptions of artistic techniques, and writings by ancient authors—enabling students to develop a rich appreciation of art’s importance in the Roman world.  Now in its second edition, this market-leading textbook features thoroughly revised content throughout. Additional images and excerpts from literary sources are complemented by new historical discussions of metalwork, carved gems, glass, and sarcophagi. This edition features more maps and illustrations, in-depth analysis of iconography, greater emphasis on the types of objects used to decorate the lives of ordinary Romans, expanded coverage of freedmen and women as artists, subjects, and patrons, and much more. A number of works that represent popular art have been added. That is, art in the everyday Roman world, rather than just the large scale works of sculpture and architecture of elite patrons. It also reveals patterns of artistic workshops, trade, and social and economic networks. Additionally, this edition takes into account new approaches in scholarship. This comprehensive textbook:  Provides a thorough introduction to Roman art history featuring more than 400 high quality images and illustrations Includes a full set of pedagogical tools, such as historical timelines, key term definitions, and updated references and further reading suggestions Offers “Scholarly Perspective,” “A View from the Provinces,” “More on Myth,” and “Art and Literature” textboxes in each chapter Includes a companion website containing PowerPoint slides and additional instructor resources  A History of Roman Art , Second Edition  is an ideal primary o

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Steven L. Tuck. A History of Roman Art

Table of Contents

List of Illustrations

Guide

Pages

A HISTORY OF ROMAN ART

ILLUSTRATIONS

PREFACE TO THE SECOND EDITION

PREFACE TO THE FIRST EDITION

NOTE TO STUDENTS

ACKNOWLEDGMENTS

WALK THROUGH TOUR

Feature: Timelines

Feature: Key terms and glossary

Art and Literature

A View from the Provinces

Scholarly Perspective

Tools & Techniques

More on Myth

Ancients on Art

Form & Function

Historical Context

Suggestions for Further Reading

Guide to Further Reading

TIMELINE

ABOUT THE WEBSITE

1 INTRODUCTION TOROMAN ART HISTORY

CULTURAL PROPERTY CONTROVERSIES

DATING DILEMMAS IN ROMAN ART HISTORY

RESTORATION ISSUES IN ROMAN ART HISTORY

THE ROLE OF ELITES IN PUBLIC ART AND ARCHITECTURE

CHRONOLOGY OF GREEK ART

ITALIC VERSUS CLASSICAL STYLES AND FORMS I: TEMPLES

ITALIC VERSUS CLASSICAL STYLES AND FORMS II: PORTRAITURE

FEMALE PORTRAITURE AND EMBEDDED VALUES

ROMANS JUDGING ROMAN ART: VALUES AND CLASS

ART, CONTEXT, AND SOCIAL STATUS I: THE TOMB OF VESTORIUS PRISCUS

ART, CONTEXT, AND SOCIAL STATUS II: THE ROMAN HOUSE

NARRATIVE MOMENT

SUGGESTIONS FOR FURTHER READING

2 REGAL PERIOD, 753–509 BCE : The Etruscans and the Question of Etruscan Dominance

INTRODUCTION TO THE WORLD OF EARLY ROME AND ITALY

THE ETRUSCANS

Etruscan architecture and city planning

Etruscan Orientalizing art

Etruscan sculpture and portraiture

ART IN LATIUM, THE REGION AROUND ROME

MORE ON MYTH. Minerva Tritonia

ARCHAIC ROME: CITY PLANNING AND ARCHITECTURE

A VIEW FROM THE PROVINCES. Decorative Italic armor from Picenum

SCHOLARLY PERSPECTIVE. Is the concept of Etruscan Rome a myth?

Temple of Jupiter Optimus Maximus

TOOLS & TECHNIQUES. Architectural orders

Murlo (Poggio Civitate)

ART AND LITERATURE. Literature as a source for lost art and architecture: The case of the Temple of Jupiter Optimus Maximus

Architectural terracotta plaques, Murlo

ETRUSCAN TOMB PAINTINGS

MORE ON MYTH. Troilus

GRECO‐ITALIC ARCHAIC ARCHITECTURE: A DORIC TEMPLE AT POMPEII

CONCLUSION

SUGGESTIONS FOR FURTHER READING

3 THE EARLY REPUBLIC, 509–211 BCE : The Spread of Roman Power and Forms

INTRODUCTION TO EARLY ROMAN REPUBLICAN ART

A brief historical survey of the Early Republic

Greek wall painting: Tomb of the Diver, Paestum

Etruscan tomb painting of the fifth century BCE

SCHOLARLY PERSPECTIVE. Can we understand the meaning of Etruscan tomb paintings?

Etruscan terracotta plaque, Pyrgi

MORE ON MYTH. Seven against Thebes

LUCANIAN TOMB PAINTING, PAESTUM

A VIEW FROM THE PROVINCES. Poseidonia/Paestum: Cultural crossroads of southern Italy

Etruscan tomb painting of the fourth century BCE

Roman tomb painting of the Early Republic

ART AND LITERATURE. Working together to paint a picture of the Roman triumph

ETRUSCAN AND CENTRAL ITALIAN BRONZE SCULPTURE

TOOLS & TECHNIQUES. Votive statuettes in the ancient world

TERRACOTTA VOTIVE SCULPTURE

ROMAN ARCHITECTURE AND URBAN PLANNING

Ostia: Rome’s first colony and planned community

HISTORICAL CONTEXT. Pomerium

Maritime colonies at Cosa and Paestum, 273 BCE

FORM & FUNCTION. The Forum Romanum in the Republican period

CONCLUSION

SUGGESTIONS FOR FURTHER READING

4 THE LATER REPUBLIC, 211–31 BCE: The Origins of a Hellenistic Roman Culture

INTRODUCTION

ARCHITECTURE AND URBAN PLANNING

ART AND LITERATURE. Greek art comes to Rome: The triumph of Marcus Claudius Marcellus

Architecture

Greek urban planning and sanctuary design

TOOLS & TECHNIQUES. Opus caementicium: Roman concrete, materials and methods

HISTORICAL CONTEXT. Amphitheaters, a microcosm of the Roman world

ROMAN WALL PAINTING IN THE LATE REPUBLIC

First Style wall painting, 200–80 BCE

Second Style wall painting, 80–15 BCE

SCHOLARLY PERSPECTIVE. The inspiration(s) for Second Style wall painting

A VIEW FROM THE PROVINCES. The monument of Aemilius Paullus at Delphi

LATE REPUBLICAN SCULPTURE

CONCLUSION

SUGGESTIONS FOR FURTHER READING

5 THE AGE OF AUGUSTUS, 31 bce–14 ce : The Art of Empire

AUGUSTUS

THE PORTRAITS OF AUGUSTUS

HISTORICAL CONTEXT/FORM & FUNCTION. The Doryphoros of Polykleitos

TOOLS & TECHNIQUES. Reproducing sculpture in the Roman world

AUGUSTUS AND THE CITY OF ROME

The Campus Martius

Ara Pacis Augustae

HISTORICAL CONTEXT. The Res Gestae of Augustus

Forum Augustum

ANCIENTS ON ART. The Forum Augustum and Temple of Mars Ultor

The Palatine Hill

Temple of Apollo Palatinus

ANCIENTS ON ART. Propertius, Elegy 2.31 on the Temple of Apollo Palatinus

“House of Augustus”

THIRD STYLE WALL PAINTING

Third Style painting at Oplontis

THE EMULATION OF AUGUSTAN ART

ART AND LITERATURE. Contemporary reactions to Third Style wall painting

TRADITIONAL ITALIC STYLE IN THE AGE OF AUGUSTUS

SCHOLARLY PERSPECTIVE. The identification of the figures on the Portland Vase

CONCRETE ARCHITECTURE

GLASS AND GEMS

CONCLUSION

A VIEW FROM THE PROVINCES. Caesarea Maritima

ANCIENTS ON ART. Caesarea Maritima described by Josephus

SUGGESTIONS FOR FURTHER READING

6 THE JULIO‐CLAUDIANS, 14–68 CE : The Rise of Roman Dynastic Art

INTRODUCTION

TIBERIUS, 14–37 CE, AND CALIGULA, 37–41 CE

Portraiture

Dynastic monuments

TOOLS & TECHNIQUES. Cameo carving

Palace architecture and mythological sculpture

Imperial Villa dining room at Sperlonga

HISTORICAL CONTEXT. Tiberius at Sperlonga

SCHOLARLY PERSPECTIVE. Homer’s Odyssey or Vergil’s Aeneid? Literary inspiration for Sperlonga sculptures

CLAUDIUS, 41–54 CE

Portraiture

Dynastic monuments

Grand Camée

Historical reliefs

A VIEW FROM THE PROVINCES. Shrine for the worship of the emperors at Aphrodisias

Architecture

NERO, 54–68 CE

Portraiture of Nero

Portraiture of Julio‐Claudian women

Palace architecture

Domus Aurea, Nero’s Golden House

NON‐MYTHOLOGICAL WALL PAINTING, POMPEII

PUBLIC BUILDINGS AND INTERIOR DECORATION, POMPEII

Painted stucco decoration, Stabian Baths, Pompeii

Sanctuary of Isis, Pompeii

DECORATIVE METAL, GEMS, AND GLASS

ART AND LITERATURE. Latin literature and Roman domestic decoration

MORE ON MYTH. Actaeon and Pyramus and Thisbe in Ovid’s Metamorphoses

CONCLUSION

SUGGESTIONS FOR FURTHER READING

7 THE FLAVIANS, 69–96 CE : Civil War, Disaster, and Response

CIVIL WAR OF 68–69 CE

HISTORICAL CONTEXT. The Jewish revolt

VESPASIAN AND TITUS, 69–81 CE

Portraiture

Architecture

The Colosseum

The Baths of Titus

Templum Pacis

ANCIENTS ON ART. The museum displays in the Templum Pacis

POMPEII AND HERCULANEUM

HISTORICAL CONTEXT. Pliny’s account of the eruption of Vesuvius

Herculaneum

Pompeii

HISTORICAL CONTEXT. Roman class and the patron–client system

MORE ON MYTH. The Cretan cycle of myths

DOMITIAN, 81–96 CE

A VIEW FROM THE PROVINCES. A North African arena mosaic from Zliten

Portraiture

Historical reliefs. Arch of Titus

SCHOLARLY PERSPECTIVE. Domitian and the redefinition of virtus

Cancelleria reliefs

FORM & FUNCTION. Personifications in Roman art

Tomb of the Haterii

Architecture

ART AND LITERATURE. Flavian architecture and ekphrastic poetry

DECORATIVE METAL AND GLASS

CONCLUSION

SUGGESTIONS FOR FURTHER READING

8 TRAJAN AND HADRIAN, 98–138 CE : Emperors from the Provinces

NERVA, 96–98 CE

TRAJAN, 98–117 ce, AND HADRIAN, 117–138 CE

Portraiture of Trajan and Hadrian

Portraiture of empresses

ARCHITECTURE

HISTORICAL CONTEXT. Antinous

SCULPTURE

Historical reliefs

HISTORICAL CONTEXT. Cassius Dio on Trajan’s Dacian Wars

VIEW FROM THE PROVINCES. Tropaeum Traiani: celebrating victory on the frontier

Anaglypha Traiani

SCHOLARLY PERSPECTIVE. Trajanic or Hadrianic sculpture: a debate about date

Funerary sculpture

Mythological sculpture

MORE ON MYTH. The Calydonian Boar Hunt

MOSAICS

ART AND LITERATURE

ANCIENTS ON ART. Sosus of Pergamon

LAMPS

CONCLUSION

SUGGESTIONS FOR FURTHER READING

9 ANTONINE EMPERORS, 138–192 CE : From an Empire of Gold to One of Rust

INTRODUCTION

ANTONINE PORTRAITURE

Portraits of emperors and empresses

HISTORICAL CONTEXT. Marcus Aurelius’ Meditations

Non‐imperial portraiture

Commodus portraiture

A VIEW FROM THE PROVINCES. Portraits from Palmyra

ARCHITECTURAL SCULPTURE

Relief sculpture honoring Hadrian and Antoninus Pius

MORE ON MYTH. Golden Apples of the Hesperides

Reliefs from victory monuments of Marcus Aurelius

ARCHITECTURE

HISTORICAL CONTEXT. Cassius Dio, on the miracle of the rain

WALL PAINTING AND MOSAICS

ART AND LITERATURE. Art and the Second Sophistic

SARCOPHAGI

Mythological sarcophagi

Biographical sarcophagi

SCHOLARLY PERSPECTIVE. Sarcophagi – a search for meaning

Children’s sarcophagi

FAYUM MUMMY PORTRAITS

TOOLS & TECHNIQUES. Encaustic painting

CARVED GEMS

CONCLUSION

SUGGESTIONS FOR FURTHER READING

10 CIVIL WAR AND SEVERAN DYNASTY, 193–235 CE : Calm before the Storm

INTRODUCTION

TRENDS AND DEVELOPMENTS IN SEVERAN ART

PORTRAITURE

Portraiture of Julia Domna

BATHS OF CARACALLA: ARCHITECTURE AND SCULPTURE IN ROME

ANCIENTS ON ART. Baths of Caracalla

ART AND LITERATURE. The Baths of Caracalla and literary descriptions of Roman bathing

HISTORICAL RELIEFS

HISTORICAL CONTEXT. The Severan Parthian campaign

MOSAIC ART UNDER THE SEVERANS

SCHOLARLY PERSPECTIVE. The subject and meaning of the El Djem arena mosaic

SARCOPHAGI

MORE ON MYTH. Achilles and Penthesilea

FORMA URBIS ROMAE

HISTORICAL CONTEXT. Roman mapping tradition

ROMAN TEMPLES AT BAALBEK

SEVERAN BUILDING PROGRAM AT LEPCIS MAGNA

A VIEW FROM THE PROVINCES. The Severan arch at Lepcis Magna, 203 ce

GEMS

TERRACOTTA

CONCLUSION

SUGGESTIONS FOR FURTHER READING

11 THE THIRD CENTURY AND THE TETRARCHY, 235–306 CE : Crisis and Renewal

THIRD‐CENTURY EMPERORS AND THE TETRARCHY

Philip the Arab, 244–249 CE

Decius, 249–251 CE

Valerian, 253–260 CE

Aurelian, 270–275 CE

HISTORICAL CONTEXT. The captivity and death of Valerian

Diocletian, 284–305 CE

The Tetrarchy

COIN PORTRAITS OF THE THIRD CENTURY CE

HISTORICAL RELIEFS

Decennalia Monument, Forum Romanum, Rome, 303 CE

Arch of Galerius, Thessalonica, 303 CE

SARCOPHAGI

SCHOLARLY PERSPECTIVE. Spolia and the reuse of art in the Roman world

ART AND LITERATURE. The Good Shepherd in Early Christian sculpture and literature

IMPERIAL ARCHITECTURE

Baths of Diocletian

Architecture and mosaics: Villa at Piazza Armerina, Sicily

TOOLS & TECHNIQUES. Artistic training in the Roman world

MOSAICS FROM THE CITY OF ANTIOCH‐ON‐THE‐ORONTES IN THE ROMAN EAST

TOOLS & TECHNIQUES. Creating mosaics

MORE ON MYTH. The Judgment of Paris

GLASS AND GEMS

A VIEW FROM THE PROVINCES. The house church at Dura‐Europos

CONCLUSION

SUGGESTIONS FOR FURTHER READING

12 CONSTANTINE, 306–337 CE : Christian Empire and the Decline of the West

CONSTANTINE, THE FIRST CHRISTIAN EMPEROR

HISTORICAL CONTEXT. Constantine’s conversion experience

Portraiture

ARCHITECTURE AT TRIER: BUILDING A PROVINCIAL CAPITAL

ARCHITECTURE AND SCULPTURE AT ROME: AUGMENTING THE IMPERIAL CAPITAL AND CREATING A DYNASTY

Basilica Nova

HISTORICAL CONTEXT. Celebrating civil war

Arch of Constantine

ART AND LITERATURE. Reconciling a Christian Constantine with his non‐Christian art

Constantinian church and tomb architecture in Rome

SCHOLARLY PERSPECTIVE. The iconography and ownership of imperial porphyry sarcophagi

SILVER VESSELS IN THE FOURTH CENTURY CE

MOSAICS

MORE ON MYTH. Aeneas and Vergil’s Aeneid

A VIEW FROM THE PROVINCES. The Aeneid in Romano‐British mosaics

CONCLUSION

EPILOGUE: THE FALL OF ROME AND THE RISE OF NEW ROMES

SUGGESTIONS FOR FURTHER READING

GLOSSARY

GUIDE TO FURTHER READING. Books on Roman Arts in General, Aesthetics, Theory, Art Historical Approaches

Art, Empire, and Provinces

Architecture

Sculpture

Sarcophagi, Tombs, and Funerary Monuments

Painting and Mosaics

Houses, Villas, and Domestic Décor

Metalwork, Glass, Gems, and Coins

Terracotta and Lamps

Late Antiquity

INDEX

WILEY END USER LICENSE AGREEMENT

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SECOND EDITION

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Finally, the book is supplemented with online content including additional images of many of the monuments to allow instructors to illustrate views or details of works of art not limited to those in the book.

Form & Function sidebars examine social contexts, the functionality of art and buildings, and their relationship with the everyday lives of Romans.

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