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Susan Howatch
‘This superbly intricate ecclesiastical tale … irresistible’
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The conversation glided on, just like the river, glinting, glittering, gleaming, a hypnotic pattern coalescing into a unity beneath the white bright slice of the moon. Time glided on too, the time which should have been spent in the drawing-room, and every few minutes I told myself we should return to the house. Yet I never moved. The fairy-tale in which I was travelling had become more clearly defined; I now realized I was enacting the role of a male Cinderella and that when the clock began to strike twelve I would be compelled to flee from my princess, but meanwhile I preferred not to think of those inevitable midnight chimes. I thought instead how amazing it was that I, entombed in my sedate cathedral city, should be enjoying a scintillating dialogue with a society girl, and beyond my amazement lurked the absurd satisfaction that I, Norman Neville Aysgarth, the son of a Yorkshire draper, should be conversing in a palace garden with a millionaire’s daughter who had danced with the former Prince of Wales. I always tried hard not to slide into the repellent snobbery of the social climber, and of course I knew a good clergyman should be quite above such embarrassingly worldly thoughts, but the night was very beautiful and Miss Tallent was very amusing and I was, after all, only human.
The metaphorical midnight arrived so suddenly that I jumped. Far away by the house Charlotte Ottershaw called: ‘Dido! What have you done with Neville?’ and I saw my fairy-tale draw to a close.
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