After her world is shaken by a series of unexplained events, young widow Sarah Grey soon comes to realise that she is the victim of a terrifying haunting by her 19th century namesake … A classic ghost story with a modern twist by a talented new writer in the genre.Relocated to a coastal town, widowed teacher Sarah Grey is slowly rebuilding her life, along with her young son Alfie. But after an inadvertent séance one drunken night, her world is shaken when she starts to experience frightening visions. She tries to explain them as But Alfie sees them too and Sarah believes that they have become the targets of a terrifying haunting.Convinced that the ghost is that of a 19th Century local witch and namesake, Sarah delves into local folklore and learns that the witch was thought to have been evil incarnate. When a series of old letters surface, Sarah discovers that nothing and no-one is as it seems, maybe not even the ghost of Sarah Grey…
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Syd Moore. The Drowning Pool
Syd Moore. The Drowning Pool
Dedication
Contents
Extract from White’s Directory of Essex 1848
George Gifford, A Dialogue Concerning Witches and Witchcraftes 1593
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
A Note to the Reader
Read On
Prologue
Chapter One
Chapter Two
LUCIFER’S TEARS
About the Author
Copyright
About the Publisher
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For my boys Sean and Riley. And for Liz, undoubtedly causing havoc in the heavens.
Extract from White’s Directory of Essex 1848
.....
I thought back. God, it had been horrible. Not the interior or the layout but the atmosphere. There was a sharp sense of misery lurking in the corners. It had hit me as soon as I’d walked through the door. But I was still raw then. I reckoned it was just the similarity to my flat back in London and the emotional wreckage that had surrounded me there. But I simply said, ‘It was too small. Smart enough, good finish.’
Anyway, Corinne was off again so we returned to her pretty face flickering in the firelight. ‘Before the flats there was a supermarket on the site. My friend’s mum used to work there. She said the shelves were wonky. You used to put the tins on one end and they’d slide down the other and onto the floor. Then one day she went to work and it had gone. The whole place had slid into the pond.’