Viking London

Viking London
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Viking Britain author Thomas Williams returns with a brief history of the interaction between the Vikings and the British to tell the story of the occupation of London.Nowhere in England suffered more Viking aggression than London. Between 842 and 1016, the city was subjected to serious assault on at least a dozen separate occasions. Sometimes, she burned and sometimes she surrendered, mostly she stood firm when all others had given up hope; and throughout it all she endured, remaking and remodelling herself, growing strong in adversity, unique in economic power, a crucible of cultures, enterprise and political intrigue: a maker of kings, and – ultimately – their capital.London is a city of spectres, of ghosts walking in the footsteps of other ghosts, and the Viking Age is perhaps its most forgotten shadowland. Memories shimmer through the alluvium and radiate through the pores of Museum collections, street names and stories. Viking London is a short book of the hidden history, archaeology and folklore of London in the Viking Age and its echoes through history. The narrative history that can be told is limited, and this book is, therefore, unorthodox and digressive in its structure and its layering of voices, impressions and characters, stories, objects and buildings.Thomas Williams treats the city as a living, breathing entity, one peopled with individuals shaped and warped by the forces that the urban environment exerts on its inhabitants. In this case, however, it is the forgotten ghosts of the Viking Age that provide the gravitational force – the shaping and distorting mass at the city’s heart.

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Thomas Williams. Viking London

Copyright

Dedication

Epigraph

Contents

Maps

Introduction

I. Lundenwic

II. Lundenburh

III. Lundúnir

IV. Lundúnaborg

V. Vikings Drink Tea

Footnotes

Notes

Notes, sources and further reading

Abbreviations

Index

About the Author

Also by Thomas Williams

About the Publisher

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For Pru

Many thanks are due to Dr Rory Naismith (King’s College London), Professor Andrew Reynolds (UCL) and Dr Gareth Williams and my other friends and former colleagues at the British Museum for their help, advice and good cheer. I am also grateful to my editors at William Collins and to Julian Alexander and Ben Clark at the Soho Agency for all of their assistance. The support of my family has been critical to the successful completion of this project. I owe a particular debt to my father, for – amongst other things – his patient and insightful reading of this manuscript as it evolved over several versions. I thank him for his indefatigability. I take responsibility for any errors that remain; idiosyncrasies and neologisms are, however, probably deliberate.

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the generations pass.9

The Ruin, the Old English poem from which the lines above are translated, describes the remains of a Roman city. The poet here has turned the experience of living amongst ruins into an elegiac romanticism weighed down with fate – what the English knew as wyrd (‘weird’) and the Norse as urðr; it was a sense, shared amongst the peoples of northern Europe, that all roads led inevitably into darkness – ‘that all glory’, as Tolkien put it, ‘ends in night’.10

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