Death Is Not So Bad!

Death Is Not So Bad!
Автор книги: id книги: 2041140     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 918,51 руб.     (10,02$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Документальная литература Правообладатель и/или издательство: Bookwire Дата добавления в каталог КнигаЛит: ISBN: 9783862871094 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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When Tim Renner applied to the German record company Polydor in 1986, he intended to write an exposé about the music industry. However, things went differently and he turned this exposé into a career. For eighteen years his biography has been intermeshed with the development of the music industry, he led bands like Element of Crime, Rammstein, Tocotronic and Philip Boa to sucess. He raised up higher and higher on the ladder, finally reaching the top of Universal Music Germany. He witnessed how musical development has been hampered by the pressure of the markets, how pop and commerce diffused, and importantly, he witnessed the rapid dissolution of old comercial structures through the forces of digitalzation and globalization. But the ponderous giant labels kept their eyes shut in front of these developments and Renner finally quit. After his leave from Universal in 2004 he described his point of view on what he found were wrong tracks and challenges of contemporary pop music. "Death is not bad!" is a profound analysis of culture and music in times of digitalization, based on the vison that creativity, consumption and capital could find a way of coexistence.
Ten years after the German edition of this book was published some passages read like a history book about a long forgotten time. Some passages pointing to developments which are fully manifested today and look to evolve further in the future. The book shows the changes of a whole industry and the first steps of a society on it's way into the digitalized future.

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Tim Renner. Death Is Not So Bad!

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Tim Renner

DEATH IS NOT SO BAD!

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Artists do not care about this. What they need is to find any kind of audience, any kind of canvas onto which to project themselves and their art. They express their condition, which they cannot communicate in everyday life, through music, the image, the written word, the performance. They yearn for fame and recognition (all the more, admittedly, the louder their stomachs rumble). Naturally they are prepared to place their craft at the disposal of some other cause as long as it doesn’t go against their artistic principles – not too obviously at any rate.

What fascinates me about pop is that pop culture has the most relaxed relationship with capital. True, the history of art has always been one of financial dependence, but pop doesn’t moan about it. The genius of pop culture lies not in coyly denying money, in trying to make people believe in the ideal of a work of art unsullied by finance, but rather in using it, playing with it, even (from time to time) mocking it. As money has no soul, it doesn’t give a damn. It took me a while to grasp this.

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