The Responsive Chord

The Responsive Chord
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"The Responsive Chord How media manipulate you: what you buy… who you vote for… and how you think. By Tony Schwartz"
The essential guide to how media shape our lives. By the creator of the most talked about political ad in television history.
Tony Schwartz, the man the New York Times called the «king of sound,» drew on his unrivaled wealth of experience in the communications industry, to give us The Responsive Chord, an engaging read and one of the seminal books on media. Through his decades of work, Schwartz came to understand that most advertisers, politicians, and educators—in fact, most all of us—use a model of communication long outmoded by the coming of electronic media. In The Responsive Chord, he shows us how this model has made us blind to many of the inner workings of modern communication. He explains how audio and visual material can be used to create “resonance” with an audience. His “resonance principle” explains that the meaning of an ad (or any other stimulus) is not present in the ad itself but rather in how the ad relates to the vast array knowledge and associations—both factual and emotional—already held in the mind of the viewer. Thus, audience members do not merely digest a message; they are an essential force in creating it.
The implications for anyone looking to impart a message or influence decisions are enormous.
And with so many people these days getting their information through social media and «fake news» sites, it is crucial that we understand the strong forces by which these outlets act upon us and, yes, manipulate our ideas and actions. The Responsive Chord reveals these forces in a captivating and eye-opening read. “I read The Responsive Chord as a freshman in college and it affected everything I’ve ever made since. Its message is practical and deep. I’d recommend it to anyone.”
– Ira Glass, Creator & Host of NPR’s This American Life
“Tony Schwartz was a genius in his understanding of the communications revolution of the 20th century. My interview with him was one of my favorites and one of the most important of my own long career in broadcast journalism.”
– Bill Moyers, Journalist, Political Commentator and White House Press Secretary
“Tony Schwartz was not only an original theorist but a master persuader whose must-read book is brimming with indispensable insight about how humans construct meaning through media.”
– Prof. Kathleen Hall Jamieson, Director, Annenberg Public Policy Center
“Here's the still-true story about how a media environment can shape our thoughts, our purchases and, yes, our votes. It's not just the content that influences us; if only it were that simple. No, it's the media themselves, the political economy driving them, and the atomizing impact of their targeted messaging. Maybe reading this book will prepare us to think more critically about the way social media is used on, and against us today.”
– Douglas Rushkoff, author, Program or Be Programmed, Present Shock, and Throwing Rocks at the Google Bus
“The Responsive Chord had a profound impact on me when I first read it as a teenager, and it sparked a lifelong interest in the impact of media and technology in education. Re-reading it today, Tony Schwartz's observations about education in a media-saturated environment are deeply prescient and more relevant than ever.”
– Luyen Chou, Chief Product Officer, Pearson Education
"I keep talking to Tony, learning from Tony, practically every day. Radio and audio are Tony’s World. We just live in it.”
– Christopher Lydon, Radio Host of The Connection and Open Source, former New York Times Journalist

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Tony Schwartz. The Responsive Chord

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The

Responsive

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As a wider range of new material reached the public through telephone, radio, film, records, and television, we developed a stronger orientation toward the auditory mode of receiving and processing information. A greater percentage of the information that affected our lives was reaching us in auditory form. This was true not only for sound, but also for electronically mediated visual information, which is patterned like auditory information. Man had never before experienced a world of visual sensation patterned in an auditory mode.

Film transmits visual information by projecting a series of still pictures in rapid succession. Each still frame is projected for approximately one fiftieth to one seventy-fifth of a second. Following each frame, the screen is black for a nearly equal length of time. The same frame may then be projected a second time, or the next frame may be shown—depending on the projector. But in any one-second period, the screen is black approximately half the time. The brain “sees” motion by registering the current still picture, recalling previous frames, and anticipating future frames that will complete the movements. This differs considerably from visual experience in everyday life, where the eye is bombarded with a continuous stream of information, which is always emanating from the sources we are observing.

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