The Science of Storytelling

The Science of Storytelling
Автор книги: id книги: 2894735     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 1624,09 руб.     (18,61$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Правообладатель и/или издательство: HarperCollins Дата добавления в каталог КнигаЛит: ISBN: 9780008276959 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

Реклама. ООО «ЛитРес», ИНН: 7719571260.

Описание книги

Humans have been telling stories ever since we came down from the trees.But do we really understand why?And if we did, would we be able to tell them better?We would be nothing without story. Story moulds who we are, from our character to our cultural identity. Story compels us to act out our dreams and ambitions, and shapes our politics and beliefs. We use story to construct our relationships, to keep order in our law courts and governments, to make sense of the world in our newspapers and social media. Even when we sleep, we dream in story. Storytelling is an essential part of what makes us human.There have been many attempts to understand what makes a good story – from Joseph Campbell’s well-worn theories about myth and archetype to recent attempts to crack the ‘Bestseller Code’. But few have used a scientific approach. This is curious, for if we are to truly understand the machinations of storytelling, we must first come to understand the ultimate storyteller – the human brain.In this original and surprising book, Will Storr takes a scalpel to story. Leading us on a journey from the Hebrew scriptures to Mr Men, from Booker prize-winning literature to box set TV, he demonstrates how master storytellers manipulate and compel us using a dazzling display of psychological research and cutting-edge neuroscience. With the help of world leading story-analysts and brain experts, he shows how we can use this science to tell better stories – and reveals the benefits this can have on everything from our creative endeavours and careers to our happiness and wellbeing.

Оглавление

Уилл Сторр. The Science of Storytelling

Copyright

Dedication

Epigraph

INTRODUCTION

CHAPTER ONE: CREATING A WORLD

1.0

1.1

1.2

1.3

1.4

1.5

1.6

1.7

1.8

1.9

CHAPTER TWO: THE FLAWED SELF

2.0

2.1

2.2

2.3

2.4

2.5

2.6

2.7

2.8

CHAPTER THREE: THE DRAMATIC QUESTION

3.0

3.1

3.2

3.3

3.4

3.5

3.6

3.7

3.8

3.9

3.10

3.11

CHAPTER FOUR: PLOTS, ENDINGS AND MEANING

4.0

4.1

4.2

4.3

4.4

4.5

4.6

4.7

APPENDIX: THE SACRED FLAW APPROACH

SACREDNESS

EMBRACE THE REWIND

THE MILIEU

THE WHAT IF?

THE ARGUMENT

THE IGNITION POINT (see section 2.5)

ORIGIN DAMAGE (see section 3.11)

PERSONALITY (see section 2.1)

CONFIRMATION BIAS (see section 2.5)

THE HERO MAKER (see sections 2.6 and 2.7)

POINT OF VIEW (see section 2.3)

THEORY OF CONTROL (see section 2.0)

THE STORY IGNITES

GOAL DIRECTION

PLOTS

THE GOD MOMENT (OR NOT)

A NOTE ON THE TEXT

ACKNOWLEDGMENTS

NOTES AND SOURCES. INTRODUCTION

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

INDEX

About the Author

Also by Will Storr

About the Publisher

Отрывок из книги

For my firstborn, Parker

Or what’s a heaven for?’

.....

The brain’s propensity for automatic model-making is exploited with superb effect by tellers of fantasy and science-fiction stories. Simply naming a planet, ancient war or obscure technical detail seems to trigger the neural process of building it, as if it actually exists. One of the first books I fell in love with as a boy was J.R.R. Tolkien’s The Hobbit. My best friend Oliver and I obsessed over the maps it contained – ‘Mount Gundabad’; ‘Desolation of Smaug’; ‘West lies Mirkwood the Great – there are spiders.’ When his father made photocopies of them for us, these maps became the focus of a summer of blissful play. The places Tolkien sketched out, on those maps, felt as real to us as the sweet shop in Silverdale Road.

In Star Wars, when Han Solo boasts that his ship the Millennium Falcon ‘made the Kessel Run in less than twelve parsecs’ we have the strange experience of knowing it’s an actor doing gibberish whilst simultaneously somehow feeling as if it’s real. The line works because of its absolute specificity and its adherence to what sounds like truth (the ‘Kessel Run’ really could be a race while ‘parsecs’ are a genuine measurement of distance, equivalent to 3.26 light years). As ridiculous as some of this language actually is, rather than taking us out of the storyteller’s fictional hallucination, it manages to give it even more density.

.....

Добавление нового отзыва

Комментарий Поле, отмеченное звёздочкой  — обязательно к заполнению

Отзывы и комментарии читателей

Нет рецензий. Будьте первым, кто напишет рецензию на книгу The Science of Storytelling
Подняться наверх