The Science of Storytelling
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Оглавление
Уилл Сторр. The Science of Storytelling
Copyright
Dedication
Epigraph
INTRODUCTION
CHAPTER ONE: CREATING A WORLD
1.0
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
CHAPTER TWO: THE FLAWED SELF
2.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
CHAPTER THREE: THE DRAMATIC QUESTION
3.0
3.1
3.2
3.3
3.4
3.5
3.6
3.7
3.8
3.9
3.10
3.11
CHAPTER FOUR: PLOTS, ENDINGS AND MEANING
4.0
4.1
4.2
4.3
4.4
4.5
4.6
4.7
APPENDIX: THE SACRED FLAW APPROACH
SACREDNESS
EMBRACE THE REWIND
THE MILIEU
THE WHAT IF?
THE ARGUMENT
THE IGNITION POINT (see section 2.5)
ORIGIN DAMAGE (see section 3.11)
PERSONALITY (see section 2.1)
CONFIRMATION BIAS (see section 2.5)
THE HERO MAKER (see sections 2.6 and 2.7)
POINT OF VIEW (see section 2.3)
THEORY OF CONTROL (see section 2.0)
THE STORY IGNITES
GOAL DIRECTION
PLOTS
THE GOD MOMENT (OR NOT)
A NOTE ON THE TEXT
ACKNOWLEDGMENTS
NOTES AND SOURCES. INTRODUCTION
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
INDEX
About the Author
Also by Will Storr
About the Publisher
Отрывок из книги
For my firstborn, Parker
Or what’s a heaven for?’
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The brain’s propensity for automatic model-making is exploited with superb effect by tellers of fantasy and science-fiction stories. Simply naming a planet, ancient war or obscure technical detail seems to trigger the neural process of building it, as if it actually exists. One of the first books I fell in love with as a boy was J.R.R. Tolkien’s The Hobbit. My best friend Oliver and I obsessed over the maps it contained – ‘Mount Gundabad’; ‘Desolation of Smaug’; ‘West lies Mirkwood the Great – there are spiders.’ When his father made photocopies of them for us, these maps became the focus of a summer of blissful play. The places Tolkien sketched out, on those maps, felt as real to us as the sweet shop in Silverdale Road.
In Star Wars, when Han Solo boasts that his ship the Millennium Falcon ‘made the Kessel Run in less than twelve parsecs’ we have the strange experience of knowing it’s an actor doing gibberish whilst simultaneously somehow feeling as if it’s real. The line works because of its absolute specificity and its adherence to what sounds like truth (the ‘Kessel Run’ really could be a race while ‘parsecs’ are a genuine measurement of distance, equivalent to 3.26 light years). As ridiculous as some of this language actually is, rather than taking us out of the storyteller’s fictional hallucination, it manages to give it even more density.
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