Portrait of an Unknown Woman
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Vanora Bennett. Portrait of an Unknown Woman
Portrait of an Unknown Woman
CONTENTS
Author’s Note
BIBLIOGRAPHY
ON HOLBEIN
ON THOMAS MORE
ON OTHER SIXTEENTH-CENTURY FIGURES
ON SIXTEENTH-CENTURY LONDON LIFE
ON MEDICINE
ON RICHARD III AND THE PLANTAGENETS
PORTRAIT OF AN UNKNOWN WOMAN
About the Publisher
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VANORA BENNETT
Many more people than the writer find themselves working on an unfinished book. I am enormously grateful both to Susan Watt and her team at HarperCollins for their wonderful editing, guidance and even a desk to finish the writing, and to my delightful agent Tif Loehnis and all her colleagues at Janklow & Nesbit. I’m no less indebted to my family. My sons Luke and Joe have been extraordinarily patient while I shut myself away to finish my chapters. Their nanny Kari has kept the house going while my parents offered all sorts of moral support. My father-in-law George has turned out to be a superb marketing manager. And I owe more thanks than I can find words for to my husband Chris for all the brilliant story ideas he came up with while reading many early drafts and chapters in whatever spare multi-tasking minutes he could make between legal cases. Most of all, though, I’d like to express my gratitude to Jack Leslau, whose lifetime’s work – the development of a fascinating theory about John Clement’s true identity, based on his study of Holbein’s paintings – was the starting-point for this book.
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John Clement bowed low to Dame Alice (in his quiet way, he’d always had elaborate manners). He bowed lower still to Grandfather. But then his formality gave way and he put those long arms, which still waved more than most other people’s, around both of their backs at the same time. I thought he was only a breath away from whirling them off the ground too.
There was a sudden babble of welcome. Voices testing their strength. Cheeks and hands and arms proffered in greeting. And all those insincere phrases people say. ‘You haven’t changed a bit!’ ‘You look younger than ever!’
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