The Atlantic Monthly, Volume 11, No. 65, March, 1863

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It will be necessary for the present to omit the story of the settlement and growth of the French Colony, and of the pernicious commercial restrictions which swelled the unhappy heritage of the island, in order that we may reach, in this and a succeeding article, the great points of interest connected with the Negro, his relation to the Colony and complicity with its final overthrow.

The next task essential to our plan is to trace the entrance of Negro Slavery into the French part of the island, to describe the victims, and the legislation which their case inspired.

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But if Ira Aldridge's exaggerated style of acting points to an African origin, would it not be better, if some of our distinguished actors, who are presumptively white before the foot-lights, took out free-papers at once? We have seen Macbeth and Othello so "created" by the Caucasian models of the stage, that but one line of Shakspeare remained in our memory, and narrowly escaped the lips,—"Out, hyperbolical fiend!"

It is not unlikely that the Felatah was mixed with Moorish or Kabylic blood to make the Foulah. If so, it proves the important fact, that, when the good qualities of the negro are crossed with a more advanced race, the product will be marked with intelligence, mobility, spiritual traits, and an organizing capacity. Felatah blood has mixed with white blood in the Antilles; the Jolof and the Eboe have yielded primitive affections and excellences to a new mulatto breed. This great question of the civilizable qualities of a race cannot be decided by quoting famous isolated cases belonging to pure breeds, but only by observing and comparing the average quality of the pure or mixed.

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