Chambers's Edinburgh Journal, No. 448

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Various. Chambers's Edinburgh Journal, No. 448

BOOK-WORSHIP

OUR TERRACE

SLAVES IN BRITAIN

THE OLD HOUSEKEEPER'S TALE

ADVENTURES IN JAPAN

THINGS TALKED OF IN LONDON

A QUALIFIED INSTRUCTOR

AN AMERICAN RIVER

CHOOSE THE SUNNY SIDE OF THE STREET

A DREAM OF DEATH

THE EXECUTIONER IN ALGERIA

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London has been often compared to a wilderness—a wilderness of brick, and so in one sense it is; because you may live in London all the days of your life if you choose—and, indeed, if you don't choose, if you happen to be very poor—without exciting observation, or provoking any further questioning than is comprised in a demand for accurate guidance from one place to another, a demand which might be made upon you in an Arabian desert, if there you chanced to meet a stranger. But London is something else besides a wilderness—indeed it is everything else. It is a great world, containing a thousand little worlds in its bosom; and pop yourself down in it in any quarter you will, you are sure to find yourself in the centre of some peculiar microcosm distinguished from all others by features more or less characteristic.

One such little world we have lived in for a round number of years; and as we imagine it presents a picture by no means disagreeable to look upon, we will introduce the reader, with his permission, into its very limited circle, and chronicle its history for one day as faithfully as it is possible for anything to do, short of the Daguerreotype and the tax-gatherer. Our Terrace, then—for that is our little world—is situated in one of the northern, southern, eastern, or western suburbs—we have reasons for not being particular—at the distance of two miles and three-quarters from the black dome of St Paul's. It consists of thirty genteel-looking second-rate houses, standing upon a veritable terrace, at least three feet above the level of the carriage-way, and having small gardens enclosed in iron palisades in front of them. The garden gates open upon a pavement of nine feet in width; the carriage-road is thirty feet across; and on the opposite side is another but lower terrace, surmounted with handsome semi-detached villas, with ample flower-gardens both in front and rear, those in the front being planted, but rather sparingly, with limes, birches, and a few specimens of the white-ash, which in summertime overshadow the pavement, and shelter a passing pedestrian when caught in a shower. At one end of Our Terrace, there is a respectable butcher's shop, a public-house, and a shop which is perpetually changing owners, and making desperate attempts to establish itself as something or other, without any particular partiality for any particular line of business. It has been by turns a print-shop, a stationer's, a circulating library, a toy-shop, a Berlin-wool shop, a music and musical-instrument shop, a haberdasher's shop, a snuff and cigar shop, and one other thing which has escaped our memory—and all within the last seven years. Each retiring speculator has left his stock-in-trade, along with the good-will, to his successor; and at the present moment it is a combination of shops, where everything you don't want is to be found in a state of dilapidation, together with a very hungry-looking proprietor, who, for want of customers upon whom to exercise his ingenuity, pulls away all day long upon the accordion to the tune of We're a' noddin'. The other end of Our Terrace has its butcher, its public-house, its grocer, and a small furniture-shop, doing a small trade, under the charge of a very small boy. Let thus much suffice for the physiology of our subject. We proceed to record its history, as it may be read by any one of the inhabitants who chooses to spend the waking hours of a single day in perusing it from his parlour window.

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By the time the cats have retired to growl over their allowance in private, the daily succession of nomadic industrials begin to lift up their voices, and to defile slowly along Our Terrace, stopping now and then to execute a job or effect a sale when an opportunity presents itself. Our limits will not allow us to notice them all, but we must devote a few paragraphs to those without whom our picture would be incomplete.

First comes an ingenious lass of two or three-and-twenty, with a flaming red shawl, pink ribbons in her bonnet, and the hue of health on a rather saucy face. She carries a large basket on her left arm, and in her right hand she displays to general admiration a gorgeous group of flowers, fashioned twice the size of life, from tissue-paper of various colours. She lifts up her voice occasionally as she marches slowly along, singing, in a clear accent: 'Flowers—ornamental papers for the stove—flowers! paper-flowers!' She is the accredited herald of summer—a phenomenon, this year, of very late appearance. We should have seen her six weeks ago, if the summer had not declined to appear at the usual season. She is the gaudy, party-coloured ephemera of street commerce, and will disappear from view in a fortnight's time, to be seen no more until the opening summer of '53. Her wares, which are manufactured with much taste, and with an eye to the harmony of colours, are in much request among the genteel housewives of the suburbs. They are exceedingly cheap, considering the skill which must be applied in their construction. They are all the work of her own hands, and have occupied her time and swallowed up her capital for some months past. She enjoys almost a monopoly in her art, and is not to be beaten down in the price of her goods. She knows their value, and is more independent than an artist dares to be in the presence of a patron. Her productions are a pleasant summer substitute for the cheerful fire of winter; and it is perhaps well for her that, before the close of autumn, the faded hues of the flowers, and the harbour they afford to dust, will convert them into waste paper, in spite of all the care that may be taken to preserve them.

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