Blackwood's Edinburgh Magazine. Volume 55, No. 344, June, 1844

Blackwood's Edinburgh Magazine. Volume 55, No. 344, June, 1844
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Various. Blackwood's Edinburgh Magazine. Volume 55, No. 344, June, 1844

TRADITIONS AND TALES OF UPPER LUSATIA

COLUMBUS

TO SWALLOWS ON THE EVE OF DEPARTURE

THE DILIGENCE

WHO WROTE GIL BLAS?

MICHAEL KALLIPHOURNAS

AFRICA—SLAVE TRADE—TROPICAL COLONIES

NARRATION OF CERTAIN UNCOMMON THINGS THAT DID FORMERLY HAPPEN TO ME, HERBERT WILLIS, B.D

BEAU BRUMMELL.30

THE ACTUAL CONDITION OF THE GREEK STATE

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A diligence is as familiar to our countrymen as a stage-coach; and, as railroads flourish more amongst us than with our less commercial and enterprising neighbours, it is probable that, to many English travellers, it is even more familiar. There is no need, therefore, to describe the portentous vehicle. Suffice it to say, that, of the three compartments into which it is divided, I found myself lodged—not in the coupée which looks out in front, and which has the appearance of a narrow post-chaise that has been flattened and compressed in the effort to incorporate it with the rest of the machine—nor in the rotunde behind, where one rides omnibus-fashion—but in the central compartment, the interieur, which answers to the veritable old English stage-coach, and carries six. I was one of the central occupants of this central division; for I had not been so fortunate as to secure a corner seat. Now, for the convenience of the luckless person who occupies this position, there depends from the roof of the coach, and hangs just before his face, a broad leathern strap, with a loop through which he can, if so disposed, place his arms; and, when his arms are thus slung up, he can further rest his head upon them or upon the strap, and so seek repose. Whether he finds the repose he seeks, is another matter. One half of the traveller swings like a parrot on his perch, the other half jolts on stationary—jolts over the eternal stones which pave the roads in France. Perhaps there are who can go to roost in this fashion. And if it is recorded of any one that he ever slept in this state of demi-suspension—all swing above, all shake below—I should like very much to know, in the next place, what sort of dreams he had. Did he fancy himself a griffin, or huge dragon, beating the air with his wings, and at the same time trotting furiously upon the ground? Or, in order to picture out his sensations, was he compelled to divide himself into two several creatures, and be at once the captured and half-strangled goose, with all its feathers outstretched in the air, and the wicked fox who is running away with it, at full speed, upon its back? As to myself, in no vain expectation of slumber, but merely for the sake of change of position, I frequently slung my arms in this loop, and leaning my head against the broad leathern strap, I listened to the gossip of my fellow-travellers, if there was any conversation stirring; or, if all was still, gave myself up to meditations upon my own schemes and projects.

And here let me observe, that I have always found that a journey in a stage-coach is remarkably favourable to the production of good resolution and sage designs for the future; which I account for partly on the ground that they cannot, under such circumstances, demand to be carried into immediate execution, and therefore may be indulged in the more freely; and partly on this other ground, that one who has become a traveller has loosened himself from his old customary moorings, and so gives himself, as it were, a new starting-point in life, from which he may, if the spirit of delusion is still happily strong within him, draw a mathematically straight line in the given direction A B, to be the faithful index of his future career.

.....

“Well, that was capital!”

“And the best of it is, that even now, when the noses have been put on again, the figures look as odd as if they had none at all. The join is so manifest, and speaks so plainly of past mutilation, that no one can give to these creatures, let them exist as long as they will, the credit of wearing their own noses. The jest is immortal.”

.....

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