Chambers's Edinburgh Journal, No. 461

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Various. Chambers's Edinburgh Journal, No. 461

THE SLAVER

THE 'ADVOCATE' AND ITS AUTHOR

A NIGHT ADVENTURE

VISIT TO A CHOCOLATE MANUFACTORY

THE WORKING-CLASSES IN 'THE GOOD OLD TIMES.'

EXTRACTS FROM THE DIARY OF A TRAVELLER IN CHILI

THINGS TALKED OF IN LONDON

THE POET'S POWER

IMPORTANCE OF THE CULTIVATION OF THE SENSES

AN AMERICAN NOTION

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Literary talents and habits are fortunately not always dissociated from world-like conduct and skill in affairs. We have now become familiar with a class of men who, while cultivating even the more flowery fields of the Muses, are not on that account the less distinguished in their professional walks, or by the active part they take in the great practical movements of the age. The public, which does not readily admit of two ideas respecting any one man, is apt to lose sight of the literary in the worldly merit; but the former does not the less exist, and perhaps in time it will be equally acknowledged. We regard Mr Cox, author of the book under notice, as a remarkable example of the union of the man of affairs with the author. We learn, from a local record,1 that he rose, about twenty years ago as an attorney in a western town, and took an active part in the fervid political doings of 1830-31. Ambitious of higher professional honours, he removed to London, and entered at the bar. In the course of eight or nine years, he has proceeded from one adventure to another, till he is now one of the most multiform of men. Not merely does he follow a strictly professional course as a barrister, but he conducts several periodical works of a laborious nature—the Law Times (newspaper), the Magistrate, the County Courts' Chronicle, and a series of Criminal Law Cases. For the preparation of these works, he has a printing establishment, the management of which would be a sufficient occupation for most men. It gives work to 250 persons, and 10,000 business accounts are kept in it. As if all these engagements were not enough, Mr Cox has established the well-known literary periodical work (fortnightly) the Critic. The conducting of a work designed to report upon the current literature of the day is perhaps one of the most delicate of tasks, for the critics necessarily are themselves authors, are the friends and enemies of authors, and are of course liable to all the usual fallacies which beset human judgment. Hence it is that we see one such work lose credit through its universal benevolence, and another rush to the opposite extreme, of asserting independence by an unvarying tone of rancour and dissatisfaction—obviously a not less unjust course both to literary men and the public, and in the long-run, equally sure to destroy the credit of the men who adopt it. Amidst the difficulties proper to such a task, we believe the Critic has hitherto steered a comparatively irreproachable course, keeping mainly in view a faithful and painstaking account of every book submitted to its notice, and neither trading upon the smiles nor the groans of authors. Of a warm and cordial nature, and with an intense love of literature, he seems to have known how to encourage genius, even while pointing to its errors; and, if we may judge by the internal evidence of the work itself, he has succeeded in rallying round him many of the high and generous spirits of the time. The Critic is distinguished by a more than usual proportion of thought, and by very little of the small superficial cant of criticism.

It will excite some surprise that Mr Cox has found time, amidst his numberless duties, to prepare a professional work of considerable magnitude, and of solid merit and utility. Such, we take leave to say, is the Advocate, of which the first volume is now before us.2 It is a book which, though intended primarily for young legal aspirants, will also instruct, and indeed entertain the public. It is more than this for those who can pursue the spirit of a work through its details, and see the character of an individual or a class rising palpably out of reasonings, maxims, and material circumstances. Such readers will give a hero to the pages before us, and follow him in his career with more than the interest that waits upon romance. They will observe, in the first place, his natural advantages: 'Has he a healthy frame, capable of enduring long-continued exertion of mind and body, the confinement of the study, the excitement of practice, the crowded court by day, the vigil of thought by night? Can he subsist with a sleep of five hours? Can he, without dyspepsy, endure irregular meals—hasty eatings and long fastings? If he be not blessed by nature with the vigorous constitution that will bear all this, and more, let him not dream of adventuring into the arena of advocacy.' Good lungs and a strong voice are indispensable: strong rather than agreeable—let him even scream or squeak, as some of his brethren do, but scream or squeak with power. His mental qualifications are—keen and rapid perception, sound judgment, power of concentration, and that imagination which paints in words. Of these, the first is the cornerstone of the mental character of the advocate. Of the moral qualities, courage and self-confidence must be combined with caution, and the whole elevated by honesty and truthfulness of nature. At this point the philosophical reader will perhaps demur, and inquire whether those clients who are in the wrong find any difficulty in obtaining the most talented defenders—for a con-si-der-ation. But we will postpone that issue.

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'The third class are gentlemanly but very shabbily dressed men, who look as if they were thinking of something beside themselves. They are of all ages, and statures, and complexions; of feature of all degrees of ugliness in form and beauty of expression. You cannot mistake them; there is a family-likeness running through all of them. They are barristers.

'The fourth species are composed of men of busy, bustling aspect, arrayed for the most part in garments of formal cut, and of the fashion of a bygone day. They always look as ordinary men do when told on some pressing emergency to "look sharp." Their countenances, motions, and gait express thought and anxiety. They hurry onward, noticing nothing and nobody. They are attorneys.

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