Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878
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Various. Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878
ALONG THE DANUBE
THE PARIS EXPOSITION OF 1878
I.—BUILDINGS AND GROUNDS
SENIORITY
"FOR PERCIVAL."
CHAPTER XXXV. OF THE LANDLADY'S DAUGHTER
CHAPTER XXXVI. WANTED—AN ORGANIST
CHAPTER XXXVII. LYDIA REARRANGES HER CAP
CHAPTER XXXVIII. CONCERNING SISSY
A WELSH WATERING-PLACE
NOCTURNE
THROUGH WINDING WAYS
CHAPTER IV
CHAPTER V
CHAPTER VI
A SEA-SOUND
THE BRITISH SOLDIER
A SAXON GOD
MUSICAL NOTATION
SAMBO: A MAN AND A BROTHER
THE EMPRESS EUGÉNIE
OUR MONTHLY GOSSIP
A LOST COLONY
THE DIFFICULTIES OF BEING AGREEABLE
OUR SUB-GARDENER
A NEW AND INDIGNANT ITALIAN POET
A NEZ PERCÉ FUNERAL
REFORM IN VERSE
LITERATURE OF THE DAY
Bits of Travel at Home. By H. H. Boston: Roberts Brothers
Putnam's Art Handbooks. New York: G. P. Putnam's Sons
Adventures of a Consul Abroad. By Luigi Monti. Boston: Lee & Shepard
Books Received
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THE TROCADÉRO AND GROUNDS.
It is customary to speak of things by comparison, and the question is constantly propounded here, as it will be to returned Americans: "How does the Exposition compare with the Centennial of 1876?" This is not to be answered by vague generalities nor by sweeping statements.
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Standing, sensible-looking and tasteful, in the midst of much that is trumpery, but good enough for a summer fête, and placed here not as exhibits of good taste, but of what their owners think good, rises the wooden building with skylight roof of "The Administration of Forests and Waters." It is on a beautiful knoll, and has a wooden frame with tongued and grooved panels, the whole varnished to show the natural grain of the timber. On the panels outside are arranged the tools and implements of arboriculture and forestry.
The flags of the different nations displayed upon these buildings give animation to the scene, and the glance might pass at once from this panorama to the other side of the Seine, where the scene is repeated, but for the intervention of long barnlike sheds with tile roofs which intrude themselves along the banks of the river, and quench the poetry of the fanciful and picturesque as the eye passes from the immediate foreground and seeks the magnificent façade of the Salle d'Iéna, the river front of the main building occupying the Champ de Mars. The flags of all nations are flying from the numerous minor pinnacles, while the six domes on the ends and centres of the east and west façades display the tricolor of France.
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