The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 551, June 9, 1832
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Various. The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 551, June 9, 1832
MONKEY ISLAND
SONG,
TO A LADY WHO SAID SHE WAS THE SAME AGE AS HIMSELF
ENGLISH BALLAD SINGING
LOVE AT COURT AND LOVE IN THE COUNTRY
NOTES OF A READER
CORRUPT STATE OF THE WESTERN CHURCH IN THE ELEVENTH CENTURY
ODD DISPUTE
AN INDIAN TALE, AND OTHER POEMS
CAPTAIN MUNDY'S VISIT TO THE TOMB OF NAPOLEON, AT ST. HELENA
ANECDOTE GALLERY
OUR ANECDOTAGE
CHAPEL OF ST. JOHN THE BAPTIST, AT HAMPTON WICK
THE TOPOGRAPHER
TUNBRIDGE WELLS
SPIRIT OF THE PUBLIC JOURNALS
TO CAROLINE, VISCOUNTESS VALLETORT
PROGRESS OF CRIME
THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS
SCRIPTURAL ANTIQUITIES
THE NATURALIST
NOTES UPON NOTES
THE GATHERER
Отрывок из книги
This picturesque spot is situate in the middle of the river Thames, near Cliefden, Bucks,1 and about three-quarters of a mile from the village of Bray.2 It was purchased and decorated for the enjoyment of fishing parties by the third Duke of Marlborough. Upon its fine sward he erected a small rustic building called Monkey Hall, from the embellishments of the interior being in part fancifully painted with a number of monkeys dressed in human apparel, and imitating human actions. Some are represented diverting themselves with fishing, others with hunting, &c. One is drawn gravely sitting in a boat, smoking, while a female "waterman" is labouring at the oar, rowing him across a river. The ceiling and cornices are ornamented with aquatic plants and flowers. In another building, raised at the expense of the Duke, on this island, and named the Temple, is an elegant saloon, painted with green and gold, and enriched with figures in stucco-work superbly gilt, representing mermaids, sea-lions, fish, shells, and other objects. The place altogether might be called Marlborough's Folly.
The perfection of the monkey embellishments would delight the admirers of Mr. Landseer's famed Monkeyana.
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There was a young creature among the ballad-singers known to the world by no other title than Clara, who drew much attention at this time by the sweetness and pathos of her tones. She was the original singer of "Black-eyed Susan," and one or two songs which were afterwards introduced into the "Beggar's Opera;" but her recommendation to particular notice was the circumstance of her being for many years the object of Bolingbroke's enthusiastic affection. The poor girl strayed for some time, during which his Lordship had not seen her: it was after this interval, that, meeting her, he addressed to her the tender lines, beginning,
And concluding thus:
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