The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 371, May 23, 1829

The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 371, May 23, 1829
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Various. The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 371, May 23, 1829

The Fortune Playhouse

FINE ARTS

EXHIBITION OF THE ROYAL ACADEMY

SPITTLE-FIELDS, AND WEAVING IN FORMER DAYS

THE BIRD OF THE TOMB

CURING THE "KING'S EVIL."

"THE MORNING STAR."

The Sketch-Book

SCHINDERHANNES, THE GERMAN ROBBER

RESTROSPECTIVE GLEANINGS

OLD MANSIONS

LEGAL CRUSHING TO DEATH

LATE INSTRUCTION

The Novelist

ANNE OF GEIERSTEIN

THE SELECTOR, AND LITERARY NOTICES OF NEW WORKS

FRENCH COOKERY AND CONFECTIONERY

THE NATURALIST

ROOKS

THE BANANA TREE

INDIAN CORN

THE AGAVE AMERICANA,

THE ANECDOTE GALLERY

DOCTOR PARR

THE GATHERER

SONG FROM THE ITALIAN OF P. ROLLI

THE SPRING AND THE MORNING,

UNEXPECTED REPROOF

IRELAND

ROUGE ET NOIR

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All men are critics, in a greater or less degree. They can generalize upon the merits and defects of a picture, although they cannot point out the details of the defects, or in what the beauty of a picture consists; and to prove this, only let the reader visit the Exhibition at Somerset House, and watch the little critical coteries that collect round the most attractive paintings. Could all these criticisms be embodied, but in "terms of art," what a fine lecture would they make for the Royal Academy.

Our discursive notice would, probably, contribute but little to this joint-stock production; but as even comparing notes is not always unprofitable, we venture to give our own.

.....

16. Benaiah.—W. Etty—The line in 2 Samuel xxiii. 20., "he slew two lion-like men of Moab," has furnished Mr. Etty with the subject of this picture. It is a surprising rather than a pleasing composition; but the strength of colouring is very extraordinary. The disproportions of parts of the principal figure will, however, be recognised by the most casual beholder: although as a fine display of muscular energy, this picture is truly valuable, and is a proud specimen of the powerful genius of the painter.

28. Waterfall near Vatlagunta, in the peninsula of India, in the mountains that divide the Coasts of Coromandel and Malabar: its height between 500 and 600 feet.—W. Daniell.—The sublime and stupendous character of the scenery will enable the reader to form some idea of the difficulty with which the artist had to contend.

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