Blackwood's Edinburgh Magazine — Volume 53, No. 328, February, 1843

Blackwood's Edinburgh Magazine — Volume 53, No. 328, February, 1843
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Various. Blackwood's Edinburgh Magazine — Volume 53, No. 328, February, 1843

ARNOLD'S LECTURES ON HISTORY

POEMS AND BALLADS OF SCHILLER

No. V. THE VICTORY FEAST

RUDOLPH OF HAPSBURG.—A BALLAD

THE WORDS OF ERROR

THE WORDS OF BELIEF

THE MIGHT OF SONG

HONOUR TO WOMAN

THE FIGHT WITH THE DRAGON

REYNOLDS'S DISCOURSES. PART II

THE YOUNG GREY HEAD

IMAGINARY CONVERSATION

CALEB STUKELY

THE WORLD OF LONDON. SECOND SERIES

PART II

CONCERNING SLOW FELLOWS

OF THE ARISTOCRACY OF POWER

THE PHILOSOPHY OF DRESS

OF PRETENDERS TO FASHION

EYRE'S CABUL

THE EVACUATION OF AFFGHANISTAN

DEATH OF THOMAS HAMILTON, ESQ

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[This noble lyric is perhaps the happiest of all those poems in which Schiller has blended the classical spirit with the more deep and tender philosophy which belongs to modern romance. The individuality of the heroes introduced is carefully preserved. The reader is every where reminded of Homer; and yet, as a German critic has observed, there is an under current of sentiment which betrays the thoughtful Northern minstrel. This detracts from the art of the Poem viewed as an imitation, but constitutes its very charm as an original composition. Its inspiration rises from a source purely Hellenic, but the streamlets it receives at once adulterate and enrich, or (to change the metaphor) it has the costume and the gusto of the Greek, but the toning down of the colours betrays the German.]

[Hinrichs properly classes this striking ballad (together with the yet grander one of the "Fight with the Dragon") amongst those designed to depict and exalt the virtue of Humility. The source of the story is in Ægidius Tschudi—a Swiss chronicler—and Schiller (who, as Hinrichs suggests,) probably met with it in the researches connected with the compositions of his drama, "William Tell," appears to have adhered, with much fidelity, to the original narrative.]

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[Hinrichs properly classes this striking ballad (together with the yet grander one of the "Fight with the Dragon") amongst those designed to depict and exalt the virtue of Humility. The source of the story is in Ægidius Tschudi—a Swiss chronicler—and Schiller (who, as Hinrichs suggests,) probably met with it in the researches connected with the compositions of his drama, "William Tell," appears to have adhered, with much fidelity, to the original narrative.]

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