Blackwoods Edinburgh Magazine – Volume 55, No. 341, March, 1844

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In the course of social transition, professions, like dogs, have their day. A calling honourable in one century, becomes infamous in the next; and vocations grow obsolete, like the fashioning of our garments or figures of speech. In barbarous communities, the strong man is king:—

Where human statute is beginning to prize the general weal, the legist is of high account, and the priest paramount. Higher civilization engenders the influence of the man of letters, the artist, the dramatist, the wit, the poet, and the orator. Or when, with a wisdom surpassing the philosophy of the schools, we tumble down to prose, and assume the leathern apron of the utilitarian—the civil engineer, or operative chemist, starts up into a colossus. Sir Humphrey Davy, and Sir Isambert Brunel, are the true knights of modern chivalry; and Sir Walter—our Sir Walter—never showed himself more shrewd than in his exclamation to Moore—"Ah, Tam!—it's lucky, man, we cam' sae soon!" Great as was his influence, equaling that of the other two great Sir Walters, Manny and Raleigh, in their several epochs of valour and enterprise, it is likely enough, that, if born a century later, the MSS. of the Scotch novels would have been chiefly valuable to light the furnace of some factory!

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Why, therefore—O Public! why, we beseech thee, seeing that the influence of the operative class is fairly understood, and undeniably established among us—why not at once elevate choriography to the rank of one of the fine arts?—Why not concentrate, define, and qualify the calling, by a public academy?—since all hearts and eyes are amenable to the charm of exquisite dancing, why vex ourselves by the sight of what is bad, when better may be achieved? Be wise, O Pubic, and consider! Establish a professor's chair for the improvement of pirouetters. We have hundreds of professor's chairs, quite as unavailable to the advancement of the interests of humanity, and wholly unavailable to its pleasures. Neither painters nor musicians acquire as much popularity as dancers, or amass an equal fortune. Why should they be more highly protected by the state?

To disdain this exquisite art, is a proof of barbarism. The nations of the East may cause their dances to be performed by slaves; but two of the greatest kings of ancient and modern times, the kings after God's own heart and man's own heart—David and Louis le Grand—were excellent dancers, the one before the ark, the other before his subjects.

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