The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 471, January 15, 1831
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Every reader at all conversant with the history of the present century, or the past year, will appreciate our choice of the above Engraving. Its pictorial and historical interest will not bear comparison; unless it be in the strong contrast which the gloomy, wretched-looking building affords with the beautiful paysage of the scene. The spectator may perhaps reflect on the damning deeds which the cruelty and ambition of man have perpetrated in the Castle, then turn for relief to the gaiety—nay, the dancing life and bustle of other portions of the picture—and lastly confess that the composition, slight as it is, abounds with lights and shadows that strike forcibly on every beholder.
To be more explicit—the Castle of Vincennes was formerly a royal palace of the French court: it then dwindled to a state-prison; in its fosse, March 21, 1804, the Duke d'Enghien was murdered, the grave in the ditch on the left being where the body of the ill-starred victim was thrown immediately after being shot. The reader knows this act as one of the bloody deeds—the damned spots—of Bonaparte's career; that, subsequently, by order of the Bourbons, the remains of the duke were disinterred, and removed to the chapel of the Castle; and that the place has since become interesting as the prison of Prince Polignac and the Ex-ministers of Charles X. previous to their trial after the revolution in Paris, July, 1830.
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Charles IX. died at this chateau in 1574.
In the reign of Louis XIII. Mary de Medicis, his mother, built the magnificent gallery still in existence; and Louis XIII. commenced the two large buildings to the south, which were finished by Louis XIV.
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