Оглавление
Victoria Charles. Gothic Art
Introduction
Gothic Architecture
The System of Gothic Architectural Art
Gothic Architectural Monuments
The Gothic in France
The Gothic in England
The Gothic in Germany and Austria
The Gothic in Italy
The Gothic in Belgium and the Netherlands
The Gothic in Scandinavia
The Gothic on the Iberian Peninsula
Gothic Painting
Gothic Painting in Germany
Gothic Painting in Belgium and the Netherlands
Gothic Painting in Italy
Gothic Painting in Spain
Illuminated Books
Gothic Frescos
Gothic Glass Painting
Gothic Sculpture
Gothic Sculpture in Italy
Gothic Sculpture in England
Gothic Sculpture in Germany
Gothic Sculpture in France
Gothic Sculpture in the Netherlands
Gothic Tomb Sculpture
Conclusion
Bibliography
Отрывок из книги
1. Jan Van Eyck, St. Barbara, 1437.
Silverpoint on paper, 31 × 18 cm.
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11. Plan of Notre-Dame Cathedral, Paris (France).
The changes that Gothic architecture brought to the ground plans of churches are less drastic and revolutionary. The basic form of the basilica was adopted from the previous Romanesque style and only expanded in some details. The cross-shaped ground plan was the norm; only the arms of the transepts did not always reach beyond the side walls of the nave. In the Late Gothic the transept was often discarded altogether. The nave was usually three aisled and even five aisled during the highest developmental stage of the Gothic. The best example is Cologne Cathedral.
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