Sociology of the Arts

Sociology of the Arts
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Explains the key concepts, theories, and studies in the sociology of the arts—the fully updated new edition of the classic textbook   Sociology of the Arts  is a comprehensive yet accessible review of sociological approaches to studying the fine, popular, and folk arts. Integrating scholarly literature, theoretical models, and empirical studies, this authoritative textbook provides balanced coverage of a broad range of essential topics—enabling a deeper understanding of the field as a whole. Throughout the text, numerous real-world case studies reinforce key concepts, stimulate classroom discussion, and encourage students to contemplate abstract theoretical issues central to the relationship between art and society.  Now in its second edition, this bestselling volume features fully revised content that reflects the most recent literature and research in the field. New discussion on the production and the consumption of culture are complemented by fresh perspectives on changes in the social world such as the rise of the internet and digital media. Updated chapters offer insights into social boundaries and embodiment in the arts, emplacement, materiality, the social construction of art and aesthetics, and more. Exploring how art is created, distributed, received, and consumed, this textbook:  Explores both classic work and new approaches in the sociology of the arts Features case studies and discussion questions on art forms including popular music, film, romance novels, visual arts, and classical music Discusses the meaning of artistic objects and why interpretations of art vary Examines the ways art intersects with race, gender, sexuality, and class Includes photographs, tables and figures, and a comprehensive reference list Written by a leading scholar in the field,  Sociology of the Arts: Exploring Fine and Popular Forms, Second Edition  is an ideal textbook for advanced undergraduate and graduate courses on sociology of art and culture, media studies, anthropology of art, arts management, and the social history of art, and is a useful reference for established scholars studying any aspect of sociology of the arts.

Оглавление

Victoria D. Alexander. Sociology of the Arts

Table of Contents

List of Tables

List of Illustrations

Guide

Pages

SOCIOLOGY OF THE ARTS. Exploring Fine and Popular Forms

List of Illustrations

List of Tables

List of Figures

List of Boxes

Preface and Acknowledgements

Acknowledgements (Second Edition)

Preface to the First Edition

Acknowledgments (First Edition)

1 Introduction: What is Art?

Defining Art

Terms for Art

The Sociology in Sociology of the Arts

Sociological Approaches

Sociological Theories

Structure of the Book

NOTES

Part I. The Relationship between Art and Society

2 Reflection Approaches

Roots of Reflection Approaches

More Recent Reflection Analyses

National Identity and Unsettled Times

Friendship as Utopian Solution

Gender Roles

Understanding Rituals

Race

Critique

Conclusion: The Fun House Mirror

Case Study 2.1 The Reflection of Race in Children’s Books

Points for Discussion

Case

NOTES

3 Shaping Approaches

Roots of Shaping Approaches

Marxism

Hegemony

The Frankfurt School

Art and Civilization

Mass Culture Theorists

Media Effects

Cultivation Theory

Framing

The Effects of Fine Arts

Critique

Methodological Issues

Audiences

Elitism

Conclusion

Case Study 3.1 Violence in Popular Arts. Points for Discussion

Case

Notes

NOTES

4 A Mediated View: The Cultural Diamond

A Better Diamond

Part IIA. The Cultural Diamond. The Production of Culture

5 Art Worlds and Artistic Fields

Howard Becker’s Art Worlds

The Division of Labor

Conventions

Constraints and Possibilities

The “Production of Culture”

Gatekeepers

Reward Systems

Market Structures

Artists’ Careers

Pierre Bourdieu’s The Field of Cultural Production

Critique of Production Approaches

Case Study 5.1 From Academy to Public Sale

Points for Discussion

Case

The Academic System

The Dealer–Critic System

Implications for Works of Art

Note

NOTES

6 Businesses and Industries

Industry Systems

Nobody Knows Principle

Decision Chains

Box 6.1 Change in the Film Fatal Attraction

Blockbusters

Globalization and the Digital Revolution

Oligopoly and Global Media

The Long Tail

Art and the State

The Profit Motive

Summary

Case Study 6.1 Innovation in Commercial Musical Theatre

Points for Discussion

Case

Notes

NOTES

7 Nonprofits and Networks

Nonprofit Organizations

Artistic Networks

Government and Art Worlds

Conclusions

Case Study 7.1 Piccolos on the Picket Line: A Strike in the Symphony

Points for Discussion

Case. Background

Conflict in the Atlanta Symphony Orchestra

NOTES

8 Artists

Artists, Art Worlds, and Fields

Artistic Careers and Labor Markets

Box 8.1 The Romantic Vision of the Artist

Artists and their Careers

Freelance Work

Superstars and Winner Take All Markets

Payment by Royalty

Inequality in Arts and Culture

Identifying Artists

Reputation

Creativity and Genius

Conclusion

Case Study 8.1 Nothing Succeeds Like Success: Careers in the Film Industry. Points for Discussion

Case

The Industry

A Life in the Pictures

NOTES

Part IIB. The Cultural Diamond. The Consumption of Culture

9 Consumption Approaches

Roots of Consumption Approaches

British Cultural Studies

The Active Audience

Power and Ideology

Reception Aesthetics

Box 9.1 Cowboys, Indians, and Western Movies

Critique

Case Study 9.1 Romance Novels as Combat and Compensation

Points for Discussion

Case. The Puzzle

The Study

The Findings

Notes

NOTES

10 Sites and Experiences

Conceptions of the Audience

Modes of Reception

Art in Private Settings

Consuming on Site

Museum Experiences

Tourist Experiences

Performance Experiences

Cinema Experiences

Consuming on Screens and Devices

Personal Music in Public Settings

Convergence and Participation

Continuities Amidst Change

Summary and Concluding Remarks

Case Study 10.1 The Experience of Music

Points for Discussion

Case

NOTES

11 Identities

Subcultures, Tribes, and Fans

Social Identities

Individuals’ Identities

Identities and Canonization

National Identities

Thin Cultures and Interpretive Communities

Reading Circles

Soap Opera

Summary

Case Study 11.1 Acropolis Now: National Identity and the Return of the Parthenon Marbles?1

Points for Discussion

Case

Background

Greek National Identity

The “Universal Museum”

Further Issues

Notes

NOTES

12 Distinction

High and Low Art Forms

Distinction

Omnivores

Culture Talk

Continuing Debate

The Institutionalization of High Art

Artistic Legitimation

Summary: The Honorific Title of “Art”

Case Study 12.1 New Forms of Cultural Capital? Debates about Distinction

Points for Discussion

Case

Notes

NOTES

Part III. Art in Society

13 The Art Itself

Art by Itself: Formal Analysis

Semiotics

Three Key Concepts

Mythologies

Representation

The Fabrication of Meaning

Box 13.1 An Explanation of Piero’s Baptism of Christ

The “Work Itself”

Summary and Concluding Thoughts

Case Study 13.1 The Renaissance Way of Seeing

Points for Discussion

Case

Notes

NOTES

14 The Constitution of Art in Society

Integrating Across the Diamond

Art and Aura

Artistic Fields

Constructing Art and Aesthetics

Art in Society

Gendering Genius

Art in the Sociology of Art

Conclusion

Case Study 14.1 A Strange Sensation: Controversies in Art1

Points for Discussion

Case

The Roots of Controversy

Notes

NOTES

15 Studying Art Sociologically

References

Index

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Second Edition

.....

Both mechanisms are vague, and they leave aside the fact that art is made and distributed by people in production systems and is consumed by people in social systems. In other words, links between art and society are mediated by a variety of factors, as detailed in Part II of this book. Still, most researchers in the sociology of art believe that art objects can tell us something about the society that produces them, although the picture is much more complex than a single, straight line running directly between art and society. Current research in the sociology of the arts rarely uses a straightforward reflection approach.

Art reflects society, but in complex ways. I have identified a number of problems with the reflection approach. Crucially, the creators of and the audiences for art shape the artistic product and its meaning in ways that make a simple reflection argument problematic. Indeed, if art reflects society, then the mirror is one of the distorting kind that is found at fun fairs.

.....

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