ROGER FRY: A Biography

ROGER FRY: A Biography
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Описание книги

Virginia Woolf's only true biography, written to commemorate a devoted friend and one of the most renowned art critics of this century, who helped to bring the Postimpressionist movement from France to England and America. Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English artist and art critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, «A woman must have money and a room of her own if she is to write fiction.»

Оглавление

Virginia Woolf. ROGER FRY: A Biography

ROGER FRY: A Biography

Reading suggestions

ROGER FRY: a biography

Foreword

Chapter I

I

II

III

Chapter II

Chapter III

I

II

III

IV

Chapter IV

I

II

III

Chapter V

I

II

III

Chapter VI

I

Chapter VII

I

II

III

IV

V

Chapter VIII

I

II

Chapter IX

I

II

Chapter X

I

II

III

IV

V

VI

VII

Chapter XI

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

Appendix

Index

Footnotes

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Virginia Woolf

Foreword.

.....

First of all we were brought up to the absolute conviction that all men not in regular employment and receipt of a fairly high salary were morally reprehensible, that in fact the world was so arranged that wealth and virtue almost exactly corresponded, though every now and then we were allowed to despise some parvenu whose mushroom fortune had grown so quickly as to throw a dubious light on the theory itself. Such indeed was the owner of the upstart Kenwood Castle which thrust its gimcrack Gothic brickwork belvidere up into the midst of our own private view from our garden and who seemed actually to want to rival the splendours of Kenwood House which Lord Mansfield filled with his hereditary and long established dignity and actually allowed us to skate on his ponds.

This theory, then, of money being a coefficient of virtue made the pond loafers with their big red noses and big red neckerchiefs who stamped about blowing into their ugly hands altogether foreign beings infinitely remote from us like some other species, almost like the criminal species of man of which we heard now and again.

.....

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