Оглавление
W. T. Wilkinson. Photo-engraving, Photo-etching and Photo-lithography in Line and Half-tone
Photo-engraving, Photo-etching and Photo-lithography in Line and Half-tone
Table of Contents
INTRODUCTION
PART I. PHOTO-ENGRAVING IN LINE
CHAPTER I. APPLIANCES FOR MAKING PHOTOGRAPHIC NEGATIVES
CHAPTER II. THE WET COLLODION PROCESS
THE IODIZER
THE NITRATE OF SILVER BATH (1)
THE NITRATE OF SILVER BATH (2)
THE DEVELOPING SOLUTION
THE INTENSIFIER
PROTECTING THE COLLODION FILM
THE GLASS PLATE
CHAPTER III. PHOTOGRAPHIC MANIPULATIONS
THE USE OF GELATINE DRY PLATES IN PHOTO-ENGRAVING
THE REPRODUCTION OF NEGATIVES
STRIPPING COLLODION FILMS
THE REVERSING MIRROR
CHAPTER IV. APPARATUS FOR PRINTING UPON ZINC
POLISHING THE ZINC
GRAINING THE PLATE
COATING THE PLATE WITH SENSITIVE ALBUMEN
DRYING THE COATED ZINC
THE PRINTING FRAME
TIMING AND EXPOSURE
INKING THE EXPOSED ZINC
CHAPTER V. PRINTING ON THE ZINC IN ALBUMEN
CHAPTER VI. PRINTING ON ZINC IN BITUMEN
DEVELOPING THE IMAGE
CHAPTER VII. DIRECT TRANSFERS TO ZINC
CHAPTER VIII. ETCHING LINE TRANSFERS
PART II. PHOTO-ENGRAVING IN HALF-TONE
CHAPTER I. RETROSPECTIVE
CHAPTER II. MAKING GRAINED NEGATIVES
THE SCREEN
THE GRAINED NEGATIVE
CHAPTER III. ETCHING IN HALF-TONE
WHEN THE PRINT IS IN ALBUMEN
WHEN THE IMAGE IS IN BITUMEN
CHAPTER IV. PRINTING FROM THE BLOCK
CHAPTER V. THE TRANSFER OF THE DRAWING, AND ITS TREATMENT BEFORE ETCHING
THE FURTHER TREATMENT OF THE TRANSFER
THE ETCHING AND ITS INTERMEDIATE TREATMENT BEFORE MOUNTING THE CLICHÉ
ETCHING BY THE FRENCH METHOD
THE AUSTRIAN METHOD—THE ETCHING ON
MIDDLE ETCHING
DEEP ETCHING
ROUND ETCHING
CLEAN ETCHING
FINISHING AND MOUNTING THE PLATE
CHAPTER VI. HINTS FROM ALL SOURCES
AS TO THE DRAWING
FADING OUT THE PHOTOGRAPH
THE REVERSAL OF DRAWINGS (NEGATIVE PRINTING)
ETCHING APPARATUS
THE BEST DRYING BOX
TO PRODUCE GRAIN ON A NEGATIVE
ON THE USE OF ACIDS
MULTIPLICATION OF ZINC ETCHINGS BY GALVANIC MEANS AND BY STEREOTYPING
PREPARING ZINC PLATES ON THE PRINTER’S PRESS
ETCHING WITH SULPHATE OF COPPER SOLUTION
PROCESS FOR HIGH ETCHING IN RELIEF
THE RUNNING OF A WORKSHOP
SOME WRINKLES AND DODGES
CARBON PRINTING
COLAS’S BLACK PROCESS
MORDANTS FOR ETCHING. I. MORDANTS FOR STEEL
Kruger
Etching Solution with Alcohol
Cooley
II. MORDANTS FOR COPPER
Relief Etching
Tint Etching
Hamman
Electric Etching
MORDANTS FOR ZINC
Zincographic Etching
Zinco-typographic Etching
THE DIFFERENCE
PART III. PHOTO-ENGRAVING ON COPPER
CHAPTER I. SUBJECTS IN LINE
CHAPTER II. HALF-TONE INTAGLIOS
CHAPTER III. HALF-TONE INTAGLIOS—(Continued)
CHAPTER IV. HALF-TONE INTAGLIOS. ELECTROTYPING METHODS
PART IV. PHOTO-LITHOGRAPHY IN LINE
CHAPTER I
CHAPTER II. PAPER TRANSFERS
CHAPTER III. PAPER TRANSFERS—(Continued)
CHAPTER IV. TOOVEY’S NEGATIVE TRANSFER PROCESS
CHAPTER V. PHOTO-LITHO. TRANSFERS
TO DEVELOP PHOTO-LITHO. TRANSFERS. To develop photo-litho. transfers on paper
Making the paper sensitive
The development
For very fine reproductions
The inking
Transferring
PART V. PHOTO-LITHOGRAPHY IN HALF-TONE
CHAPTER I
CHAPTER II. INK PHOTOS
CHAPTER III. HUSBAND’S PAPYROTINT PROCESS
PART VI. COLLOGRAPHIC PRINTING
CHAPTER I. HALF-TONE PHOTOGRAPHIC NEGATIVES
CHAPTER II. THE HELIOTYPE PROCESS
THE ROLLERS
PREPARATION AND CARE OF THE ROLLERS
HELIOTYPE SKIN
THE PEWTER PLATE
THE MASK
THE HELIOTYPE SKIN
PRINTING THE PICTURE
EXPOSURE TO LIGHT
SUNNING THE BACK OF THE SKIN
MOUNTING ON THE PEWTER PLATE
PRINTING FROM THE SKIN
CHAPTER III. THE COLLOTYPE PROCESS
CHAPTER IV. PRINTING FROM THE COLLOTYPE PLATE
CHAPTER V. THE NEW HOME PRINTING PROCESS
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